Free-scores.com : Bach, Johann Sebastian - Aria: "Glück und Segen sind bereit" for Oboe, Horn & Cello (Hautbois et Cor)

CRITÈRES : Erwünschtes Freudenlicht, BWV 184 No 4 (7) (Bach, Johann Sebastian)

COR › Bach, Johann Sebastian

Aria: "Glück und Segen sind bereit" for Oboe, Horn & Cello
BWV 184 No 4
Johann Sebastian Bach
Hautbois et Cor

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VoirPDF : Aria: "Glück und Segen sind bereit" (BWV 184 No 4) for Oboe, Horn & Cello (4 pages - 191.67 Ko)709x⬇

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Compositeur	Bach, Johann Sebastian (1685 - 1750)
Instrumentation	Hautbois et Cor
Partition centrale	Erwünschtes Freudenlicht (7 partitions)
Genre	Baroque
Arrangeur Editeur	MAGATAGAN, MICHAEL (1960 - )
Droit d'auteur	Public Domain
	Ajoutée par magataganm, 28 Avr 2014
Erwünschtes Freudenlicht (Desired light of joy), BWV 184, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the third day of Pentecost and first performed it on 30 May 1724. Bach composed this cantata for Whit Tuesday, the third day of Pentecost. It was likely based on an earlier secular cantata that is no longer extant. BWV 184 was first performed on 30 May 1724 in Leipzig, and was performed again on 3 June 1727 and 15 May 1731. The opening recitative is acc...(+) Erwünschtes Freudenlicht (Desired light of joy), BWV 184, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the third day of Pentecost and first performed it on 30 May 1724. Bach composed this cantata for Whit Tuesday, the third day of Pentecost. It was likely based on an earlier secular cantata that is no longer extant. BWV 184 was first performed on 30 May 1724 in Leipzig, and was performed again on 3 June 1727 and 15 May 1731. The opening recitative is accompanied by the "ethereal piping" of flutes and continuo. It concludes with an arioso section. The duet aria is "dynamically subtle" and in triple time, "retaining a little more of the spirit of the rustic dance". Formally, it is a da capo aria with a long ritornello. The third movement is a secco tenor recitative. It too has a closing arioso, ending the movement on D rather than the C major in which it began. The tenor aria is formally a trio sonata for voice, violin, and continuo, in adapted ternary form. It is in B minor, the only movement not in a major key. The penultimate movement is, unusually, a four-part setting of the chorale tune. The closing chorus is similar to a gavotte in style. Its middle section is a soprano and bass duet. Although originally scored for three solo voices (soprano, alto, and tenor), a four-part choir, two flutes, two violins, viola, and basso continuo, I created this arrangement for Oboe, French Horn & Cello.

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Aria: "Glück und Segen sind bereit" for Oboe, Horn & Cello (principal) - compositeur Bach, Johann Sebastian PARTITIONS

Hautbois et Cor

Baroque