 | Rosamond Johnson, John - "Lift Every Voice and Sing" for Steel Orchestra Ensemble de Percussion |
VoirPDF : "Lift Every Voice and Sing" for Steel Orchestra (4 pages - 108.67 Ko)2 021x⬇ VoirPDF : Double Lead 1 (60.77 Ko) VoirPDF : Double Lead 2 (60.43 Ko) VoirPDF : Violoncelle Pan (59.09 Ko) VoirPDF : Bass Pan (62.87 Ko) VoirPDF : Alto Pan (66.57 Ko) VoirPDF : Lead Pan (60.61 Ko) VoirPDF : Conducteur complet (108.67 Ko) MP3 (108.67 Ko)350x⬇ 2297x
Vidéo :
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| Compositeur : | Rosamond Johnson, John (1873 - 1954) | ||
| Instrumentation : | Ensemble de Percussion | ||
| Genre : | Hymne - Eglise - Sacre | ||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par magataganm, 29 Avr 2014 John Rosamond Johnson (August 11, 1873 – November 11, 1954),[1] most often referred to as J. Rosamond Johnson, was an Bahamian-American composer and singer during the Harlem Renaissance. Johnson is most notable as the composer of the hymn "Lift Every Voice and Sing" which has come to be known in the United States as the "Black National Anthem". His brother, the poet James Weldon Johnson, wrote the lyrics of the famous piece. It was first performed live by 500 Black American students from the segregated Stanton School (elementary/middle/junior high-level), Jacksonville, FL, in 1900. The song was published by the Edward B. Marks Music Company, formerly the Joseph W. Stern & Co., Manhattan, NY. "Lift Every Voice and Sing" — often referred to as "The African American National Anthem"— is a song written as a poem by James Weldon Johnson (1871--1938) in 1899 and set to music by his brother John Rosamond Johnson (1873--1954) in 1900. "Lift Every Voice and Sing" was publicly performed first as a poem as part of a celebration of Lincoln's Birthday on February 12, 1900, by 500 school children at the segregated Stanton School. Its principal, James Weldon Johnson, wrote the words to introduce its honored guest Booker T. Washington. The poem was later set to music by Johnson's brother John in 1905. In 1939, Augusta Savage received a commission from the World's Fair and created a 16-foot plaster sculpture called Lift Ev'ry Voice and Sing which was destroyed by bulldozers at the close of the fair. In Maya Angelou's 1969 autobiography, I Know Why the Caged Bird Sings, the song is sung by the audience and students at Maya's eighth grade graduation, after a white school official dashes the educational aspirations of her class. In 1990, singer Melba Moore released a modern rendition of the song, which she recorded along with others including R&B artists Stephanie Mills, Anita Baker, Dionne Warwick, Bobby Brown, Stevie Wonder, Jeffrey Osborne, and Howard Hewett; and gospel artists BeBe & CeCe Winans, Take 6, and The Clark Sisters, after which, "Lift Ev'ry Voice and Sing" was entered into the Congressional Record by Del. Walter Fauntroy (D-DC),. In 2008, jazz singer Rene Marie was asked to perform the national anthem at a civic event in Denver, Colorado, where she caused a controversy by substituting the words of "Lift Every Voice and Sing" into the song. This arrangement of the words of "Lift Every Voice and Sing" with the melody of "The Star Spangled Banner" became part of the titular suite on her 2011 CD release, "The Voice of My Beautiful Country". On January 20, 2009, the Rev. Joseph Lowery, who was formerly president of the Southern Christian Leadership Conference, used a near-verbatim recitation of the song's third stanza to begin his benediction at the inauguration ceremony for President Barack Obama. Although originally written for accompanied voice, I created this arrangement for my friend and Pastor Julian J. Champion of the West Point School of Music located in Chicago IL. It has a single purpose for making music accessible to inner-city and disadvantaged youth. They are a struggling organization with a wonderful purpose. This arrangement is created for Steel Orchestra (Lead Pan, Double Lead (2), Alto Pan, Cello Pan & Bass Pan) Steel Drums. | |||
