 | Haendel, Georg Friedrich - Sonata I for Viola & Piano Opus 1 No. 8 HWV 366 Alto et Piano (ou orgue) |
VoirPDF : Sonata 1 (Opus 1 No 8 HWV 366) for Viola & Piano (6 pages - 181 Ko)757x⬇ VoirPDF : Piano Part (133.35 Ko) VoirPDF : Alto Part (109.74 Ko) MP3 : Audio principal (109.74 Ko)167x⬇ 1108x
Sonata I for Viola & Piano
MP3 (5.8 Mo) : 
(par Magatagan, Mike)112x⬇ 130x
Sonata I for Viola & Piano
MP3 (5.79 Mo) : (par Magatagan, Mike)83x⬇ 118xVidéo :
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| Compositeur : | Haendel, Georg Friedrich (1685 - 1759) | ||||
| Instrumentation : | Alto et Piano (ou orgue) | ||||
| Genre : | Baroque | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Date : | 1711-12 | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 16 Aoû 2014 George Frideric Handel (German: Georg Friedrich Händel (1685 -- 1759) was a German-born British Baroque composer, famous for his operas, oratorios, anthems and organ concertos. Handel was born in 1685, in a family indifferent to music. He received critical musical training in Halle, Hamburg and Italy before settling in London (1712) and becoming a naturalised British subject in 1727. By then he was strongly influenced by the great composers of the Italian Baroque and the middle-German polyphonic choral tradition. 14 of the 20 sonatas published as Handel's "Op. 1" have a complex history. Composed at various stages in his career, they were first issued under that designation by the Amsterdam publisher Roger in the 1720s, a publication rapidly followed around 1726 by a "more correct" but equally unauthorized edition from Handel's London publisher, John Walsh. In fact, modern comparison with Handel's autograph of both publications has revealed serious errors. The Sonata in C minor for Oboe and Bass Continuo, which was published as No. 8 in the Roger and Walsh collections, is one of the earlier works included, being generally accepted by Handel scholars as having been composed during around 1711 or 1712, the period when he first settled in London following the sensational success of his opera Rinaldo in February 1711. During the early years of the eighteenth century, the oboe and recorder (both of which were at this time played by the same performer) challenged the previous hegemony of the violin as a solo instrument in sonatas, although this is the only oboe sonata included in "Op. 1." There are four short movements, an expressive Largo, an Allegro based on a chromatic theme, an Adagio, and a lively concluding Bourrée anglaise. Although originally written for Oboe & keyboard, I created this arrangement for Viola & Piano. Partition centrale : | Oboe Sonata in C minor, Op 1 No 8 (11 partitions) | | |||
