ORCHESTREBach, Johann Sebastian
Aria:
Bach, Johann Sebastian - Aria: "Schweig, aufgetürmtes Meer!" for Woodwinds & Strings
BWV 81 No 5
Vents & Orchestre Cordes


VoirPDF : Aria: "Schweig, aufgetürmtes Meer!" (BWV 81 No 5) for Woodwinds & Strings (20 pages - 342.29 Ko)328x
MP3 : Aria: "Schweig, aufgetürmtes Meer!" (BWV 81 No 5) for Woodwinds & Strings 58x 178x
MP3
Vidéo :
Compositeur :
Johann Sebastian Bach
Bach, Johann Sebastian (1685 - 1750)
Instrumentation :

Vents & Orchestre Cordes

Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian Bach
MAGATAGAN, MICHAEL (1960 - )
Droit d'auteur :Public Domain
Ajoutée par magataganm, 19 Mai 2015

Jesus schläft, was soll ich hoffen? (Jesus sleeps, what shall I hope for?), BWV 81, is a church cantata by Johann Sebastian Bach. He composed it in 1724 in Leipzig for the fourth Sunday after Epiphany and first performed it on 30 January 1724.

Bach wrote the cantata in his first year in Leipzig for the fourth Sunday after Epiphany A fourth Sunday after Epiphany is rare and occurs only in years with a late date of Easter. The prescribed readings for the Sunday were taken from the Epistle to the Romans, love completes the law (Romans 13:8–10), and from the Gospel of Matthew, Jesus calming the storm (Matthew 8:23–27). The poet is unknown, but Erdmann Neumeister and Christian Weiss have been suggested by scholars. The poet refers to the Gospel and expands on the contrast of Jesus hidden (sleeping) and appearing (acting), similar to Mein Gott, wie lang, ach lange? BWV 155, written in 1716 and performed three weeks earlier on the First Sunday after Epiphany. The words of movement 4 are a quote from the Gospel, the question of Jesus: "Ihr Kleingläubigen, warum seid ihr so furchtsam?" (Why are ye fearful, O ye of little faith?). The closing chorale is the second stanza of Johann Franck's hymn "Jesu, meine Freude".

Bach expresses the questions of the anxious "soul" in a dramatic way, similar to dialogues such as in O Ewigkeit, du Donnerwort, BWV 60. This, the fourth aria "Schweig, aufgetürmtes Meer!" (Quiet, heaving sea!), marked allegro, contrasts the "storm", in unison runs of the strings, with calmer motion in the oboes.

Bach composed a similar symmetry around a biblical word in 1726 in Brich dem Hungrigen dein Brot, BWV 39.

Source: Wikipedia (http://en.wikipedia.org/wiki/Jesus_schl%C3%A4ft,_was_s oll_ich_hoffen%3F_BWV_81)

Although originally scored for two oboes d'amore, two violins, viola, and basso continuo, I created this arrangement for Woodwind Trio (Flute, Oboe & Bassoon) & Strings (2 Violins, Viola & Cello).
Partition centrale :Jesus schläft, was soll ich hoffen? (5 partitions)
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