 | Bach, Johann Sebastian - "Erbarm dich mein, o herre Gott" for Viola & Harp BWV 721 Alto et Harpe |
VoirPDF : "Erbarm dich mein, o herre Gott" (BWV 721) for Viola & Harp (2 pages - 92.94 Ko)416x⬇ MP3 : "Erbarm dich mein, o herre Gott" (BWV 721) for Viola & Harp 56x⬇ 284x
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| Compositeur : | Bach, Johann Sebastian (1685 - 1750) | ||||
| Instrumentation : | Alto et Harpe | ||||
| Genre : | Baroque | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 24 Jun 2015 It was only for fifteen years, or the first third of his active professional life, that Johann Sebastian Bach served as a church organist. As such, he was mainly expected to accompany church congregations during hymn singing, and to provide them with musical support before the singing began. This involved outlining the melody, giving the key note, and setting the tempo and the mood, both musical and spiritual. When seated before his organ manuals, Bach the musician, believer, and poet instinctively paraphrased the religiously-charged hymn tunes, providing a sort of theological commentary in music. This was the chorale prelude. Bach inherited the basic musical form from Johann Pachelbel, enlarged on it in the style of Georg Boehm and Diderik Buxtehude, and raised it - as he was to do with so many other musical forms - to a peerless degree of development and perfection. No absolutely accurate count of these works can be made, but there are known to exist at least 200 chorale preludes to the hymns most frequently sung in the Lutheran churches of Thuringia. The Chorale "Erbarm’ dich mein, O Herre Gott" ("Lord God Have Mercy On Me") BWV 721 occupies a unique place in the canon of Bach organ chorales. The stately melody rises from a heavy, mournful bass line in a somewhat archaic style reminiscent of Johann Kuhnau. Bach was acquainted with the affable, highly cultivated Kuhnau, a lawyer as well as an organist and composer, and eventually succeeded him at Leipzig's St. Thomas church. The piece can thus be considered as both a musical tribute to Kuhnau’s art, and a prayer for the repose of his soul. This chorale is one of Bach's most strikingly simple arrangements: Within this simplicity, however, is profundity. The setting has the affekt of a mysterious, somber procession, evoking the plea for mercy of the text (in English): Have mercy, Lord, my sin forgive; For Thy long-suffering is great! O cleanse and make me fit to live, My sore offence do thou abate With shame do I my fault confess, 'Gainst Thee alone, Lord, have I sinned. Thou art the source of righteousness, And I the sinner just condemned. Source: http://harmonicclassics.com/album/IT_HC_D_09507/ Although originally created for organ, I created this arrangement for Viola and Concert (Pedal) Harp. Partition centrale : | Autres chorals et préludes (91 partitions) | | |||
