 | Saint-Saens, Camille - "Valse Mignonne" for Piano Opus 104 Piano seul |
VoirPDF : "Valse Mignonne" (Opus 104) for Piano (6 pages - 207.22 Ko)790x⬇ MP3 : "Valse Mignonne" (Opus 104) for Piano 145x⬇ 1504x
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| Compositeur : | Saint-Saens, Camille (1835 - 1921) | ||||
| Instrumentation : | Piano seul1 autre version | ||||
| Genre : | Romantique | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Date : | 1896 | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 11 Oct 2015 Camille Saint-Saëns was something of an anomaly among French composers of the nineteenth century in that he wrote in virtually all genres, including opera, symphonies, concertos, songs, sacred and secular choral music, solo piano, and chamber music. He was generally not a pioneer, though he did help to revive some earlier and largely forgotten dance forms, like the bourée and gavotte. He was a conservative who wrote many popular scores scattered throughout the various genres: the Piano Concerto No. 2, Symphony No. 3 ("Organ"), the symphonic poem Danse macabre, the opera Samson et Dalila, and probably his most widely performed work, The Carnival of The Animals. While he remained a composer closely tied to tradition and traditional forms in his later years, he did develop a more arid style, less colorful and, in the end, less appealing. He was also a poet and playwright of some distinction. Saint-Saëns was born in Paris on October 9, 1835. He was one of the most precocious musicians ever, beginning piano lessons with his aunt at two-and-a-half and composing his first work at three. At age seven he studied composition with Pierre Maledin. When he was ten, he gave a concert that included Beethoven's Third Piano Concerto, Mozart's B flat Concerto, K. 460, along with works by Bach, Handel, and Hummel. In his academic studies, he displayed the same genius, learning languages and advanced mathematics with ease and celerity. He would also develop keen, lifelong interests in geology and astronomy. In 1848, he entered the Paris Conservatory and studied organ and composition, the latter with Halévy. By his early twenties, following the composition of two symphonies, he had won the admiration and support of Berlioz, Liszt, Gounod, Rossini, and other notable figures. From 1853 to 1876, he held church organist posts; he also taught at the École Niedermeyer (1861-1865). He composed much throughout his early years, turning out the 1853 Symphony in F ("Urbs Roma"), a Mass (1855) and several concertos, including the popular second, for piano (1868). This is a transcription of his Opus 104 waltz "Valse Mignonne" (The Lovers Waltz) written for Piano in 1896. Partition centrale : | Valse mignonne en mi bémol majeur (3 partitions) | | |||
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