 | Bach, Johann Sebastian - Aria: "Wir waren schon zu tief gesunken" for Horn & Harp BWV 9 No 3 Cor et Harpe |
VoirPDF : Aria: "Wir waren schon zu tief gesunken" (BWV 9 No 3) for Horn & Harp (7 pages - 198.56 Ko)225x⬇ MP3 : Aria: "Wir waren schon zu tief gesunken" (BWV 9 No 3) for Horn & Harp 37x⬇ 284x
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| Compositeur : | Bach, Johann Sebastian (1685 - 1750) | ||||
| Instrumentation : | Cor et Harpe | ||||
| Genre : | Baroque | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 12 Janv 2016 Es ist das Heil uns kommen her (It is our salvation come here to us), BWV 9,[a] is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the sixth Sunday after Trinity between 1732 and 1735, based on the hymn "Es ist das Heil uns kommen her" by Paul Speratus. Bach composed the cantata to fill a gap in his cycle of chorale cantatas written for performances in Leipzig from 1724. The cantata is framed as the earlier chorale cantatas by a chorale fantasia and a chorale four-part setting of the first and the twelfth stanza in the original words by the reformer Speratus, published in the First Lutheran Hymnal. The theme is salvation from sin by God's grace alone. An anonymous librettist paraphrased the content of ten inner stanzas to alternating recitatives and arias. Bach scored the cantata for a chamber ensemble of four vocal parts, flauto traverso, oboe d'amore, strings and continuo. He gave all three recitatives to the bass, like a sermon interrupted in reflection by a tenor aria with solo violin and a duet of soprano and alto with the wind instruments. Bach composed the cantata for the Sixth Sunday after Trinity between 1732 and 1735. It filled a gap in his second annual cycle of chorale cantatas written for performance in Leipzig. In 1724, when he composed the cycle, he had an engagement in Köthen that Sunday, and therefore left the text for later completion. The cantata is based on a hymn "Es ist das Heil uns kommen her" by Paul Speratus, which was published in 1524 in the Achtliederbuch, the first Lutheran hymnal. The theme of the chorale is the Lutheran creed of salvation from sin by God's grace alone (justification by faith), summarized in the first stanza: "Deeds can never help, ... faith beholds Jesus Christ, ... He has become the Intercessor".. The cantata in seven movements is scored for a chamber music ensemble of four vocal soloists (soprano (S), alto (A), tenor (T) and bass (B)), a four-part choir SATB, flauto traverso (Ft), oboe d'amore (Oa), two violins (Vl), one of them solo (Vs), viola (Va), and basso continuo (Bc). The autograph title page reads: "Dominica 6. post Trinitatis / Es ist das Heil uns kommen her / a / 4 Voci / 1 Traversa / 1 Hautb: d'Amour / 2 Violini / Viola / e / Continuo / di / Joh:Sebast:Bach". Source: Wikipedia (https://en.wikipedia.org/wiki/Es_ist_das_Heil_uns_komm en_her,_BWV_9). The tenor aria depicts the "sinking" of "Wir waren schon zu tief gesunken" (We were already too deeply sunk) in downward motifs and an irregular rhythm of syncopes, observed by Dürr as an image of "a giddy descent into the abyss of sin". I created this arrangement of the first Aria: "Wir waren schon zu tief gesunken" (We were already too deeply sunk) for French Horn & Concert (Pedal) Harp. Partition centrale : | Es ist das Heil uns kommen her (6 partitions) | | |||
