ed front, the furia, with fury. gamut german hymn, g.flat thin!. given by given to the graceful. grave, grazioso, great deal depends greater ivppoigataras ^gro fftos : guvotta, hail half half a tone. half a tone higher half a ton* higher^- half notes half notes. hand. \ hand'. 6 hand, and the holes which are to ho' love is ^hvptif^ hymn. ibifl tolrto p ijfe ijls, in a singing increase the sound! in the hunting stile. into, into the fugelet, iow. ipnoigatura its. iufftreut xraysi\. jflayed. jjmr^ljm^ gte j pg gjfepi'i j^ p-mrp j^pthree minims, jrou ^=jsr. 'jszl'm / - kbony _ ked kin. of i'.\ ace mn known by the koliin hood. ktir la pipe johiu larghetto, largo, last 9 left lento, liar. libitum, life liosliu castle. lit- little finger. 7 little fingev l ive ly. l-mietto, music in two parts. lord uat heart's favorite losed loud. lower made **> first playing the made use maestoso, majestic. major, major, or sharp keys. makel makes march marcli. mark marked 2 \% 6 mark (o\ shews the men, mfhfetfg^tt jg' t miaur mined keys, moderate, moderate. mori. ith'- march. most motion. a turned shake in movement. moving "by semitones. much. music in three parts. must be down two must be takeu must rein^ natural noteand natural scale. nb. the nesesary or expressly. nlate sound note, notes in each bar, andlhe 1 piano, or p, pill, more. pitch, thendaminishing placed at placito, pla in \ plain shake is the art played. pleasure. ^polish dance" prestissimo, very presto, primatire quavers; quavers' in a har. quick. quickly/ quick ma rcli quick movements; and when itoccurs,is always quick step. read the following scale reduces any. note made remain open, and *\ represents the keys. rest .-right *right right hand rising thereof. robin adair. rrji^^fe %rr^mhi? r %-^hffis samc manner, scale of flats and sharps'. scales 1.2.8.4.5.6.7. represent the semitones or sffiei^gttp shake shake d. sharjuj: sharp third sharp third consists sharp to shelf shr^m shut siciliailo, a pastorale sicilian mariner's signifies that the signifies that they *ee to silent. simitone, single fine or slower than allegro. slower than andante. soft. soirrid.': so mi with the rest. sorts of speaking. staccato staccato, stile. stlbito, strong, otherwise ^st^tal^lt h sweetly. syncopation or driving notes. table of transposition tars of colombia. tempo, tenderly. the- the appoigatura the bassoon. the black dots mean the the case the figures the first containing the foot the greater effect, and the harpsicord. the major key, the marks the note immediately after the other. the parts together. the quickest the removeing any the second these marks /// the slowest time. the tone the upper number denotes third third con 6 is this this mark/*') is meantforthe shakes. this mark(^j-j this simple three of which throughout the scale by play thumb -thumb thumb'". tid re time time. time, called compound time of the principal note,which time the ^tis tlius, t&mfr^m&g to be played half a tone to distinguish toiuvidcthe measure, ami tone lower transposition traveller. trio, tromba, trple_ trumpet. \u waltz im warm washington's when with with all other written, written. ^w^ti' n jfrr^ you must blow a zfti;" />
VoirPDF : Partition (38 pages - 2.09 Mo)276x⬇
 | Blake, George E. - Instructions for the Patent Flagelet Flageolet |
VoirPDF : Partition (38 pages - 2.09 Mo)276x⬇
| Compositeur : | Blake, George E. (1774 - 1871) | ||||
| Instrumentation : | Flageolet | ||||
| Genre : | Methodes | ||||
| Arrangeur : | |||||
| Editeur : | |||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par FS, 01 Jun 2016 Instructions for the Patent Flagelet, and English and French Flagelets. Also, A Collection of the newest and most favorite Airs, Song-tunes, Marches &c. - Selected and Arranged by G. E. Blake. Source / Web : | archive.org | | |||
