same pitch scale. scale,aixd scale ascending. scale in scale, in scale in ah major scale in d scale in db major scale in f# minor scale of a minor. scale of c major. scales in scale, the seat no. self- instructors seventh pos. s=fei sforzando shake). sharply accented. short appoggiaturas. short trill). side of the signature signs used in abbreviating simple form sixth pos. sixty- fourth note slow slur slur. soft. some players have sometimes ^sometimes staff, notes and rests staff, thus: stebbins stephen c.foster string stroke. stroke exercises studies in triplets study syncopation study tailpiece. tcfi tempo i tenor tenor banjo tenor -banjo tflj tfuctlfe that marked the accent the alto clef the appoggiatura the arm the arm upon which the fin- the arpeggio the'$ before a note raises the books the bridge over which the character ,- the chromatic scale the chromatic scale. the chromatic scale. the the clef the clef. the compass of the tenor-banjo the date due card the fascinator the finest recreations possible. the following notes on piano. the four strings are the the gruppetto the lower them the maid on the green the major the method the minor scale. the next one the open strings the performer should the same rule the same with banjo part augmented the scale the scale. the second the sharp the signs used the slurred notes. the small notes the staff. the strings and bridge the strings and bridge. the student should write the tenor banjo the tenor- banjo the term "jazz" as applied the tiple, the trill the v? the x third pos. third position third position and etude. thirty - second note this this book this edition this musical embellishment this respect. this scale throughout the time value. thumb being on the upper thus: time time, measure & bar. /tip tjf^r tlie first, to make even strokes play to obtain full to play transposing trem.^ tremolo. tremolo exercises tremolo throughout. tremolo upper note only in chords. trill (or trio trio: triozfe* t^r itr'cri^? f> trjum^ trovatore" trovatore" (with piano ace.) tune the 4th string two notes txrtritfj ir*rr, c/tj' unlike the mandolin -banjo upon the 4th up or down. used. used especially for the used. it fixes using the plectrum (or pick) u uiigfc valse de concert verdi very very loud. viola -- vols. i-ii volume of tone waldteufel waltz waltz time when when a when chords are to be played when placed over two notes on when the sign is whichever one we begin with. which represent silence. white-smith music publishing co. white -smith music publishing company whole whole note or best whole tone. with jazz effects with same signature with the with the chin. support the arm w. lawson wohlfahrt .wohlfahrt workmanship. written: written. "wtjif ^|/yinr yitf :zit" />
VoirPDF : Partition (86 pages - 5.99 Mo)673x⬇
 | Lansing, George L. - Master Instructor for the Tenor Banjo Banjo |
VoirPDF : Partition (86 pages - 5.99 Mo)673x⬇
| Compositeur : | Lansing, George L. (1855 - 1920) | ||||
| Instrumentation : | Banjo | ||||
| Genre : | Methodes | ||||
| Arrangeur : | |||||
| Editeur : | |||||
| Langue : | Anglais | ||||
| Droit d'auteur : | Public Domain | ||||
Ajoutée par FS, 04 Jun 2016| Source / Web : | archive.org | | |||
