 | Bach, Johann Sebastian - Allemande in C Minor for Harp BWV 834 Harpe |
VoirPDF : Allemande in C Minor (BWV 834) for Harp (5 pages - 149.94 Ko)331x⬇ MP3 : Allemande in C Minor (BWV 834) for Harp 48x⬇ 394x
Vidéo :
![]()
| Compositeur : | Bach, Johann Sebastian (1685 - 1750) | ||||
| Instrumentation : | Harpe | ||||
| Genre : | Baroque | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 07 Aoû 2016 Johann Sebastian Bach was better known as a virtuoso organist than as a composer in his day. His sacred music, organ and choral works, and other instrumental music had an enthusiasm and seeming freedom that concealed immense rigor. Bach's use of counterpoint was brilliant and innovative, and the immense complexities of his compositional style -- which often included religious and numerological symbols that seem to fit perfectly together in a profound puzzle of special codes -- still amaze musicians today. Many consider him the greatest composer of all time. Keyboard Works (Klavierwerke) by Johann Sebastian Bach traditionally refers to the Nos. 772 to 994, Chapter 8 in the BWV catalogue, listing compositions for a solo keyboard instrument like the harpsichord or the clavichord. Despite the fact that organ is also a keyboard instrument, and that in Bach's time the distinction wasn't always made whether a keyboard composition was for organ or another keyboard instrument, Wolfgang Schmieder ranged organ compositions in a separate section of the Bach-Werke-Verzeichnis (Nos. 525-771). Also other compositions for keyboard, like compositions for lute-harpsichord and fortepiano were listed outside the "Klavierwerke" range by Schmieder. Lute works are in the range 995–1000, Chapter 9 in the BWV catalogue. Bach was a prodigious talent at the keyboard, well known during his lifetime for both his technical and improvisational abilities. Many of Bach's keyboard works started out as improvisations.Bach wrote widely for the harpsichord, producing numerous inventions, suites, fugues, partitas, overtures, as well as keyboard arrangements of concerto music by his contemporaries. The fortepiano is an instrument Bach would have encountered once, by the end of his life when it was recently invented, while visiting his son in Potsdam. The visit resulted in Das Musikalische Opfer, parts of which may have been intended for the new instrument. Several of Bach's works for keyboard were published in print in his own lifetime. Four such publications were given the name Clavier-Übung (Keyboard Practice) by the composer. Bach was not the first to use that name, for example Bach's Leipzig predecessor Johann Kuhnau had used it for two volumes published in the late 17th century. The first volume, Bach's Opus 1, was published in 1731, while the last was published a decade later. The first, second and last volume contain music written for harpsichord, while the third was mainly intended for performance on the organ, only four duets contained in that volume ending up in the BWV 772–994 range. Suites and suite movements (Nos. 832–845) Includes Suites and single movements from Bach and from possible other composers. Source: Wikipedia (https://en.wikipedia.org/wiki/List_of_keyboard_and_lut e_compositions_by_...). Olthough originally composed for Keyboard (Harpsichord), I created this arrangement of the Allemande in C Minor (BWV 834) for Solo Concert (Pedal) Harp. Partition centrale : | Allemande en Do mineur (3 partitions) | | |||
