Free-scores.com : Haendel, Georg Friedrich - "To Thee Cherubin and Seraphim" for Harpsichord & Oboes (Hautbois et Clavecin)

CRITÈRES : Te Deum (Utrecht) in D major, HWV 278 Part I No. 3 (5) (Haendel, Georg Friedrich)

"To Thee Cherubin and Seraphim" for Harpsichord & Oboes
HWV 278 Part I No. 3
Georg Friedrich Haendel
Hautbois et Clavecin

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VoirPDF : "To Thee Cherubin and Seraphim" (HWV 278 Part I No. 3) for Harpsichord & Oboes (3 pages - 144.5 Ko)1 667x⬇

VoirPDF : Hautboiss Part (113.37 Ko)

VoirPDF : Clavecin Part (123.79 Ko)

MP3 : Audio principal (123.79 Ko)339x⬇ 1 202x

To Thee Cherubin and Seraphim for Harpsichord & Oboes

MP3 (2.95 Mo) :

(par Magatagan, Michael)239x⬇ 279x

To Thee Cherubin and Seraphim for Harpsichord & Oboes

MP3 (2.93 Mo) :

(par Magatagan, Michael)192x⬇ 221x

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Compositeur	Haendel, Georg Friedrich (1685 - 1759)
Instrumentation	Hautbois et Clavecin
Partition centrale	Te Deum (Utrecht) in D major (5 partitions)
Genre	Baroque
Arrangeur Editeur	MAGATAGAN, MICHAEL (1960 - )
Date	1713
Droit d'auteur	Public Domain
	Ajoutée par magataganm, 27 Mai 2013
Utrecht Te Deum and Jubilate is a sacred choral composition in two parts, written by George Frideric Handel to celebrate the Treaty of Utrecht, which established the Peace of Utrecht in 1713, ending the War of the Spanish Succession. The combination of a Te Deum and Jubilate, the Psalm 100, follows earlier models. The official premiere of the work on English texts was on 13 July 1713 in a service in St Paul's Cathedral in London. Handel's composition was written to celebrate the Peace ...(+) Utrecht Te Deum and Jubilate is a sacred choral composition in two parts, written by George Frideric Handel to celebrate the Treaty of Utrecht, which established the Peace of Utrecht in 1713, ending the War of the Spanish Succession. The combination of a Te Deum and Jubilate, the Psalm 100, follows earlier models. The official premiere of the work on English texts was on 13 July 1713 in a service in St Paul's Cathedral in London. Handel's composition was written to celebrate the Peace of Utrecht in 1713. It was his first commission from the British royal family and established his career in London. It was also his first major sacred work to English texts. Handel followed the models of Henry Purcell's 1694 Te Deum and Jubilate with strings and trumpets, which was regularly performed for official functions in St Paul's even after the composer's death, and a 1709 setting by William Croft. As in these models, Handel composed a combination of two liturgical texts, the Ambrosian Hymn Te Deum, We praise thee, O God, and a setting of Psalm 100, O be joyful in the Lord, all ye lands, which is a regular canticle of the Anglican Morning Prayer. Although originally written for Chorus (SATB) and Orchestra, I created this arrangement for Harpsichord and Oboe Duet.