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Vidéo :
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| Composer : | Bach, Johann Sebastian (1685 - 1750) | ||||
| Instrumentation : | Bassoon | ||||
| Style : | Baroque | ||||
| Key : | B♭ major | ||||
| Arranger : Publisher : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Copyright : | Public Domain | ||||
| Added by magataganm, 18 May 2017 The enormously rich keyboard output of J. S. Bach includes (along with compositions of other genres) more than sixty small polyphonic pairings, consisting of a prelude or a fantasia and a fugue or fughetta. The exclusion from this number of two or three cycles because of misattribution would seem unlikely to have much of an impact on the overall picture of Bach's keyboard works, that is, it is unlikely to change drastically how the output is to be viewed. Not so, however, in the case of the Fantasia and Fughetta BWV 907 and Fantasia and Fughetta BWV 908. For many years, these pieces, written down in traditional thoroughbass notation, served as the only (therefore, very valuable) evidence of Bath's treatment of the Italian improvisation practice of pariimento.' For this reason, the question of authorship for these two works is relevant. This Fantasia (from the Fantasia & Fugue in Bb Major) was formerly attributed to Johann Sebastian Bach as BWV 907 and is now believed to be composed by Friedrich Conrad Griepenkerl (1742-1849). Source: IMSLP (http://imslp.org/wiki/Fantasia_and_Fughetta_in_B-flat_ major_(Kirchhoff,_Gottfried)). Although originally written for Harpsichord. I created this Arrangement of the Fantasia in Bb Major (BWV 907 No. 1) for Solo Bassoon. Sheet central : | Fantaisie et Fughetta en Sib majeur (4 sheet music) | | |||
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