Of Beethoven's five cello sonatas, the Grande Sonate op. 69, published in 1809, is not only the centerpiece, but also musically the most significant. The artful coupling of the two instruments is on display from the outset in an almost programmatic manner, when the cello with its tenor timbre first intones a melody that the piano then continues. In this sonata, too, Beethoven dispenses with a slow movement while nevertheless compensating us with an enchanting Adagio cantabile introduction to the finale. The Urtext edition by Jens Dufner is based on his research for the Critical Report of the Beethoven Complete Edition and thus features a musical text at the highest scholarly level. In the preface and Critical Report, he outlines the genesis and source situation of the sonata. Ian Fountain and David Geringas provide the fingerings.
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error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagoguespreface in 3 languages with information on the genesis and history of the work Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions most beautiful music engraving page-turns, fold-out pages, and cues where you need them excellent print quality and binding largest Urtext catalogue world-wide longest Urtext experience (founded 1948 exclusively for "Urtext" editions) |
