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Frauen Komponieren

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Female composers have made their way in the face of prejudice and opposition. For a long time the prejudice prevailed that women lack the requisite creative talent to compose great music. It is indeed true that women have been less active in the field of musical composition than their male contemporaries, but reasons for this are found in the social circumstances of the recent past:/ Recueil / Piano

Instrumentation :

Piano solo

Publisher :

Schott

Content :
Preface Notes on the Composers - Elisabeth Jacquet de Laguerre (ca. 1664-1729): Rondeau Marianne Matinez (1744-1812): Sonate No. 3 Maria Szymanowska (1789-1831): Nocturne Fanny Hensel (1805-1847): Mélodies, op. 4/2 und op. 5/4 Clara Schumann (1819-1896): Andante con sentimento Louise Farrenc (1804-1875): Impromptu Cécile Chaminade (1857-1944): Pierrette, op. 41 Ilse Fromm-Michaels (1888-1986): Langsamer Walzer Else Schmitz-Gohr (1901-1987): Elegie für die linke Hand allein Lotte Backes (1901-1987): Slow L.ili Boulanger (1893-1918): D' un vieux jardin Priaulx Rainier (1903-1986): Barbaric Dance Elizabeth Lutyens (1906-1983): Two Bagatelles Peggy Glanville-Hicks (1912-1990): Prelude for a Pensive Pupil Verdina Shlonsky (1913-1990): Introduction Ivana Loudova: 2 Stücke (Dornröschen Wiegenlied) Barbara Heller (*1936): Piano Muziek Böhmisches Lied Susanne Erding (*1955): Chillan Johanna Senfter (1879-1961): Erster Schmerz Vogelweise / Recueil / 72 page(s) / Ismn: 8388607