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Video Opera
Partitions à imprimer
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There Comes a Time, Arranged for Baritone from the Contemporary Opera Germain
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.730375 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.730375 Composed by James Nathaniel Holland. Concert,Contemporary,Opera. 10 pages. James Nathaniel Holland #3005169. Published by James Nathaniel Holland (A0.730375). Great stand alone and dramatic aria of the contemporary opera in English, Germain, by American Costa Rican composer James Nathaniel Holland. The aria speaks of being in a loveless relationship and hoping that love will come one day. Originally for tenor, arranged here for Baritone. (Sample provided here is with tenor. Score is in lower key.)Video presentation (Tenor version): https://www.youtube.com/watch?v=9ZeyQhDG-Gw(Duration: 5:33) (Range: C3 to F#4)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$4.95
4.56 €
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James Nathaniel Holland
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There Comes a Time, Arranged for Baritone from the Contemporary Opera Germain
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James Nathaniel Holland
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SheetMusicPlus
There Comes a Time, Aria for Tenor from the Contemporary Opera Germain
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730373 Composed by Jame…
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730373 Composed by James Nathaniel Holland. Concert,Contemporary,Opera. 10 pages. James Nathaniel Holland #3005159. Published by James Nathaniel Holland (A0.730373). Great stand alone and dramatic aria of the contemporary opera in English, Germain, by American Costa Rican composer James Nathaniel Holland. The aria speaks of being in a loveless relationship and hoping that love will come one day.Video presentation: https://www.youtube.com/watch?v=9ZeyQhDG-Gw(Duration: 5:33) (Range: Eb3 to A4)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$4.95
4.56 €
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James Nathaniel Holland
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There Comes a Time, Aria for Tenor from the Contemporary Opera Germain
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James Nathaniel Holland
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SheetMusicPlus
O Truth, Where Are You Now, Aria for Lyric Baritone and Orchestra from the Contemporary Opera Germai
Large Ensemble Voice - Level 4 - Digital Download SKU: A0.730377 Composed by James …
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Large Ensemble Voice - Level 4 - Digital Download SKU: A0.730377 Composed by James Nathaniel Holland. Concert,Contemporary,Opera. Score and parts. 40 pages. James Nathaniel Holland #3056943. Published by James Nathaniel Holland (A0.730377). The moving and beautiful aria of the contemporary opera in English, Germain, by American Costa Rican composer James Nathaniel Holland. Perfect for events that promote peace. Here arranged for Baritone and orchestral accompaniment with optional second verse. Full Score and parts included.Instrumentation: Fl12, ob12, cl, bsn12, hrn12, tpt12, trm12, tba, tim, hand cym., soloist part, stringsThis is the finale of the entire opera. Germain has fallen in love with a manipulative and narcissistic Prime Minister of Timbaksha. He has wrongly been accused of trying to assassinate him. Thrown in prison and betrayed, he awaits the moment of his execution.Video presentation: https://www.youtube.com/watch?v=6MGCKz9mhmY(Duration: 5:15 with 1st verse only, 9:16 with second) (Range: C3 to Ab4)
$21.95
20.23 €
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James Nathaniel Holland
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O Truth, Where Are You Now, Aria for Lyric Baritone and Orchestra from the Contemporary Opera Germai
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James Nathaniel Holland
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SheetMusicPlus
The Phantom Of The Opera
Bass Clarinet,Bassoon,Cello,Drums,Flute,Harp,Horn,Oboe,Piano,Trombone,Trumpet,Viola,Violin…
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Bass Clarinet,Bassoon,Cello,Drums,Flute,Harp,Horn,Oboe,Piano,Trombone,Trumpet,Viola,Violin,Voice - Level 5 - Digital Download SKU: A0.1439044 By Iron Maiden. By Steve Harris. Arranged by Jennifer Lindberg. Classical,Halloween,Rock. 127 pages. Yayabe Music #1019073. Published by Yayabe Music (A0.1439044). Arranged for a chamber pop group in the key of D minor moving to E minor (original is entirely in E minor).Performance videoInstrumentation:voices: soprano and baritonepianoharp (optional)drumsviolin 1 and 2violacellofluteoboeclarinetbassoon or bass clarinet (parts are the same)trumpethorntrombone.
$24.99
23.03 €
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Iron Maiden
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Jennifer Lindberg
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The Phantom Of The Opera
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Yayabe Music
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SheetMusicPlus
The Phantom Of The Opera
Bass Clarinet,Bassoon,Cello,Drums,Flute,Harp,Horn,Oboe,Piano,Trombone,Trumpet,Viola,Violin…
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Bass Clarinet,Bassoon,Cello,Drums,Flute,Harp,Horn,Oboe,Piano,Trombone,Trumpet,Viola,Violin,Voice - Level 5 - Digital Download SKU: A0.1309929 By Iron Maiden. By Steve Harris. Arranged by Jennifer Lindberg. Classical,Halloween,Rock. 126 pages. Jennifer Lindberg #899063. Published by Jennifer Lindberg (A0.1309929). Arranged for a chamber pop group in the key of D minor moving to E minor (original in entirely in E minor).Performance videoInstrumentation:voices: soprano and baritonepianoharp (optional)drumsviolin 1 and 2violacellofluteoboeclarinetbassoon or bass clarinet (parts are the same)trumpethorntrombone.
$24.99
23.03 €
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Iron Maiden
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Jennifer Lindberg
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The Phantom Of The Opera
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Jennifer Lindberg
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SheetMusicPlus
Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration
Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - Digital …
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Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - Digital Download SKU: A0.1435098 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. 240 pages. Stanleymhoffman.com #1015206. Published by stanleymhoffman.com (A0.1435098). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Małgorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Małgorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Małgorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.
$60.00
55.29 €
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Stanley M Hoffman
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Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration
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stanleymhoffman.com
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SheetMusicPlus
Nessun Dorma - tenor horn and piano with FREE BACKING TRACK to play along
Instrumental Solo,Piano,Tenor Horn - Level 3 - Digital Download SKU: A0.563897 Comp…
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Instrumental Solo,Piano,Tenor Horn - Level 3 - Digital Download SKU: A0.563897 Composed by Giacomo Puccini. Arranged by Austin Ralphson. 20th Century,Holiday,Opera,Wedding. Score and individual part. 7 pages. Austin Ralphson #5337297. Published by Austin Ralphson (A0.563897). This aria from Puccini's opera 'Turandot' was made famous beyond the world of opera by Luciano Pavarotti when he recorded it for the 1990 World Cup. It is a firm favourite to play at any performance, from weddings to recitals to parties and beyond! This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/J3jlJFNL0TMÂ (copy and paste into a new window) and also in the video screen above.This piece features in a collection of 5 beautiful solos which is available to purchase here for $9.99: https://armusiconline.com/b/QiF2g
$3.99
3.68 €
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Giacomo Puccini
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Austin Ralphson
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Nessun Dorma - tenor horn and piano with FREE BACKING TRACK to play along
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Austin Ralphson
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SheetMusicPlus
Watching Cecilia (x2)
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.796591 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.796591 Composed by Gary D. Belshaw (ASCAP). Concert,Contemporary,Opera. 27 pages. DR GARY D BELSHAW #2927275. Published by DR GARY D BELSHAW (A0.796591). Your download will include an accompanist's copy at half price. Connor is in his last year of graduate study in vocal music performance. He, like Cecilia, are both eager to finish their degrees and get on with life, so the delays on the video shoot add to his frustrations. However, as he acknowledges in this aria, he can't help but notice what a rare person Cecilia is. Duration: close to 7 minutes. Perfect for recitals, opera workshops and opera scenes programs. Follow Gary D. Belshaw Music on Facebook and Twitter; we'll follow you back.
$5.99
5.52 €
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Gary D
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Watching Cecilia
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DR GARY D BELSHAW
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SheetMusicPlus
Watching Cecilia
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.796592 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.796592 Composed by Gary D.Belshaw (ASCAP). Concert,Contemporary,Musical/Show,Opera. 13 pages. DR GARY D BELSHAW #2927277. Published by DR GARY D BELSHAW (A0.796592). Connor is in his last year of graduate study in vocal music performance. He, like Cecilia, are both eager to finish their degrees and get on with life, so the delays on the video shoot add to his frustrations. However, as he acknowledges in this aria, he can't help but notice what a rare person Cecilia is. Duration: close to 7 minutes. Perfect for recitals, opera workshops and opera scenes programs. Follow Gary D. Belshaw Music on Facebook and Twitter; we'll follow you back.
$3.99
3.68 €
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Gary D
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Watching Cecilia
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DR GARY D BELSHAW
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SheetMusicPlus
STEVE Full Score - Score Only
Level 3 - Digital Download SKU: A0.1417828 By Rachel J Peters. By Rachel J. Peters.…
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Level 3 - Digital Download SKU: A0.1417828 By Rachel J Peters. By Rachel J. Peters. 21st Century,Classical,Comedy,Opera. 31 pages. Rachel J Peters #999368. Published by Rachel J Peters (A0.1417828). CAST: Lyric soprano, TenorINSTRUMENTATION: Bb Clarinet, Percussion (1), Piano, Violin, Viola, Cello. (Parts are available separately.)DURATION: 10 minutesPAGES: 30WORLD PREMIERE: Boston Opera Collaborative, Fall 2018.Ann attends her synagogue’s singles mixer. The only man there is the reincarnation of her dead mutt, Steve. Adapted from the play by Liz Bartucci. The orchestration has been revised since the original production. The video does not reflect the updated orchestration, though the forces are the same.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright. To obtain performance rights, please send me a message via the Contact form.
$22.50
20.73 €
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Rachel J Peters
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STEVE Full Score - Score Only
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Rachel J Peters
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SheetMusicPlus
Habanera 'L'amour est un oiseau rebelle' from Carmen
Guitar - Level 3 - Digital Download SKU: A0.1408429 Composed by Georges Bizet. Arra…
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Guitar - Level 3 - Digital Download SKU: A0.1408429 Composed by Georges Bizet. Arranged by Dan Jones www.danjonesguitarist.com. 19th Century,Classical,Opera. 21 pages. DanJonesGuitarist #991016. Published by DanJonesGuitarist (A0.1408429). Habanera (L'amour est un oiseau rebelle)by Georges Bizet. Arranged for Four Guitars by Dan Joneswww.danjonesguitarist.comI have provided a score with notes and TAB, a score with notes only (to facilitate directors' page turns) and all parts with notes and TAB or just notes.L'amour est un oiseau rebelle (Love is a rebellious Bird) or Habanera is one of opera's most popular arias. The melody was actually written by the Spanish musician Sebastián Iradier. Bizet mistakenly believed it to be a folk melody but was quick to credit the original author upon being informed of its origin.  Iradier had a gift for creating popular melodies as he also wrote the beautiful La Paloma. This arrangement employs a variety of timbres and the full range of the instruments. Guitars 3 & 4 are tuned to D and Guitar 1 has the option of playing up to a high A (fret 17), although this passage is equally effective played an octave lower (see note in score). I have provided a score with notes and TAB, a score with notes only (to facilitate directors' page turns) and all parts with notes and TAB or just notes. A video performance of this arrangement is available on YouTube or at www.danjonesguitarist.comFor a huge range of writings, arrangements, compositions and much more, for guitarists of all levels of experience, please visit www.danjonesguitarist.comI hope you enjoy playing Habanera as much as I have enjoyed arranging and performing it.
$6.95
6.4 €
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Georges Bizet
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Dan Jones www
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Habanera 'L'amour est un oiseau rebelle' from Carmen
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DanJonesGuitarist
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SheetMusicPlus
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.25 €
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
"O mio babbino caro" - - flute, cello, keyboard, and guitar
Cello,Flute,Guitar,Organ,Piano Accompaniment - Level 3 - Digital Download SKU: A0.85739…
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Cello,Flute,Guitar,Organ,Piano Accompaniment - Level 3 - Digital Download SKU: A0.857393 Composed by Gianni Schicchi. Arranged by Benson Kwan. 20th Century,Concert,Opera,Standards,Wedding. 6 pages. Humilis #3875335. Published by humilis (A0.857393). O mio babbino caro (Oh my dear daddy) is a soprano aria from the opera Gianni Schicchi (1918) by Giacomo Puccini. This instrumental arrangement is good for procession or recital.Bridal entrance video: https://www.youtube.com/watch?v=-c1CvGTpskE
$4.99
4.6 €
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Gianni Schicchi
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Benson Kwan
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"O mio babbino caro" - - flute, cello, keyboard, and guitar
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humilis
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SheetMusicPlus
Concerto No. 4 - Orchestra Parts (First Edition)
Large Ensemble Cello,Flute,Oboe,Viola,Violin - Level 1 - Digital Download SKU: A0.86464…
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Large Ensemble Cello,Flute,Oboe,Viola,Violin - Level 1 - Digital Download SKU: A0.864647 Composed by Alexander Peskanov. Classical. Score and parts. 36 pages. Classical Video Concepts, Inc. #2014519. Published by Classical Video Concepts, Inc. (A0.864647). The package includes: FLUTE - 1 Copy OBOE - 1 Copy VIOLIN I - 6 Copies VIOLIN II - 6 Copies VIOLA - 4 Copies CELLO/BASS - 4 Copies Concerto No. 4 for Piano and Orchestra is written in classical style. The first movement is reminiscent of Haydn's Symphonies. The music is light and humorous. The second movement reminds of arias from Gluck's operas. The music is filled with nostalgia and sorrow. The third movement is written in rondo form. It's filled with vigor and joy.
$50.00
46.07 €
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Alexander Peskanov
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Concerto No. 4 - Orchestra Parts
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Classical Video Concepts, Inc.
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SheetMusicPlus
Dishes, Dolls, Dresses and Dreams-Instrumental Accompaniment track
Drum Set,Guitar Accompaniment,Keyboard Accompaniment,Synth String Reduction - Level 2 - Di…
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Drum Set,Guitar Accompaniment,Keyboard Accompaniment,Synth String Reduction - Level 2 - Digital Download SKU: A0.1422373 Composed by Deborah Johnson. Arranged by Deborah Johnson. Broadway,Contest,Festival,Historic,Musical/Show,Opera,Romantic Period. Accompaniment. Duration 354. Deborah Johnson #1003715. Published by Deborah Johnson (A0.1422373). With a charming message evoking nostalgia for days gone by, 'Dishes, Dolls, Dresses and Dreams' is an enchanting song crafted for solos and chorus. Its whimsical melody and heartfelt lyrics transport listeners to a bygone era filled with innocence and wonder. Originally written for a musical, this versatile composition can stand alone as a captivating musical selection or be enhanced with the addition of dance, adding visual depth to its already enchanting narrative. Furthermore, its adaptable nature allows for easy dramatization, making it suitable for theatrical performances. For those seeking versatility, the song offers the flexibility to be shortened after measure 117 without compromising its impact, ensuring it can be tailored to fit various performance contexts and preferences. This is the instrumental accompaniment track for performance. Sheet music, including vocal lead sheet score is also available and is 19 pages including cover. Range is G below middle C to high C, which occurs once very quickly. Written and arranged by Deborah Johnson, first written to be included in the musical TSARINA. (http://TsarinaTheMusical.com) DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded dozens of albums, written 3 original musicals and has appeared on many stages around the country and world. She also appeared with the headliner piano/vocal duo Double Grande. Her internationally released books have garnered great reviews (on Amazon & Barnes & Noble) Deborah’s songs have also been up for multiple Grammy Awards. Music and Lyrics by Deborah Johnson. Basic production and piano tracking by Deborah. Additional production & keyboards: Richard Callaci, guitars Jack Majdecki. Additional vocals: Deborah Johnson, Joyce Anderson, Micah Pearsal, Lori Donato, Melanie Smith. Recorded at DJWorks Studios & Callaci Studios. https://DJWorksMusic.com Books & Products: https://goalsforyourlife.com/goal-setting-products Twitter: @DJWorksMusic; LinkedIn: https://www.linkedin.com/in/deborahjjohnson/ Follow on Facebook: http://on.fb.me/14hfyhf For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com, https://goalsforyourlife.com/ or https://DeborahJohnsonSpeaker.com Video here: https://youtu.be/uQcUdXwCA0w
$8.99
8.28 €
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Deborah Johnson
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Deborah Johnson
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Barnes &
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Dishes, Dolls, Dresses and Dreams-Instrumental Accompaniment track
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Deborah Johnson
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SheetMusicPlus
C POP Vanessa
C Instrument - Level 4 - Digital Download SKU: A0.1431859 By kharYsma Arafat NZABA.…
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C Instrument - Level 4 - Digital Download SKU: A0.1431859 By kharYsma Arafat NZABA. By kharYsma Arafat NZABA. Arranged by kharYsma Arafat NZABA. Opera,Pop,Standards,Video Game,Wedding. Lead Sheet / Fake Book. 12 pages. KharYsma Arafat NZABA #1012334. Published by kharYsma Arafat NZABA (A0.1431859). C POP Vanessa invites listeners on a melodic voyage through the vibrant rhythms and rich textures of contemporary pop. This score embodies the essence of modern musicality with its infectious beats and dynamic arrangements, promising an exhilarating auditory experience. Embark on a sonic adventure filled with catchy hooks and captivating harmonies, perfect for those seeking a fresh and electrifying addition to their music collection.kharYsma Arafat NZABA.
$75.00
69.11 €
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kharYsma Arafat NZABA
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kharYsma Arafat NZABA
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C POP Vanessa
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kharYsma Arafat NZABA
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SheetMusicPlus
Baltic
C Instrument - Level 4 - Digital Download SKU: A0.1431838 By kharYsma Arafat NZABA.…
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C Instrument - Level 4 - Digital Download SKU: A0.1431838 By kharYsma Arafat NZABA. By kharYsma Arafat NZABA. Arranged by kharYsma Arafat NZABA. Film/TV,Opera,Pop,Standards,Video Game. Lead Sheet / Fake Book. 4 pages. KharYsma Arafat NZABA #1012332. Published by kharYsma Arafat NZABA (A0.1431838). Baltic is a musical journey to the enchanting shores of the Baltic Sea. This pop score captures the vibrant energy of the waves and coastal landscapes with catchy melodies and captivating harmonies. Dive into an enchanting sonic experience, perfect for those looking to get lost in a summery vibe and add a refreshing touch to their musical repertoire.music by kharYsma Arafat NZABA.
$50.00
46.07 €
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kharYsma Arafat NZABA
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kharYsma Arafat NZABA
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Baltic
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kharYsma Arafat NZABA
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SheetMusicPlus
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Compose…
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.25 €
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Wolfgang Amadeus Mozart
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Nicole Elyse DiPaolo
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Ah, scostati!...Smanie implacabili
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Nicole Elyse DiPaolo
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SheetMusicPlus
Toreador's Song (from Carmen) (for Boomwhackers)
Boomwhackers,Instrumental Solo - Level 2 - Digital Download SKU: A0.802329 Composed…
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Boomwhackers,Instrumental Solo - Level 2 - Digital Download SKU: A0.802329 Composed by Georges Bizet. Arranged by John Fleming. Opera,Romantic Period. Individual part. 6 pages. Flemingmusic #5778561. Published by flemingmusic (A0.802329). Arrangement for Boomwhackers (bells can be used as well) in 3 parts.Part one is the melody. Part two is made up of two part chords, and part three is a bass part.Ideally you should have a set of bass Boomwhackers or octavator caps for this arrangement.Have a listen to the mp3 to hear the arrangement, but also watch the you tube video where you can hear the melody played with the free backing track, which is available via a download link. My email has changed from the print copy to flemingsmusic@gmail.comThis arrangement is also available in my book.Boomwhacker Building Blocks book 2, which is also available from this website.
$4.99
4.6 €
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Georges Bizet
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John Fleming
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Toreador's Song
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flemingmusic
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SheetMusicPlus
Bohemian Rhapsody
Guitar - Level 4 - Digital Download SKU: A0.1361203 By Queen. By Freddie Mercury. A…
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Guitar - Level 4 - Digital Download SKU: A0.1361203 By Queen. By Freddie Mercury. Arranged by 40 Fingers. Blues,Classical,Opera,Pop,Rock. 39 pages. 40 Fingers #944954. Published by 40 Fingers (A0.1361203). Step into the mesmerizing world of 40 FINGERS with the authentic sheet music for their acoustic guitar arrangement of Queen's Bohemian Rhapsody. This meticulously transcribed score, crafted directly by the members of the band, ensures a precise reproduction of every note, chord, and dynamic nuance featured in their acclaimed YouTube video. Experience the distinctive interplay between the 4 guitars and bring the soul of their rendition to your fingertips.
$45.00
41.47 €
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Queen
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40 Fingers
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Bohemian Rhapsody
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40 Fingers
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.25 €
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
Vous aimez le danger/Ah! que j'aime les militaires from La Grande-Duchesse de Gérolstein - Duchesse
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799618 Composed by Jacqu…
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799618 Composed by Jacques Offenbach. Arranged by Nicole Elyse DiPaolo. Opera,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5306351. Published by Nicole Elyse DiPaolo (A0.799618). The first of its kind, this is a customized La Duchesse-only audition cut of Vous aimez le danger...Ah! que j'aime les militaires from Jacques Offenbach's La Grande-Duchesse de Gérolstein (1867). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the choral parts when performing this excerpt. The current edition omits those passages and, as a result, noticeably reduces the page count. In addition, this new engraving is remarkably clearer than the existing vocal score, which has deteriorated from age and is cluttered with instrumental cues that may not be relevant to a sight-reading audition pianist.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation and inserting a few logical enharmonic respellings).About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.25 €
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Jacques Offenbach
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Nicole Elyse DiPaolo
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Vous aimez le danger/Ah! que j'aime les militaires from La Grande-Duchesse de Gérolstein - Duchesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Venite, Inginocchiatevi by W. A Mozart Soprano & Piano
High Voice,Vocal Solo - Digital Download SKU: A0.527078 Composed by W. A Mozart. Ar…
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High Voice,Vocal Solo - Digital Download SKU: A0.527078 Composed by W. A Mozart. Arranged by Roxana Belibou. Classical,Opera. 8 pages. Roxana E Belibou #4887805. Published by Roxana E Belibou (A0.527078). IN THE VIDEO IT IS JUST THE PIANO PART, BUT THE SCORE HAS BOTH PARTS-VOICE & PIANO.
$6.99
6.44 €
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W
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Roxana Belibou
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PIANO.
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Venite, Inginocchiatevi by W. A Mozart Soprano & Piano
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Roxana E Belibou
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SheetMusicPlus
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