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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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HAUTBOIS
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LUTH, THEOR…
MANDOLINE
MARIMBA
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PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
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FILM - TV
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
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POLKA
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Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
8986
PIANO & CLAVIERS
Piano seul
7729
Accordéon
960
Accompagnement Piano
574
Piano, Voix et Guitare
510
Piano, Voix
154
Piano Facile
121
Instruments en Do
94
2 Pianos, 4 mains
55
Orgue
52
1 Piano, 4 mains
41
Ensemble d'Accordéons
30
Piano grosses notes
27
Piano Trio: piano, violon, violoncelle
24
Piano Quatuor: piano, violon, alto, violoncelle
10
Orgue et Orchestre
5
Orgue, Trompette (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavecin
4
Orgue, Piano (duo)
4
Accordéon et Orchestre
3
Ligne De Mélodie, Piano
3
Clavier
2
Piano Quintette: piano, violon, alto, violoncelle, contre basse
2
2 Pianos, 8 mains
1
Accordéon, Corde(s)
1
2 Accordéons
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Instrumentations suivantes
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GUITARES
Guitare
287
Guitare notes et tablatures
157
Ligne De Mélodie, (Paroles) et Accords
133
Ukulele
27
2 Guitares (duo)
15
Paroles et Accords
15
Basse electrique
15
Piano, Guitare (duo)
15
4 Guitares (Quatuor)
15
Orchestre à Plectres
14
Guitare, Orchestre
12
Ensemble de guitares
10
Mandoline
8
2 Guitares et Orchestre
4
Guitare, Violon, Violoncelle (trio)
3
Mandoline, Guitare (duo)
3
Ensemble de Ukulélés
3
3 Guitares (trio)
3
Banjo
2
Guitare, Quatuor à cordes
2
Luth
1
Dulcimer
1
Instrumentations suivantes
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VOIX
Chorale SATB
1527
Chorale 3 parties
242
Chorale TTBB
135
Voix seule
113
Chorale SSAA
65
Chorale 2 parties
64
Chorale Unison
57
Soli, choeur mixte et accompagnement
31
Chorale
23
Voix duo, Piano
20
Chorale SSATB
14
Voix duo
12
Voix Soprano, Orchestre
8
Voix haute
8
Chorale SSAATTBB
6
Chorale SSATTB
4
Voix moyenne, Piano
3
Voix Soprano, Piano
3
Voix Mezzo-Soprano, Piano
2
Voix basse, Piano
2
Chorale SSAATB
2
Voix Soprano
2
Chorale SATTBB A Cappella
1
Voix Tenor
1
Chorale SSAB, Piano
1
Instrumentations suivantes
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VENTS
Hautbois
188
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
186
Flûte traversière
184
Clarinette
120
Flûte traversière et Piano
117
Quintette de Saxophone: 5 saxophones
103
Quatuor de Saxophones: 4 saxophones
76
Hautbois, Piano (duo)
67
Clarinette et Piano
64
Saxophone Alto et Piano
59
Ensemble de saxophones
58
Flûte, Hautbois, Clarinette, Basson
56
Quatuor de Clarinettes: 4 clarinettes
56
Saxophone Tenor
49
Saxophone
48
Ensemble de Clarinettes
44
Saxophone Alto
42
2 Saxophones (duo)
37
Flûte traversière, Orchestre
32
Quatuor de Flûtes : 4 flûtes
32
Piccolo
31
2 Flûtes traversières (duo)
30
Quatuor de Flûtes à bec
30
5 Flûtes à bec
28
Saxophone Soprano et Piano
28
Saxophone (partie séparée)
27
Saxophone Tenor et Piano
27
2 Clarinettes (duo)
26
Clarinette, Orchestre
22
Ensemble De Flûte à bec
21
Ensemble de Flûtes
20
Quintette de Clarinettes: 5 clarinettes
17
Quintette de Flûte : 5 flûtes
16
Saxophone Baryton, Piano
15
3 Saxophones (trio)
14
Quintette de Clarinette: Clarinette, Quatuor à Cordes
14
2 Flûte à bec (duo)
14
Cor Anglais
12
2 Hautbois (duo)
11
Flûte et Guitare
10
Flûte à Bec
10
Clarinette Basse
10
Clarinette Basse, Piano
10
Cor anglais, Piano
10
3 Clarinettes (trio)
9
Saxophone, Clarinette (duo)
8
Saxophone Soprano
8
Flûte, Clarinette (duo)
8
Flûte, Violon
8
Hautbois, Basson (duo)
7
Ensemble à vent
7
Hautbois et Orchestre
7
2 Cors Anglais Et Pianoforte
6
Trio de Flûtes: 3 flûtes
6
Instruments en Mib
5
Clarinette, Guitare (duo)
5
Clarinette, Violon (duo)
5
Clarinette, Trompette (duo)
5
Clarinette, Basson (duo)
4
Hautbois, Flûte
4
Flûte, Saxophone (duo)
3
Flûte à bec Soprano
3
Flûte, Clarinette et Basson
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois, Clarinette (duo)
3
Flûte et Trio à cordes
2
3 Hautbois
2
Flûte, Violoncelle
2
Harmonica, Piano
2
Flute, harpe et violon
2
Clarinette et Alto
2
2 Saxophones, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Trompette (duo)
2
4 Hautbois
2
Saxophone et Orgue
1
Clarinette, Basson, Piano (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte à bec Alto
1
Clarinette, Violoncelle (duo)
1
2 Flûtes, Basse continue
1
Hautbois, Basson et Piano
1
Flûte à bec Soprano, Piano
1
Saxophone Baryton
1
Piccolo, Piano
1
Hautbois, violon (duo)
1
Flûte à bec Alto, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone et Harpe
1
3 Flûtes à bec (trio)
1
Cornemuse
1
Ensemble de Hautbois
1
Flûte, Hautbois, Basson
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec, Guitare (duo)
1
Hautbois, Violoncelle
1
Cor anglais et Harpe (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
Flûte, Alto (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Instrumentations suivantes
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CUIVRES
Cor
148
Quatuor de Cuivres : 2 trompettes, trombone, tuba
123
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
93
Trompette
93
Trombone
70
Trombone et Piano
58
Trompette, Piano
45
Tuba
41
Cor et Piano
34
Ensemble de Trombones
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Euphonium, Piano (duo)
16
Ensemble de Trompettes
15
Quatuor de Cuivres
15
Trompette, Orchestre
12
Cor Anglais
12
Cor anglais, Piano
10
Tuba et Piano
10
2 Trombones (duo)
8
2 Trompettes (duo)
8
Quatuor de cuivres: 4 trombones
8
Cor, Orchestre
8
Bass Clef Instruments
7
2 Euphoniums et 2 Tubas
7
2 Cors Anglais Et Pianoforte
6
Ensemble de Cors
6
3 Euphoniums
5
Trompette, Trombone (duo)
5
Instruments en Sib
5
Euphonium
5
Trompette, Saxophone (duo)
5
Quatuor de cuivres: 4 cors
5
Trombone et orchestre
5
Trompette, violon (duo)
3
Trombone basse et Piano
3
3 Cors (trio)
2
4 Tubas
2
2 Cors (duo)
2
Trombone basse
2
3 Trombones (trio)
2
Instruments en Fa
2
2 Trompettes, Clavier (piano ou orgue)
2
2 Euphoniums (duo)
1
Trombone, Orgue
1
3 Tubas (trio)
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Cor (duo)
1
3 Trompettes (trio)
1
Trio de Cuivres
1
2 Tubas (duo)
1
Cornet et orchestre
1
Cor anglais et Harpe (duo)
1
Clarinette, Cor (duo)
1
Cor et Harpe
1
Trompette (partie séparée)
1
Instrumentations suivantes
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CORDES
Alto seul
1367
Quatuor à cordes: 2 violons, alto, violoncelle
1081
Violon
278
Violon et Piano
272
Quintette à cordes: 2 violons, alto, violoncelle, basse
263
Violoncelle
206
Contre Basse
202
Harpe
200
Violoncelle, Piano
120
Alto, Piano
79
Violoncelle, Orchestre
67
Trio à Cordes: violon, alto, violoncelle
62
Violon, Violoncelle (duo)
42
2 Violons (duo)
34
Violon, Alto (duo)
27
4 Violoncelles
23
2 Violoncelles (duo)
22
Contrebasse, Piano (duo)
21
2 Altos (duo)
19
Alto et orchestre
19
2 Harpes (duo)
18
Violon, Guitare (duo)
16
Ensemble d'Altos
13
Ensemble de Violons
13
Trio à Cordes: 2 violons, violoncelle
11
Alto, Violoncelle (duo)
10
Harpe, Violon (duo)
9
Harpe, Orchestre
9
Trio à cordes: 3 violins
8
Violoncelle, Contrebasse (duo)
7
Violoncelle , Guitare (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Trio à Cordes: 3 violoncelles
5
Trio à cordes
5
Piano Trio: Violon, Alto, Piano
4
Flûte, Contrebasse (duo)
4
Alto, Guitare (duo)
4
Violoncelle, Orgue
4
Harpe, Flûte (duo)
4
Harpe, Quatuor à cordes
4
Trio à Cordes: 2 violons, alto
3
Quatuor à cordes: 4 violons
3
Violon, Basse continue
3
Violoncelle, Basse continue
3
Harpe, Violoncelle (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Quatuor à cordes : 4 altos
2
Violon, Orgue
1
Trio à cordes: 3 altos
1
2 Violons, Piano
1
Violon, Basson (duo)
1
Harpe et Piano
1
4 Harpes
1
Alto, Orgue
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
4 Contrebasses
1
3 Harpes
1
2 Violons et Basse continue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
17848
Orchestre
14899
Orchestre de chambre
3270
Percussion
256
Ensemble Jazz
128
Piano et Orchestre
104
Timbales
94
Ensemble de cuivres
77
Ensemble de Percussions
64
Orchestre, Violon
53
Cloches
34
Batterie
18
Jazz combo
17
Voix et Orchestre
8
Ensemble d'École
7
Vibraphone
4
Marimba
3
Xylophone, Piano
2
Voix Mezzo-Soprano, Orchestre
2
Orchestre Symphonique
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
2 Xylophones
1
Vibraphone et Marimba
1
Instrumentation Flexible
1
Xylophone
1
Instrumentations suivantes
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ORCHESTRA - BAND
Clarinette Basse, Piano
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Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix B…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.23 €
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Clarinette Basse, Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Mr. Blue Sky
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1091662 By Electric Light …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1091662 By Electric Light Orchestra. By Jeff Lynne. Arranged by Lawrence H Underwood. 20th Century,Film/TV,Pop,Rock. Score and part. 12 pages. Lawrence H Underwood #695816. Published by Lawrence H Underwood (A0.1091662). This classic track from the Electric Light Orchestra found a whole new audience when director James Gunn used it to great effect in the hit film “Guardians of the Galaxy, Vol. 2.†A favorite with audiences – both young and old – and now playable as an instrumental solo with piano accompaniment. Sure to be an audience – and performer – favorite! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99
5.5 €
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Clarinette Basse, Piano
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Electric Light Orchestra
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Lawrence H Underwood
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Mr. Blue Sky
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Lawrence H Underwood
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SheetMusicPlus
Badinerie
Clarinette Basse, Piano
Bass Clarinet & Piano - Grade 4 - Digital Download SKU: R0.46195 From the Suite …
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Bass Clarinet & Piano - Grade 4 - Digital Download SKU: R0.46195 From the Suite for Orchestra Nr. 2 in B Minor. Composed by Johann Sebastian Bach. Arranged by John G. Mortimer. Bass Clarinet & Piano. Score and parts. 5 pages. Duration 1'36. Editions Marc Reift - Digital #46195. Published by Editions Marc Reift - Digital (R0.46195).
$8.95
8.21 €
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Clarinette Basse, Piano
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Johann Sebastian Bach
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John G
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Badinerie
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Editions Marc Reift - Digital
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.89 €
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Clarinette Basse, Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
O Come, All Ye Faithful for Solo Bass Clarinet
Clarinette Basse, Piano
Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.967644 C…
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.967644 Composed by Attr. to John Francis Wade. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and individual part. 10 pages. Lawrence H Underwood #6189171. Published by Lawrence H Underwood (A0.967644). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the sixth installment in his A Christmas Portfolio series, this brand new setting of O Come, All Ye Faithful is a showstopper! The arrangement opens lyrically, in a lilting 12/8, before traveling through a driving section in 5, a majestic 3/4, then baroque-flavored turns in 4/4 and again in 3/4. The interplay between the solo and accompaniment evokes the feeling of a small orchestra! Suitable for use in church or as a showpiece in any holiday setting, this piece is one your audience is sure to remember!
$5.99
5.5 €
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Clarinette Basse, Piano
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Attr
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Lawrence H
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O Come, All Ye Faithful for Solo Bass Clarinet
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Lawrence H Underwood
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SheetMusicPlus
3 popular and easy themes by Tchaikovsky with accompaniment and chord symbols for Contrabass Clarine
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.964526 Composed by Peter I…
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Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.964526 Composed by Peter Ilyich Tchaikovsky. Arranged by Leyandder Trustworthy. Christmas,Easter,Romantic Period,Wedding,World. Score and part. 6 pages. Leyandder Trustworthy #6341721. Published by Leyandder Trustworthy (A0.964526). Swan Lake is a dramatic ballet in four acts by Russian composer Piotr Ilitch Tchaikovski and with the libretto by Vladimir Begitchev and Vasily Geltzer. Its premiere took place at the Bolshoi Theater in Moscow on February 20, 1877, and was a failure not because of the music, but because of the poor performance of the orchestra and dancers, as well as the choreography and set design. The ballet was commissioned by the Bolshoi Theater in 1876 and the composer soon began writing.
$4.99
4.58 €
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Clarinette Basse, Piano
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Peter Ilyich Tchaikovsky
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Leyandder Trustworthy
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3 popular and easy themes by Tchaikovsky with accompaniment and chord symbols for Contrabass Clarine
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Leyandder Trustworthy
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549432 Composed by Antonin…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.23 €
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Clarinette Basse, Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.31 €
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Clarinette Basse, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
It's Been A Long, Long Time
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.592528 Composed by Jule St…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.592528 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366325. Published by David McKeown (A0.592528). It’s Been a Long Long Time is arranged as a solo for one Bass Clarinet with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.5 €
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Clarinette Basse, Piano
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Ange Flégier: Méditation for bass clarinet and piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.534534 Composed by Ange Fl…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.534534 Composed by Ange Flégier. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 14 pages. Musik Fabrik Music Publishing #3627025. Published by Musik Fabrik Music Publishing (A0.534534). Ange Flégier was a French composer and painter who was born on February 25, 1846 at Marseilles and died on Octobre 8, 1927 in Martigues. Flégier is principally known as havng composed the famous song for bass and orchestra “Le Corâ€, but he also wronte more than 300 works for piano, (including a concerto), many songs, an opéra-comique “Fatima, the oratorio Ossian and many chamber works, including the first “dixtuor†for wind quintet and string quintet. This work is dedicated to the composer's friend Jules Massenet and is obviously influenced by the famous Meditation from Thaïs.
$10.35
9.5 €
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Clarinette Basse, Piano
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Ange Flégier
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Paul Wehage
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Ange Flégier: Méditation for bass clarinet and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
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