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TRI ET FILTRES
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PIANO & CLAVIERS
Piano seul
395
Instruments en Do
153
Piano, Voix et Guitare
132
Piano, Voix
115
Piano Facile
71
Orgue
40
1 Piano, 4 mains
13
Piano Trio: piano, violon, violoncelle
11
Accompagnement Piano
6
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accordéon
3
Piano (partie séparée)
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano grosses notes
2
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1
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1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 8 mains
1
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1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
90
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31
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23
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14
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9
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7
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4
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3
Mandoline
3
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3
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1
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1
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1
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1
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VOIX
Chorale SATB
202
Chorale 3 parties
54
Chorale TTBB
27
Chorale 2 parties
20
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15
Chorale Unison
13
Voix duo, Piano
11
Voix haute
4
Voix Soprano, Piano
4
Voix Tenor
3
Chorale SSAATTBB
2
Voix duo
2
Voix Baryton, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale
1
Voix seule
1
Chorale SSATTB
1
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VENTS
2 Saxophones (duo)
86
Saxophone (partie séparée)
57
Quatuor de Saxophones: 4 saxophones
48
Flûte, Hautbois, Clarinette, Basson
43
Saxophone Alto et Piano
39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
38
Flûte traversière et Piano
37
2 Clarinettes (duo)
36
Hautbois, Piano (duo)
36
Flûte traversière
31
Saxophone, Clarinette (duo)
31
Quatuor de Clarinettes: 4 clarinettes
30
Saxophone Alto
26
Clarinette et Piano
26
2 Flûtes traversières (duo)
26
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21
Saxophone Tenor et Piano
21
3 Saxophones (trio)
21
Clarinette, Violon (duo)
20
Clarinette
18
Saxophone Soprano et Piano
16
Flûte, Clarinette (duo)
16
Saxophone
15
Clarinette, Trompette (duo)
15
3 Clarinettes (trio)
15
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15
Saxophone Baryton, Piano
14
2 Hautbois (duo)
13
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12
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12
Flûte, Violon
11
Flûte, Alto (duo)
11
Clarinette et Alto
10
Hautbois, Flûte
9
Hautbois, Clarinette (duo)
9
Trio de Flûtes: 3 flûtes
8
Flûte, Saxophone (duo)
8
Quintette de Clarinettes: 5 clarinettes
8
Flûte, Trompette (duo)
7
Ensemble de saxophones
6
Flûte et Guitare
6
Ensemble de Flûtes
5
Quintette de Flûte : 5 flûtes
5
Clarinette (partie séparée)
5
Saxophone Tenor
5
Clarinette Basse, Piano
5
Saxophone Soprano
4
Flûte à bec Alto
4
Flûte à Bec
4
Ensemble de Clarinettes
4
Cor anglais, Piano
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte à bec Soprano
3
Flûte, Clarinette, Piano (trio)
2
Flûte, Hautbois (duo)
2
Flûte à bec Alto, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
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2
Clarinette, Violoncelle (duo)
2
Flûte, Violon, Piano
2
2 Flûte à bec (duo)
2
Flûte, Violon et Violoncelle
2
Hautbois, violon (duo)
2
Flûte, Violoncelle
2
Clarinette, Basson (duo)
1
Flûte, Clarinette, Violon (trio)
1
Hautbois, Violoncelle
1
Flûte, Hautbois, Basson
1
Flute (partie séparée)
1
2 Clarinettes, Piano
1
3 Hautbois
1
Flûte, Clarinette et Basson
1
Harmonica
1
3 Flûtes à bec (trio)
1
Saxophone et Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois, Piano (trio)
1
Ensemble de Hautbois
1
5 Flûtes à bec
1
Cornemuse
1
Clarinette Basse
1
Saxophone et Orgue
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
43
Quatuor de Cuivres : 2 trompettes, trombone, tuba
34
Trompette
34
Trompette, Piano
26
Trompette, Saxophone (duo)
22
Trombone et Piano
19
Trombone (partie séparée)
18
Trompette (partie séparée)
17
Trombone
16
Cor et Piano
14
2 Trombones (duo)
14
2 Trompettes (duo)
14
Quatuor de cuivres: 4 trombones
12
Tuba et Piano
10
Trompette, Trombone (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Cor
8
Quatuor de Cuivres
6
Ensemble de Trombones
6
Euphonium, Piano (duo)
4
2 Cors (duo)
4
Tuba
4
2 Euphoniums et 2 Tubas
3
Cor anglais, Piano
3
Trompette, Cor (duo)
3
3 Trombones (trio)
3
Tuba (partie séparée)
2
3 Tubas (trio)
2
3 Cors (trio)
2
Euphonium
1
3 Euphoniums
1
4 Tubas
1
Quatuor de cuivres: 4 trompettes
1
Cor (partie séparée)
1
Trombone basse
1
Trombone, Cor (duo)
1
Euphonium, Tuba (duo)
1
Bass Clef Instruments
1
Ensemble de Cors
1
Quatuor de cuivres: 4 cors
1
Ensemble de Tubas
1
Ensemble de Trompettes
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
151
Violon
59
Violon et Piano
50
Violon, Violoncelle (duo)
32
Violoncelle, Piano
29
Alto, Piano
28
Trio à Cordes: violon, alto, violoncelle
24
2 Violons (duo)
21
Violon, Alto (duo)
20
Violoncelle (partie séparée)
20
Harpe
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
17
2 Violoncelles (duo)
16
2 Altos (duo)
14
Violoncelle
13
Alto seul
12
Trio à Cordes: 2 violons, violoncelle
12
Contre Basse
10
Violon (partie séparée)
9
Contrebasse (partie séparée)
8
Trio à cordes
6
Alto, Violoncelle (duo)
5
4 Violoncelles
5
Trio à Cordes: 3 violoncelles
5
Alto (partie séparée)
4
Trio à cordes: 3 violins
3
Contrebasse, Piano (duo)
3
Piano Trio: Violon, Alto, Piano
3
Quatuor à cordes : 4 altos
2
Quatuor à cordes: 4 violons
2
Harpe, Flûte (duo)
1
4 Contrebasses
1
Harpe, Violon, Violoncelle
1
Harpe, Violon (duo)
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 altos
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
136
Orchestre
78
Orchestre à Cordes
58
Ensemble Jazz
41
Ensemble de cuivres
35
Orchestre de chambre
16
Cloches
14
Ensemble de Percussions
11
Marimba
7
Jazz combo
6
Batterie
6
Batterie (partie séparée)
6
Vibraphone
4
Percussion (partie séparée)
2
Fanfare
2
Orchestre, Violon
1
Xylophone
1
Big band
1
Piano et Orchestre
1
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AUTRES
Vous avez sélectionné:
At Last
Contre Basse
Partitions à imprimer
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1
At The Mambo Inn
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1228268 Composed …
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1228268 Composed by Bobby Woodlen, Grace Sampson, and Mario Bauza. Arranged by Nicola Corso. Instructional,Jazz,Latin,Standards. Individual part. 2 pages. Nicola Corso Music #824385. Published by Nicola Corso Music (A0.1228268). George Benson's last solo chorus, the one that follows the sung part, in which he performs one of his most iconic combinations: vocal scat and guitar together. From the legendary record Tenderly (1989) with McCoy Tyner, Ron Carter, Herlin Riley, and Lenny Castro.For bass clef intruments.
$4.99
4.6 €
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Contre Basse
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Bobby Woodlen, Grace Sampson, and Mario Bauza
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Nicola Corso
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At The Mambo Inn
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Nicola Corso Music
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SheetMusicPlus
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed b…
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But it’s such an old work. Why don’t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass … molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously … holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99
9.21 €
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Contre Basse
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Thomas Oboe Lee
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I told him That is great
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Toccata for Double Bass and Piano
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Thomas Oboe Lee
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SheetMusicPlus
Two-Strings Melodies for the beginner bassist.
Contre Basse
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.805519 Composed b…
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.805519 Composed by Laura C. Quijada OrtÃz. Concert,Instructional,Standards. Individual part. 13 pages. Laura Quijada #6711755. Published by Laura Quijada (A0.805519). 20 Melodies on two strings at a time, a good complement to beginner bass methods. The finger pattern is kept on the three pair of strings, and the melodies can be started randomly (not necessarily in the order they appear). With the exception of the last one, all the melodies are in 2/4 to facilitate the staff reading at this level. Scales and arpeggios are included to keep up with the instrument's technique. No technique marks (arco, pizzicato), bowings, dynamics or tempi are indicated, leaving this to the teacher's discretion to assign them, as the goal is to have the student play the tunes perfectly at his/her own pace and abilities. This music can also be used for solo recitals. Keys: D Major, A Major, E Major
$8.00
7.38 €
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Contre Basse
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Laura C
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Two-Strings Melodies for the beginner bassist.
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Laura Quijada
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SheetMusicPlus
The Lost Chord for Double Bass Choir
Contre Basse
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.780036 Composed b…
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.780036 Composed by Sir Arthur Seymour Sullivan. Arranged by Graham Boag. Concert,Standards. Individual part. 15 pages. Graham Boag #5023179. Published by Graham Boag (A0.780036). The Lost Chord is a song composed by Arthur Sullivan in 1877 at the bedside of his brother Fred during Fred's last illness. The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called A Lost Chord, published in 1858 in The English Woman's Journal. The song was immediately successful and became particularly associated with American contralto Antoinette Sterling, with Sullivan's close friend and mistress, Fanny Ronalds, and with British contralto Clara Butt. Sullivan was proud of the song and later noted: I have composed much music since then, but have never written a second Lost Chord. Many singers have recorded the song, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims of the Titanic disaster. The piece has endured as one of Sullivan's best-known songs, and the setting is still performed today. .
$15.99
14.75 €
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Contre Basse
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Sir Arthur Seymour Sullivan
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Graham Boag
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The Lost Chord for Double Bass Choir
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Graham Boag
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Contrabass
Contre Basse
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed …
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078717. Published by Benjamin Sajo (A0.1018960). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Contre Basse
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Don't Stop Believin'
Contre Basse
Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.780037 By Journey…
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Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.780037 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Graham Boag. Rock. Individual part. 19 pages. Graham Boag #5023745. Published by Graham Boag (A0.780037). Don't Stop Believin’ is a song by American rock band Journey, originally released as the second single from their seventh album Escape (1981). It became a number 9 hit on the Billboard Hot 100 on its original release after entering the chart at position 56 on 31st October 1981. In the United Kingdom, the song was not a Top 40 hit on its original release; however, it reached number 6 in 2009.Mike DeGagne of AllMusic has described Don't Stop Believin' as a perfect rock song and an anthem, featuring one of the best opening keyboard riffs in rock. It is the best-selling digital track from the 20th century with over 7 million copies sold in the United States. It was used in the Final scene of HBO’s The Sopranos bringing the song to a newer audience and then it’s use in the US television series Glee where it was performed in either whols or part in six different episodes throughout the run of the show, including the 120th (second last) episode, once again brining the song to a new younger audience. I have now done an arrangement for Double Bass quartet which is sure to prove popular with audience’s young and old as well as your Bass group.
$12.99
11.98 €
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Contre Basse
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Journey
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Graham Boag
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Don't Stop Believin'
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Graham Boag
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SheetMusicPlus
All Grown Up
Contre Basse
Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.1231880 By Molly …
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Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.1231880 By Molly Parker. By 2 and Daniel Hart. Arranged by Alex Nunes Rodrigues. Film/TV. Individual part. 1 pages. Alex Rodrigues #827585. Published by Alex Rodrigues (A0.1231880). The song All Grown Up is a lullaby that appears in the movie Peter Pan & Wendy, released in 2023 by Disney+. The song was written and produced by Daniel Hart and performed by Molly Parker, who plays the role of Mary Darling, Wendy's mother. The song is sung by Mary to Wendy after a conversation about the fear of growing up and leaving home, before the arrival of Tinker Bell and Peter Pan at the Darling family's house. The song expresses Mary's love for Wendy and her desire for her to enjoy her childhood while it lasts. The song has a gentle and sweet melody, with a tone of nostalgia and tenderness.
$4.99
4.6 €
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Contre Basse
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Molly Parker
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Alex Nunes Rodrigues
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All Grown Up
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Alex Rodrigues
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SheetMusicPlus
All Grown Up
Contre Basse
Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.1231883 By Molly …
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Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.1231883 By Molly Parker. By 2 and Daniel Hart. Arranged by Alex Nunes Rodrigues. Film/TV. Individual part. 1 pages. Alex Rodrigues #827588. Published by Alex Rodrigues (A0.1231883). The song All Grown Up is a lullaby that appears in the movie Peter Pan & Wendy, released in 2023 by Disney+. The song was written and produced by Daniel Hart and performed by Molly Parker, who plays the role of Mary Darling, Wendy's mother. The song is sung by Mary to Wendy after a conversation about the fear of growing up and leaving home, before the arrival of Tinker Bell and Peter Pan at the Darling family's house. The song expresses Mary's love for Wendy and her desire for her to enjoy her childhood while it lasts. The song has a gentle and sweet melody, with a tone of nostalgia and tenderness.
$4.99
4.6 €
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Molly Parker
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Alex Nunes Rodrigues
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All Grown Up
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Alex Rodrigues
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SheetMusicPlus
THE DEEP for solo DOUBLE BASS
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Double Bass,String Bass Solo - Digital Download SKU: A0.1347908 Composed by Alan Ed…
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Double Bass,String Bass Solo - Digital Download SKU: A0.1347908 Composed by Alan Edgar. 21st Century. Individual part. 10 pages. Alan Edgar Ted Moon #932722. Published by Alan Edgar Ted Moon (A0.1347908). Jacques Cousteau, Father of the Aqualung, wrote: The sea, once it casts its spell, holds one in its net of wonder for ever.This piece, for virtuoso double bass, imagines a scuba-diver encountering large animals, and consists of a suite of short depictions of animals in the form of variations on a melody plus a recurrent new melody representing the diver's smooth movements and bubbles. The variations are: Lobster Jazz Waltz, Sea-anemone Belly-dance, Tuna Tune, Luminous Light Show, Dolphin Fling, Jaws Serial and Blues Whale Pavane.The piece lasts about eight minutes with repeats.TECHNICAL NOTE The C harmonics will be a pip flat--they are only bursting bubbles anyway!Scuba Fins tries to feel the quiet calmness and agelessness of the underwater world, using the ancient and universal major pentatonic scale C,D,E, G,A ,C. The rhythm is mostly steady and simple, but triplets indicate the occasional extra effort. Now and again, he glances down at the infinite depths. Tintinnabulation and soft staccatissimo arpeggios represent the bubbles. Lobster Waltz is a jazz waltz with many staccato notes and leaps representing the many appendages and the tangle of lively giant crustaceans.Sea-anemone Belly-Dance pictures the soft body and tentacles swaying under the waves, using the Arabic scale Shad 'Araban, roughly G,Ab, B,C,D,Eb,F#,G and influenced by a dance to the folk tune known as Bint El-Salabiya.Tuna Tune is a quick moto perpetuo in the cheerful major mode, septuple time, the rapid rise and fall of the phrases and of volume reflecting the powerful shoal's unpredictable, ceaseless movements, approaching and retreating.Dolphin Fling is a stathspey, or highland fling, using the major mode and typical dance rhythms including the Scotch snap to depict the weighty but intelligent dolphins enjoying their leisure time and perhaps dancing with the diver.Jaws Serial reminds us of the fear a shark generates, using the dissonant 12-note serial mode and unpredictable leaps and pauses. The opening slow trill will chill you as it invokes the Jaws film theme by John Williams. You might even hear the diver's heart sink and the snap pizzicato of the teeth snapping. The prime row is the nearest possible to the original theme: Bb, Ab, F, Eb, B, C, E, G, Db, D, Gb.A, but I have followed the contours of the main themes. Blues Whale is a pavane, a slow, stately processional incorporating the typical renaissance drum rhythm. and using a blues scale, G, A, Bb, C, C#, D, F, G, and an implied 12-bar minor blues harmony.
$20.00
18.45 €
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Alan Edgar
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THE DEEP for solo DOUBLE BASS
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Alan Edgar Ted Moon
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SheetMusicPlus
Whirling-double bass solo
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.844997 Composed b…
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.844997 Composed by Phil Beaman. Concert,Contemporary,Instructional,New Age. Individual part. 1 pages. Phil Beaman #6063421. Published by Phil Beaman (A0.844997). Whirling, for unaccompanied instrumental solo, is my musical interpretation of the act and feeling of whirling. It contains whirling broken chords at Prestissimo speed; a frenzied but controlled perpetual motion etude. The piece is a giant chord progression with each whirling chord lasting 8 bars. This piece creates a unique, fun, and impressive performance. Or show your technique and make a friendly speed challenge with your colleagues!
$3.99
3.68 €
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Contre Basse
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Phil Beaman
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Whirling-double bass solo
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Phil Beaman
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SheetMusicPlus
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