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Non classifié
5121
PIANO & CLAVIERS
Piano seul
6667
Piano, Voix
3095
Piano, Voix et Guitare
765
Piano Facile
672
Orgue
305
Accompagnement Piano
243
Instruments en Do
126
1 Piano, 4 mains
113
Piano Trio: piano, violon, violoncelle
86
Piano grosses notes
72
Accordéon
55
Piano (partie séparée)
34
2 Pianos, 4 mains
29
Piano Quatuor: piano, violon, alto, violoncelle
20
Orgue, Trompette (duo)
8
Orgue, Piano (duo)
8
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
1 Piano, 6 mains
3
Ligne De Mélodie, Piano
2
Ensemble de Pianos
2
Clavier
2
Clavecin
1
Tous Les Instruments
1
2 Pianos, 8 mains
1
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GUITARES
Guitare notes et tablatures
288
Ligne De Mélodie, (Paroles) et Accords
201
Guitare
141
Guitare (partie séparée)
77
Ukulele
74
Paroles et Accords
52
Piano, Guitare (duo)
36
Basse electrique
25
Basse électrique (partie séparée)
19
Mandoline
9
2 Guitares (duo)
9
4 Guitares (Quatuor)
8
Dulcimer
8
3 Guitares (trio)
5
Banjo
4
Ukulele Baryton
4
Ensemble de guitares
3
2 Mandolines (duo)
2
Cithare
1
Partitions De Groupes
1
Mandoline, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Guitare Tab, Voix, Basse, Batterie
1
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VOIX
Chorale SATB
1336
Chorale 3 parties
321
Chorale 2 parties
246
Chorale Unison
203
Chorale TTBB
167
Chorale SSAA
85
Chorale
54
Voix duo, Piano
43
Voix duo
29
Voix seule
27
Voix Soprano, Piano
24
Voix Alto, Piano
21
Voix Tenor, Piano
16
Voix basse, Piano
16
Voix moyenne, Piano
15
Voix haute
10
Voix Soprano
8
Voix Tenor
8
Voix Baryton, Piano
5
Voix Soprano, Orchestre
5
Soli, choeur mixte et accompagnement
5
Voix Mezzo-Soprano, Piano
4
Chorale SSATB
3
Chorale SSAATTBB
2
Voix d'Enfants
1
Chorale SSAB, Piano
1
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VENTS
Saxophone (partie séparée)
1039
Clarinette (partie séparée)
728
Quatuor de Saxophones: 4 saxophones
408
Flûte traversière et Piano
369
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
309
Flute (partie séparée)
305
Quintette de Saxophone: 5 saxophones
301
Hautbois (partie séparée)
285
Flûte, Hautbois, Clarinette, Basson
245
Hautbois, Piano (duo)
232
Clarinette et Piano
229
Quatuor de Clarinettes: 4 clarinettes
226
Saxophone Alto et Piano
221
Saxophone Tenor et Piano
200
Quintette de Clarinettes: 5 clarinettes
186
Flûte traversière
177
Clarinette
168
Saxophone Soprano et Piano
144
3 Saxophones (trio)
141
2 Saxophones (duo)
129
Quatuor de Flûtes : 4 flûtes
125
Saxophone Alto
125
2 Flûtes traversières (duo)
93
3 Clarinettes (trio)
85
2 Clarinettes (duo)
73
Ensemble de Clarinettes
63
Trio de Flûtes: 3 flûtes
55
Saxophone Baryton, Piano
51
Ensemble de Flûtes
50
Quintette de Flûte : 5 flûtes
45
Saxophone Tenor
41
Ensemble de saxophones
39
Flûte, Clarinette, Piano (trio)
32
Clarinette, Violon (duo)
30
2 Flûtes traversières, Piano
29
Flûte, Violoncelle, Piano (trio)
28
Cor anglais, Piano
28
Flûte, Clarinette (duo)
26
Clarinette, Violoncelle, Piano (trio)
25
Quatuor de Flûtes à bec
25
Flûte, trombone et piano
24
Flûte, Violon et Violoncelle
24
2 Clarinettes, Piano
23
Hautbois
22
Saxophone Soprano
22
2 Hautbois (duo)
21
Flûte, Clarinette et Basson
21
Saxophone, Clarinette (duo)
20
Flûte à Bec
18
Flûte, Alto et Piano
16
Flûte et Guitare
14
Clarinette Basse, Piano
14
Hautbois, Basson (duo)
13
Clarinette, Trompette (duo)
13
Flûte, Hautbois, Piano (trio)
12
5 Flûtes à bec
12
Hautbois, Clarinette (duo)
11
Flûte, Hautbois, Clarinette (trio)
11
Saxophone Baryton
11
Flûte, Violon, Piano
11
Flûte, Violon
11
Ocarina
10
Clarinette, Basson (duo)
10
Clarinette, Guitare (duo)
10
Cor Anglais
10
Clarinette, trompette et piano
9
Flûte, Basson et Piano
9
Flûte, Hautbois, Basson
9
Flûte, Violon, Violoncelle et Piano
8
Hautbois, Flûte
8
Flûte à bec Soprano
8
Flûte, Trompette (duo)
7
Clarinette et Alto
7
2 Flûte à bec (duo)
7
Flûte à bec Alto, Piano
7
Flûte, Saxophone (duo)
7
Piccolo, Piano
7
Saxophone
7
Flûte à Bec, Piano
6
2 Saxophones, Piano
6
Flûte à bec Tenor
6
Ensemble De Flûte à bec
5
Flûte, Violoncelle, Guitare
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Piccolo
5
Flûte, Violoncelle
5
Flute, Cor (duo)
4
Instruments en Mib
4
Flûte, Hautbois (duo)
4
Clarinette, Harpe (duo)
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
Ensemble à vent
3
Clarinette, Violoncelle (duo)
3
Flûte, Alto (duo)
2
Flûte à bec Alto
2
Flûte et Trio à cordes
2
Flûte, Violon, Guitare
2
Saxophone et Guitare
2
Clarinette Basse
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Cor anglais et Harpe (duo)
1
Clarinette, Orgue
1
Flûte, alto et harpe
1
Flûte irlandaise
1
Clarinette, Trombone (duo)
1
Flûte, Hautbois, Violon
1
Cor anglais, Guitare (duo)
1
Cornemuse
1
Flûte, Trombone (duo)
1
Flûte de Pan
1
Clarinette, Contrebasse (duo)
1
2 Clarinettes, Basson
1
Clarinette, Tuba
1
Clarinette, Saxophone, Piano
1
Clarinette, Alto et Piano (trio)
1
2 Flûtes à bec, Guitare
1
Flûte, Harpe et Violoncelle
1
Harmonica
1
3 Hautbois
1
Flûte traversière, Orchestre
1
4 Hautbois
1
2 Cors Anglais Et Pianoforte
1
Flute, harpe et violon
1
Saxophone et Harpe
1
Flûte traversière, Orgue (duo)
1
Flûte à bec Soprano, Piano
1
Clarinette, Basson, Piano (trio)
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Clarinette, Orchestre
1
Hautbois et alto (duo)
1
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Trombone (partie séparée)
717
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Tuba (partie séparée)
403
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
396
Cor (partie séparée)
338
Trombone et Piano
232
Trompette, Piano
205
Trompette
176
Quatuor de Cuivres: 2 trompettes, Cor, trombone
160
Quatuor de Cuivres : 2 trompettes, trombone, tuba
157
Cor et Piano
120
Tuba
114
Trombone
111
Cor
103
Quatuor de Cuivres
77
2 Trombones (duo)
53
Tuba et Piano
53
2 Trompettes (duo)
50
Quatuor de cuivres: 4 trombones
43
Euphonium, Piano (duo)
35
Trompette, Trombone (duo)
30
Cor anglais, Piano
28
Quatuor de cuivres: 4 cors
26
2 Cors (duo)
26
Trio de Cuivres
23
Quatuor de cuivres: 4 trompettes
21
Ensemble de Trombones
19
Trompette, Saxophone (duo)
15
Ensemble de Trompettes
14
3 Trompettes (trio)
14
Cor Anglais
10
Tuba ou Euphonium ou Saxhorn
9
Quatuor de cuivres: 2 trompettes, 2 trombones
9
Euphonium
9
3 Trombones (trio)
8
2 Tubas (duo)
8
4 Tubas
8
Trombone basse
8
Ensemble de Cors
7
Trompette, Violoncelle et Piano
6
Cor, Orchestre
5
Euphonium, Tuba (duo)
5
Instruments en Sib
5
2 Euphoniums (duo)
4
Trompette, Cor (duo)
4
2 Euphoniums et 2 Tubas
4
Clarinette, Cor (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
Tuba et Orgue
3
Trombone, Tuba (duo)
2
Cor, Tuba (duo)
2
Bass Clef Instruments
2
Cornet A Pistons
2
Trompette, Trombone, Piano
2
Trombone, Cor (duo)
2
Trombone basse et Piano
2
Trompette, Basson (duo)
1
Trompette, Harpe
1
Cor anglais et Harpe (duo)
1
Cor anglais, Guitare (duo)
1
Cor, Violoncelle et Piano
1
Trombone, Violon (duo)
1
Cor et Harpe
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
3 Cors (trio)
1
Instruments en Fa
1
Trombone, Orgue
1
2 Cors Anglais Et Pianoforte
1
3 Euphoniums
1
Cor et Orgue
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
823
Violon et Piano
427
Violoncelle, Piano
287
Alto, Piano
261
Violon (partie séparée)
242
Violon
229
Violoncelle (partie séparée)
159
Contrebasse (partie séparée)
131
Alto seul
131
Quintette à cordes: 2 violons, alto, violoncelle, basse
127
Trio à Cordes: violon, alto, violoncelle
124
Harpe
105
2 Violons (duo)
82
Violoncelle
69
2 Violoncelles (duo)
63
Violon, Violoncelle (duo)
61
Alto (partie séparée)
59
Trio à Cordes: 2 violons, violoncelle
55
Contrebasse, Piano (duo)
43
Contre Basse
36
Violon, Alto (duo)
36
2 Altos (duo)
35
4 Violoncelles
33
Trio à cordes: 3 violins
25
Quatuor à cordes: 4 violons
20
Trio à Cordes: 3 violoncelles
18
Piano Trio: Violon, Alto, Piano
16
Harpe, Flûte (duo)
12
Violoncelle, Orchestre
11
Alto et Harpe
10
Harpe, Violoncelle (duo)
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
2 Harpes (duo)
9
Harpe, Violon (duo)
8
Harpe, Voix
8
Alto, Violoncelle (duo)
8
Trio à cordes: 3 altos
7
Quatuor à cordes : 4 altos
6
Violon, Clarinette, Piano (trio)
6
2 Contrebasses (duo)
5
Ensemble de Violons
4
Trio à Cordes: 2 violons, alto
4
2 Violons, Piano
3
Alto, Guitare (duo)
2
Violoncelle, Orgue
2
Ensemble de Violoncelles
2
Violoncelle, Contrebasse (duo)
2
Trio à cordes
1
Violon, Orgue
1
Violon, Tuba (duo)
1
Violon, Guitare (duo)
1
Autoharp
1
Violoncelle, Basse continue
1
4 Harpes
1
Violon, Trompette et Piano
1
Flûte, Contrebasse (duo)
1
Violoncelle , Guitare (duo)
1
Ensemble d'Altos
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
4027
Orchestre
663
Percussion (partie séparée)
612
Orchestre à Cordes
577
Ensemble Jazz
176
Percussion
149
Batterie (partie séparée)
129
Timbales (partie séparée)
127
Fanfare
115
Cloches
106
Ensemble de cuivres
103
Orchestre de chambre
73
Piano et Orchestre
33
Batterie
32
Jazz combo
28
Ensemble de Percussions
27
Orchestre, Violon
18
Vibraphone
8
Marimba
7
Xylophone
6
Bongos
2
Xylophone, Piano
2
Conga
2
Quintette à Vent
2
Vibraphone et Marimba
2
Quatuor à Vent : 4 instruments à vents
1
Big band
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Voix et Orchestre
1
Timbales
1
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AUTRES
Formation musicale - Solfège
2
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Story No. 2, for narrator and chamber orchestra
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944028 Composed by Music by Ofer Ben-A…
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Chamber Orchestra - Digital Download SKU: A0.944028 Composed by Music by Ofer Ben-Amots, Story by Eugene Ionesco. Contemporary. Score and parts. 92 pages. The Composer's Own Press #4605319. Published by The Composer's Own Press (A0.944028). COMPOSER’S NOTE: Story Nr. 2 for chamber ensemble and a narrator, was written as a commission for the 1983 Children's Music Festival in St. Omer, France. Since its inception, the work has been widely performed in French, German and English. The narrative of Story Nr. 2 is a little known children's story by the great French author and playwright Eugene Ionesco (1912 – 1994). The story is about play on words. Little Josette has a conversation with her father who teaches her the new meaning of words: A Telephone is called Cheese, a Cheese is a Music Box, the Music Box is called a Rug and so on. The meanings become funnier and stranger ad absurdum. Then Josette and her father combine the words into sentences and practice the new mismatched names and objects. The characters participating in the story beside of Josette and her father are Josette's pretty mother and the maid Jacqueline. Each of the characters has its own musical theme and color represented by distinguished instrumentation: Jossette's theme is played by the flute, the father is represented by the trumpet and trombone, the pretty mother by the oboe and Jacqueline by the xylophone and piano. The new orchestral version which includes the string section was written in 1990. Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$36.00
33.17 €
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Orchestre de chambre
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Music by Ofer Ben-Amots, Story by Eugene Ionesco
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Story No. 2, for narrator and chamber orchestra
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The Composer's Own Press
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SheetMusicPlus
100 Days in Purgatory
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.483333 By Ebunoluwa Olaopa. By Ebunolu…
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Chamber Orchestra - Digital Download SKU: A0.483333 By Ebunoluwa Olaopa. By Ebunoluwa Olaopa. Film/TV. Score and parts. 9 pages. Published by Ebunoluwa Olaopa (A0.483333).
$10.00
9.21 €
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Orchestre de chambre
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Ebunoluwa Olaopa
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100 Days in Purgatory
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Ebunoluwa Olaopa
#
SheetMusicPlus
Reprise: Pure Imagination (at The Gates Of The Factory)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1259824 Composed by Anthony …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1259824 Composed by Anthony Newley and Leslie Bricusse. Arranged by Rich DeRosa. Contemporary,Jazz,Latin,Singer/Songwriter. Score and Parts. 79 pages. Richard DeRosa #853102. Published by Richard DeRosa (A0.1259824). This dazzling arrangement is a great showcase for a vocalist, orchestra, and a contemporary rhythm section. The orchestral and keyboard instruments provide a magical texture supported with a Brazilian partido alto rhythm that adds a modern groove. The virtuosic vocal part encompasses a 2-octave range, a dynamic vocalese with the orchestra, and an opportunity to improvise during the closing section. This is best suited for advanced performers. The demo recording will be a useful guide for quicker preparation. Performance time is approximately 4:50.
$100.00
92.15 €
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Orchestre de chambre
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Anthony Newley and Leslie Bricusse
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Rich DeRosa
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Reprise: Pure Imagination
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Richard DeRosa
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SheetMusicPlus
Snow Storm: The story of Good King Wenceslas (Junior Strings)
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.847025 Composed by Pamela Ja…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.847025 Composed by Pamela Jane Moutoussi/trad. Children,Christian,Christmas,Contemporary. Score and parts. 27 pages. Pamela Moutoussi #3380023. Published by Pamela Moutoussi (A0.847025). This is little effective Christmas piece for a junior or lower intermediate String Orchestra, grades 1-3. Here is my own children's group playing it. https://www.youtube.com/watch?v=Vqs75ANFhWI
$15.00
13.82 €
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Orchestre de chambre
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Pamela Jane Moutoussi/trad
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Snow Storm: The story of Good King Wenceslas
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Pamela Moutoussi
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
23.91 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.91 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Concerto No. 1 - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
23.04 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score Only
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.41 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.41 €
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Orchestre de chambre
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
30.41 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 3 Viola
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.568673 Arranged by Thomas Gr…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.568673 Arranged by Thomas Graf. Classical,Folk,World. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com #3038961. Published by Thomas Graf - the-hit-factory.com (A0.568673). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. Welcome Spring Time! These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der Bauer Part II Alle Vöglein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - Eight pages per part, printable as brochure Five different parts in all transpositions, you can buy score and all parts in a paket, find them on this website. Instrumentation: Part Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/Uu5x2Jk48bw
$3.99
3.68 €
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Orchestre de chambre
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Thomas Graf
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Instrumentation:
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German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 3 Viola
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Conflusion - Suite - Wind Ensemble
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.567766 Composed by Thomas Gr…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts. 216 pages. Thomas Graf - the-hit-factory.com #546297. Published by Thomas Graf - the-hit-factory.com (A0.567766). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00
73.72 €
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Orchestre de chambre
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ensemble
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Conflusion - Suite - Woodwind Ensemble - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1115988 Composed by Thomas G…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. Thomas Graf - the-hit-factory.com #717713. Published by Thomas Graf - the-hit-factory.com (A0.1115988). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$10.00
9.21 €
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Orchestre de chambre
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind Ensemble - Score Only
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Conflusion - Suite - Wind Ensemble - Clarinet 2 in Bb
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.567878 Composed by Thomas Gr…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.567878 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Contemporary,Jazz. Score and parts. 8 pages. Thomas Graf - the-hit-factory.com #1986061. Published by Thomas Graf - the-hit-factory.com (A0.567878). Conflusion Phantasy in 3 mouvements for large wind ensemble, double bass and percussion 1. Movement: Deux Caractères 3’59’’ 2. Movement: Dialogues 3’18’’ 3. Movement: Dance de Conflusion 4’24’’ Find all info’s on Youtube: https://youtu.be/Qa4uoTTQ2-o Tatl duration 10‘41‘‘ Instrumentation: 3 flutes (with Piccolo), 3 Clarinets (including bass clarinet), 2 Oboes, cor anglais, 2 Bassoons, contra-bassoon, 3 trumpets, 3 trombones, tuba, double bass, 2 percussion I'm looking for an open-minded Orchestra for a recording, as well as partner(Orchestra and/or conductor) for an arrangement for symphonic wind band. Thomas H. Graf.
$3.00
2.76 €
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Orchestre de chambre
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ensemble - Clarinet 2 in Bb
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Schumann: Träumerei Op. 15 No. 7 for Piano Sextet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Sc…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 10 pages. Jmsgu3 #4598499. Published by jmsgu3 (A0.550196). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà An unexpected and welcome recital encore.Schumann's Träumerei (Dreaming), Op. 15 No. 7, is a solo piano piece that is part of his Scenes from Childhood (Kinderszenen) set, which was his first attempt at writing a piano solo. The piece is significant for several reasons:Emotional Appeal: Träumerei is considered a masterpiece due to its great emotional appeal, combining both haunting sadness and nostalgic tenderness. This emotional depth has allowed the piece to touch many people's hearts and become a beloved piece of music worldwide.Universal Themes: The piece explores themes of childhood, memories, and feelings from a sentimental adult perspective. These themes are universally cherished and can be appreciated by adults and children.Cultural Impact: Träumerei has been used in various cultural contexts, such as in the 1947 Hollywood film Song of Love and the 1944 German biographical film on Schumann. In Russia, a hummed choral, a cappella version that became known as mourning music, was played annually during the Minute of Silence on Victory Day.Influence on Other Artists: The piece has inspired other artists, such as violinist Fenella Humphreys, who released an arrangement of Träumerei for violin in 2021.Schumann's Träumerei is a significant piece of music due to its emotional appeal, universal themes, cultural impact, and influence on other artists. Its timeless beauty and emotional depth continue to resonate with audiences worldwide.
$48.95
45.11 €
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Orchestre de chambre
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Robert Schumann
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James M
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Schumann: Träumerei Op. 15 No. 7 for Piano Sextet
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jmsgu3
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SheetMusicPlus
Lacrimosa (Requiem of Emmett Till Ballet Score)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.982668 Composed by Michael Dryver, Com…
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Chamber Orchestra - Digital Download SKU: A0.982668 Composed by Michael Dryver, Composer. Contemporary,Spiritual. Score and parts. 26 pages. Contemporary Choral Series #4841649. Published by Contemporary Choral Series (A0.982668). Requiem Ballet. Dance ballet piece of victory over death through God and salvation. Symbolic of resurrection on many levels; spiritual, memory of the tragic murder, the injustice of the trial procedures, the victimized innocence under Jim Crow law. Emmett (Bobo) Till, risen from the death is as a live as ever until justice is served. At the conclusion of the Lacrimosa Emmett's voice encourages us to weep no more for his cause but learn to love each other for our differences. .
$17.00
15.67 €
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Orchestre de chambre
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Michael Dryver, Composer
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Lacrimosa
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Contemporary Choral Series
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SheetMusicPlus
BH004REC - Recorder Quartet Songs, Book 4 (>70 pages)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.921116 Composed by Carl Van …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.921116 Composed by Carl Van Pevenage. Classical,Pop,World. Score and parts. 88 pages. Carl Van Pevenage #524111. Published by Carl Van Pevenage (A0.921116). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 031 Pop song: SurpriseChansonnette 032 Romantic song: The vanilla ice cream poemChansonnette 033 Christmas Carol: ChoraleChansonnette 034 VictoryChansonnette 035 Pop song: A modern tuneChansonnette 036 A classical tuneChansonnette 037 RoundaboutChansonnette 038 Chorale: PrayerChansonnette 039 Romantic song: Love songChansonnette 040 Folk song: Drinking song
$9.95
9.17 €
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Orchestre de chambre
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Carl Van Pevenage
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BH004REC - Recorder Quartet Songs, Book 4
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Carl Van Pevenage
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SheetMusicPlus
CHARPENTIER: PRELUDE (From 'Te Deum in D major', H. 146) for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.500957 By Marc-Antoine Charp…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.500957 By Marc-Antoine Charpentier. By Marc-Antoine Charpentier. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Film/TV,Wedding. Score and parts. 32 pages. FRC Music #114031. Published by FRC Music (A0.500957). The “Te Deum†(H 146) is unquestionably the best known composition of Marc-Antoine Charpentier (1643–1704), especially since its “ Prélude en rondeau †was made the Eurovision signature tune. Although Charpentier set the “Te Deum†altogether four times, this is his only setting employing a “military bandâ€, i.e. trumpets and kettledrums. Charpentier considered the key D-major as bright and very warlike; indeed D-major was regarded as the key of glory in Baroque music. This brilliant and magnificent piece was frequently played at victory celebrations and other occasions of public jubilation during the 17th century. Even today it is still ideal for festive church services and concerts.
$12.99
11.97 €
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Orchestre de chambre
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Marc-Antoine Charpentier
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Flavio Regis Cunha
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CHARPENTIER: PRELUDE
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FRC Music
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SheetMusicPlus
Kraken
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1005076 Composed by Tim Yarham. 20th C…
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Chamber Orchestra - Digital Download SKU: A0.1005076 Composed by Tim Yarham. 20th Century,Contemporary. Score and parts. 62 pages. True Art is Angsty #4885609. Published by True Art is Angsty (A0.1005076). Kraken (6'33) is an exciting introduction to program music, and features one of the few love songs written for a Kraken. A movement from A Quest Northwards, Kraken tells of this great beast of the deep, rising and attacking a ship crossing its territory. This is an ideal work for school or community orchestra, either as a standalone or as an introduction to program music. .
$15.00
13.82 €
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Orchestre de chambre
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Tim Yarham
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Kraken
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True Art is Angsty
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SheetMusicPlus
King of the Wind
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1005082 Composed by Tim Yarh…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1005082 Composed by Tim Yarham. Contemporary. Score and parts. 84 pages. True Art is Angsty #5038463. Published by True Art is Angsty (A0.1005082). King of the Wind (11'20) is inspired by an original artwork by Dreaming of Dark Horses (http://dreamingofdarkhorses.art).The artwork and the music depict a mighty bird, the King of the Wind, as it soars and surveys its territory. This composition is for chamber orchestra, featuring the French Horn. .
$12.50
11.52 €
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Orchestre de chambre
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Tim Yarham
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King of the Wind
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True Art is Angsty
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SheetMusicPlus
Pájaros (Birds) for solo flute and strings
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.953618 Composed by Adrienne …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (ASCAP) #4792829. Published by Adrienne Inglis (ASCAP) (A0.953618). Pájaros for solo flute and strings (2017) captures the springtime songs of many Texas Hill Country birds, including the beloved Golden-cheeked Warbler, and sets them to flirtatious Latin rhythms.As an avid bird lover, the composer sets some of her favorite bird songs to music in Pájaros for solo flute and strings. The birds featured in this piece nest every spring in the Hill Country of Texas, west of Austin. As daylight turns to dusk, the Bewick's Wren's tuneful song unfolds over an Argentine tango rhythm, accompanied by the Northern Cardinal, Lesser Goldfinch, and Northern Bobwhite. A Red-tailed Hawk startles all the songbirds into momentary silence. As they resume their singing, dusk fades into darkness and various insects start their incessant chirping. The mysterious Chuck-will's-widow sings its mournful call all night long, set here to a Venezuelan pasaje rhythm. When day breaks, the Golden-cheeked Warbler sings its two songs from the treetops to stake out its territory and attract a mate. The Cuban danzón provides the backdrop for its flirtatious tunes.Duration about 6:00.Recognition:Pájaros was selected as one of 55 finalists chosen from almost 2200 entries from 76 countries in the Kaleidoscope Chamber Orchestra 2018 Call for Scores.
$8.99
8.28 €
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Orchestre de chambre
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Adrienne Inglis
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Pájaros
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Adrienne Inglis
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SheetMusicPlus
Meditation XVII - Parts
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1028111 Composed by Ron Keinan. Contem…
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Chamber Orchestra - Digital Download SKU: A0.1028111 Composed by Ron Keinan. Contemporary. Score and parts. 125 pages. Ron Keinan #3407435. Published by Ron Keinan (A0.1028111). Meditation VXII - Text by John Donne (1572-1631).For Mezzo Soprano, Rock Ensemble and Chamber OrchestraA full set of parts. Score available separately.TextNo man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were: any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bells tolls; it tolls for thee.
$20.00
18.43 €
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Orchestre de chambre
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Ron Keinan
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Meditation XVII - Parts
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Ron Keinan
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SheetMusicPlus
"The Flying Hat" for chamber orchestra (excerpts)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.886736 Composed by Panagioti…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.886736 Composed by Panagiotis Theodossiou. 20th Century,Children,Concert,Standards. Score and parts. 60 pages. Panagiotis Theodossiou #6019921. Published by Panagiotis Theodossiou (A0.886736). The Flying Hat Scenes of a Fairy Tail, for orchestra op.34 (2006) a. A Little Fanfare b. The Hatland c. Dad, the Giant Hat d. Dance of the Little Hats e. The Wind f. The Flight g. Farewell A fairy tale full of inspiration written by a child was the stimulus for the creation of this polytonal work for orchestra. With humor and innocence, piquant orchestration and cinematic use of the sound, the work is dedicated to the child, Michalis Tillianakis and to Eleutherios Geitonas, director of Geitonas School who gave the idea for this project. The work has been transcribed for piano, 4 hands, for the Duo Pianismo recital in Benetatou Cultural Center of Psihiko in 2010 and for wind quintet for the Q innegal Wind Quintet Concerts in Athens in 2011 (Attikon OdeionConservatory, Art Gallery Café, Athens, Perigiali Theater, Korinthos). Excerpts of the work has been performed by Psychiko Youth Orchestra conducted by the composer at Arssakeion Educational Institute Theater in 2016.
$20.00
18.43 €
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Orchestre de chambre
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Panagiotis Theodossiou
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"The Flying Hat" for chamber orchestra
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Panagiotis Theodossiou
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SheetMusicPlus
Carson Cooman: The Sky About to Open (2004) for orchestra, score and parts
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.533602 Composed by Carson Co…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.533602 Composed by Carson Cooman. Contemporary. Score and parts. 22 pages. Musik Fabrik Music Publishing #3030515. Published by Musik Fabrik Music Publishing (A0.533602). The Sky About to Open (2004) for orchestra was written for and is dedicated to composerJudith Weir, on the occasion of her 50th birthday.The work is based on musical material from Desiring the Solicitude of Rain (2003-04) fortenor and chamber orchestra, based on a text of Kathleen Wakefield. The title of this workcomes from the poem. (The title also references Weir's work The Welcome Arrival of Rain(2000) for orchestra.)The work is a brief fanfare of spacious character -- filled with anticipatory energy: the skypregnant with rain about to fall.InstrumentationFluteOboeClarinet in Bb2 Horns in FTrumpet in CPercussion (1 player: tubular bells)(requires both 2 normal chime beaters)Strings(minimum of 2.2.2.2.1;larger section preferred)
$38.95
35.89 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Sky About to Open
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Musik Fabrik Music Publishing
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SheetMusicPlus
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