English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
4 078
Partitions
Numériques
3 419
Librairie
Musicale
14 246
Matériel
de Musique
3 469
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
486
PIANO & CLAVIERS
Piano seul
285
Piano grosses notes
193
Piano, Voix
102
Piano, Voix et Guitare
65
Piano Facile
47
Instruments en Do
25
Orgue
13
1 Piano, 4 mains
9
Accompagnement Piano
7
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano (partie séparée)
1
Accordéon
1
2 Pianos, 8 mains
1
Clavecin
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
51
Ligne De Mélodie, (Paroles) et Accords
21
Guitare
21
Basse electrique
12
Mandoline
3
Dulcimer
3
Ukulele
3
Guitare (partie séparée)
2
2 Guitares (duo)
2
Banjo
1
Piano, Guitare (duo)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
139
Chorale 3 parties
37
Chorale 2 parties
34
Chorale SSAA
27
Chorale TTBB
24
Chorale Unison
13
Voix duo, Piano
11
Voix seule
4
Voix duo
4
Voix haute
4
Voix Mezzo-Soprano, Piano
2
Voix Soprano, Piano
2
Voix basse
1
Voix Tenor
1
Voix Soprano
1
Voix moyenne, Piano
1
Chorale SSATTB
1
Instrumentations suivantes
Retracter
VENTS
2 Saxophones (duo)
25
Flûte traversière et Piano
21
Quatuor de Saxophones: 4 saxophones
21
Clarinette et Piano
20
Hautbois, Piano (duo)
19
Saxophone Tenor et Piano
17
2 Flûtes traversières (duo)
16
Saxophone Alto et Piano
15
Clarinette
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Flûte, Hautbois, Clarinette, Basson
13
Flûte traversière
12
2 Clarinettes (duo)
10
Saxophone (partie séparée)
9
Saxophone Soprano et Piano
9
Saxophone Tenor
7
Saxophone Alto
6
2 Hautbois (duo)
6
Quatuor de Flûtes : 4 flûtes
6
Quatuor de Clarinettes: 4 clarinettes
6
Quintette de Saxophone: 5 saxophones
6
Saxophone Baryton, Piano
6
Saxophone, Clarinette (duo)
5
Ensemble de Clarinettes
5
Clarinette, Trompette (duo)
4
Clarinette, Violon (duo)
4
Cor anglais, Piano
4
Flûte, Clarinette (duo)
4
Clarinette, Harpe (duo)
3
Flûte et Guitare
3
Hautbois (partie séparée)
3
Ensemble de saxophones
3
Ensemble de Flûtes
3
3 Clarinettes (trio)
3
Quintette de Clarinettes: 5 clarinettes
3
5 Flûtes à bec
2
Flûte, Trompette (duo)
2
Hautbois, Clarinette (duo)
2
Flûte, Hautbois, Basson
2
Hautbois
2
Clarinette Basse, Piano
2
Saxophone Soprano
2
Trio de Flûtes: 3 flûtes
2
Saxophone Baryton
2
Flûte, Alto (duo)
2
Clarinette et Alto
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à bec Soprano
2
3 Saxophones (trio)
2
Flûte irlandaise
2
Clarinette, Guitare (duo)
1
Saxophone et Orgue
1
Flûte à bec Alto, Piano
1
Flûte à bec Soprano, Piano
1
Instruments en Mib
1
Flûte, Violon
1
Flûte, Clarinette, Piano (trio)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violoncelle
1
Flûte à bec Tenor
1
Flûte, Saxophone (duo)
1
2 Saxophones, Piano
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Basson (duo)
1
Saxophone
1
Flûte, Hautbois (duo)
1
Flûte, Clarinette et Basson
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Trombone et Piano
15
Trompette
15
Trompette, Trombone (duo)
13
Trompette, Piano
13
Cor et Piano
9
2 Trompettes (duo)
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trombone
8
2 Trombones (duo)
7
Tuba
6
Trombone (partie séparée)
5
Tuba et Piano
5
2 Cors (duo)
4
Euphonium, Piano (duo)
4
Cor
4
Cor anglais, Piano
4
Trompette (partie séparée)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trio de Cuivres
2
2 Tubas (duo)
2
Quatuor de Cuivres
2
Quatuor de cuivres: 4 trombones
2
2 Cors Anglais Et Pianoforte
1
Instruments en Sib
1
Quatuor de cuivres: 4 cors
1
3 Trombones (trio)
1
Trompette, Trombone, Piano
1
Trompette, Saxophone (duo)
1
Ensemble de Tubas
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
211
Violon, Violoncelle (duo)
160
Violon
139
Trio à Cordes: violon, alto, violoncelle
126
Violon et Piano
29
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Violoncelle, Piano
19
Alto, Piano
15
2 Violoncelles (duo)
14
Violon, Alto (duo)
13
2 Altos (duo)
12
2 Violons (duo)
12
Harpe
10
Violoncelle (partie séparée)
9
Trio à Cordes: 2 violons, violoncelle
7
Alto seul
6
Violoncelle
5
Contrebasse, Piano (duo)
4
Contre Basse
3
Harpe, Voix
2
Trio à Cordes: 3 violoncelles
2
2 Contrebasses (duo)
2
4 Violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
3 Harpes
1
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 violins
1
Alto (partie séparée)
1
Alto et Harpe
1
Piano Trio: Violon, Alto, Piano
1
Contrebasse (partie séparée)
1
Harpe et Piano
1
Violon (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
2 Violons, Piano
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
112
Orchestre d'harmonie
45
Orchestre
42
Jazz combo
37
Ensemble Jazz
30
Orchestre de chambre
28
Ensemble de cuivres
23
Batterie
5
Cloches
5
Ensemble de Percussions
3
Fanfare
2
Xylophone, Piano
1
Marimba
1
Batterie (partie séparée)
1
Piano et Orchestre
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
But Not For Me
Partitions à imprimer
3 419 partitions trouvées
<
1
26
51
....
3401
It's Not For Me To Say
Piano grosses notes
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.1046806 By …
(+)
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.1046806 By Johnny Mathis. This edition: scorch. E-Z Play Today. Jazz,Pop,Standards. Score. 3 pages. Hal Leonard - Digital #414570. Published by Hal Leonard - Digital (HX.1046806). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.76 €
#
Piano grosses notes
#
Johnny Mathis
#
It's Not For Me To Say
#
Hal Leonard - Digital
#
SheetMusicPlus
But Not For Me
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.893298 By Ketty Lester. By G…
(+)
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.893298 By Ketty Lester. By George Gershwin and Ira Gershwin. Arranged by Rob Ames. Contemporary. Score. 6 pages. Rob Ames #6273615. Published by Rob Ames (A0.893298). Color-coded Lead Sheets for Jazz Combo. Separate lead sheets for Concert instruments and Bb instruments included with purchase. Color allows quick understanding of the sections and form of the tune, the rhythmic hits, and the counter-melodies. Special care has been taken to clearly indicate intros, sections, solos, and codas/outros. These form-based markings are in GREEN. Special care has also been taken to notate the rhythmic hits. Hits are often partially or completely missing from standard fake book versions of the tune. Hits are notated above the staff, in RED. Finally, any counter-melodies or harmonies appear in reduced size, in BLUE.
$4.99
4.6 €
#
Piano, Voix
#
Ketty Lester
#
Rob Ames
#
But Not For Me
#
Rob Ames
#
SheetMusicPlus
My Saxophone and Me (E flat version)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.522194 Composed by Colin …
(+)
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3134129. Published by Colin Kirkpatrick Publications (A0.522194). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679821The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Nice ‘n Easy (No 2); Lazy Days (No 4); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has writte.
$5.95
5.48 €
#
Saxophone Alto et Piano
#
Colin Kirkpatrick
#
Lazy Days
(No 4)
#
My Saxophone and Me
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
My Saxophone and Me (B flat version)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin…
(+)
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin Kirkpatrick. Contemporary,Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3133717. Published by Colin Kirkpatrick Publications (A0.522193). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679835 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Starting Tune (No 1); Island Song (No 3); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written.
$5.95
5.48 €
#
Saxophone Tenor et Piano
#
Colin Kirkpatrick
#
Island Song
(No 3)
#
My Saxophone and Me
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
(+)
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.94 €
#
Orchestre
#
Manuel de Espinosa de los Monteros (1730-1810)
#
Keith Terrett
#
Spanish National Anthem for Symphony Orchestra
#
Music for all Occasions
#
SheetMusicPlus
My Flute and Me
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.522191 Composed by Colin Kirkpatri…
(+)
Flute,Piano - Level 1 - Digital Download SKU: A0.522191 Composed by Colin Kirkpatrick. Contemporary,Instructional. Score and part. 28 pages. Colin Kirkpatrick Publications #3130519. Published by Colin Kirkpatrick Publications (A0.522191). My Flute and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for many beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! The music is identical to that in the companion book My Recorder and Me. Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary.An MP3 file containing all the play-along piano accompaniments is available as a separate item here: https://www.sheetmusicplus.com/title/20679840 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Starting Tune (No 1); Nice ‘n Easy (No 2); Waltzing Around (No 7) and Donkey Trot (No 12). The composer, Colin Kirkpatrick studied at London’s Royal College of Music. After graduation, he followed a career in music education and composed music as an active sideline. His publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written articles for magazines in both the UK and the USA and holds MA (Hons) and PhD degrees.
$5.95
5.48 €
#
Flûte traversière et Piano
#
Colin Kirkpatrick
#
My Flute and Me
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe …
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
9.21 €
#
Orchestre
#
Thomas Oboe Lee
#
Concerto for Orchestra, opus 111
#
Thomas Oboe Lee
#
SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
(+)
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
30.36 €
#
2 Pianos, 4 mains
#
achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
#
Germaine Tailleferre
#
Germaine Tailleferre: Trois Études for two pianos
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Three Pieces for Two Violins and Piano
Two Violins, Piano - Digital Download SKU: IZ.PDP300 Composed by Rebecca Clarke. Sc…
(+)
Two Violins, Piano - Digital Download SKU: IZ.PDP300 Composed by Rebecca Clarke. Score and Parts. 52 pages. Imagine Music - Digital #PDP300. Published by Imagine Music - Digital (IZ.PDP300). 9 x 12 inches.Clarke worked on the Pieces for Two Violins and Piano during 1909, her last year at the Royal College, when Danse Bizarre gained her a scholarship. Clarke mentioned Danse Bizarre in her typescript memoir composed in the 1970s, and also discussed it with me in 1977 while helping me catalogue her compositions, but she said then that it was long lost, and made no mention of any related material. In the year 2000, however, Clarke's great-nephew Daniel Braden found.a box that Clarke had put in the back of a closet decades before and evidently forgotten, which turned out to contain a chaotic assortment of letters, papers, medical records, and music-manuscript sheets. When put in order, the latter yielded the missing inner leaf of an important viola piece and a number of previously unknown or presumed-lost arrangements and compositions, including ''Danse Bizarre and a Prelude, a Nocturne, and the beginning of a Finale for the same instruments, on the same paper, and bearing similar markings in Clarke's hand and in at least one other hand, which may well be Stanford's. The four movements were plainly developed as a suite, although there is nothing to suggest a sequence for the inner movements, and no compelling reason to believe that the Finale ever got beyond the extant eight pages. The manuscript of the Finale is noticeably rougher than those of the other movements, and several pencil-markings, apparently in another hand, suggest that some of its motivic material had not yet jelled. It seems entirely possible that Clarke had only begun this movement when a family crisis forced her to leave the College, and that she never returned to it. In any case, there is not enough of the Finale to make performance feasible, but the other movements stand quite magnificently on their own. They were recorded by Lorraine McAslan, David Juritz, and Ian Jones on Dutton CDLX 7132, released in 2003. The first public performance, by students at the Royal College under Jones's supervision, took place in May 2005 in the College's Concert Hall, where Clarke had last performed nearly a century before.
$32.00
29.49 €
#
Rebecca Clarke
#
Three Pieces for Two Violins and Piano
#
Imagine Music - Digital
#
SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
(+)
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.6 €
#
Paul Wehage
#
Paul Wehage: To You for baritone, tenor saxophone and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
O Love That Wilt Not Let Me Go
Piano grosses notes
Digital Download SKU: HX.459443 Easter,Hymn,Sacred. E-Z Play Today. 1 pages. Publis…
(+)
Digital Download SKU: HX.459443 Easter,Hymn,Sacred. E-Z Play Today. 1 pages. Published by Hal Leonard - Digital (HX.459443). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.76 €
#
Piano grosses notes
#
O Love That Wilt Not Let Me Go
#
Hal Leonard - Digital
#
SheetMusicPlus
But Not For Me
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.1138633 Composed by George Gershw…
(+)
C Instrument - Level 4 - Digital Download SKU: A0.1138633 Composed by George Gershwin. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #738981. Published by John Fries (A0.1138633). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  But Not for Me is a popular song originally written by George Gershwin and Ira Gershwin for the musical Girl Crazy (1930) and sung by Ginger Rogers. Ella Fitzgerald's 1959 version of But Not for Me, which appeared on Ella Fitzgerald Sings the George and Ira Gershwin Songbook, won the 1960 Grammy Award for Best Female Vocal Performance.
$3.99
3.68 €
#
Instruments en Do
#
George Gershwin
#
John Fries
#
But Not For Me
#
John Fries
#
SheetMusicPlus
But Not For me
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1121127 Composed by G…
(+)
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1121127 Composed by George Gershwin. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 1 pages. John Fries #722318. Published by John Fries (A0.1121127). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. But Not for Me is a popular song originally written by George Gershwin and Ira Gershwin for the musical Girl Crazy (1930) and sung by Ginger Rogers. Ella Fitzgerald's 1959 version of But Not for Me, which appeared on Ella Fitzgerald Sings the George and Ira Gershwin Songbook, won the 1960 Grammy Award for Best Female Vocal Performance.
$4.99
4.6 €
#
Piano, Voix et Guitare
#
George Gershwin
#
John Fries
#
But Not For me
#
John Fries
#
SheetMusicPlus
But Not For Me
Orgue
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.613889 By G…
(+)
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.613889 By George Gershwin. This edition: scorch. E-Z Play Today. Broadway,Jazz,Standards. Score. 3 pages. Hal Leonard - Digital #105070. Published by Hal Leonard - Digital (HX.613889). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.76 €
#
Orgue
#
George Gershwin
#
But Not For Me
#
Hal Leonard - Digital
#
SheetMusicPlus
Bach Fuga BWV 539 For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Comp…
(+)
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
23.04 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Johann Sebastian Bach
#
Luis Anjos Teixeira
#
Bach Fuga BWV 539 For Woodwind Quintet
#
Luis Anjos Teixeira
#
SheetMusicPlus
But Not for Me: Solo Bb Part (Substitute for Vocal)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017492_SOLO_BB Solo Bb Part (Sub…
(+)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017492_SOLO_BB Solo Bb Part (Substitute for Vocal). Composed by George Gershwin and Ira Gershwin. Arranged by Scott Ragsdale. Broadway; Jazz; Movie. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017492_SOLO_BB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017492_SOLO_BB). UPC: 038081519067.But Not for Me from Girl Crazy is a superb vocal with a big band chart on a great standard. Features include a vocal range from B-flat below middle C to third space C, lead trumpet range to A-flat, and the swing tempo is around 134 BPM. Check out the written trombone solo and the fine sax soli. A great chart for your vocalist. Sing it! (3:06) This title is available in SmartMusic.
$3.00
2.76 €
#
George Gershwin and Ira Gershwin
#
Scott Ragsdale
#
Jazz
#
But Not for Me: Solo Bb Part
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
But Not for Me: Solo Eb Part (Substitute for Vocal)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017492_SOLO_EB Solo Eb Part (Sub…
(+)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017492_SOLO_EB Solo Eb Part (Substitute for Vocal). Composed by George Gershwin and Ira Gershwin. Arranged by Scott Ragsdale. Broadway; Jazz; Movie. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017492_SOLO_EB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017492_SOLO_EB). UPC: 038081519067.But Not for Me from Girl Crazy is a superb vocal with a big band chart on a great standard. Features include a vocal range from B-flat below middle C to third space C, lead trumpet range to A-flat, and the swing tempo is around 134 BPM. Check out the written trombone solo and the fine sax soli. A great chart for your vocalist. Sing it! (3:06) This title is available in SmartMusic.
$3.00
2.76 €
#
George Gershwin and Ira Gershwin
#
Scott Ragsdale
#
Jazz
#
But Not for Me: Solo Eb Part
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
But Not for Me: Solo Bass Clef Part (Substitute for Vocal)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017492_SOLO_BC Solo Bass Clef Pa…
(+)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017492_SOLO_BC Solo Bass Clef Part (Substitute for Vocal). Composed by George Gershwin and Ira Gershwin. Arranged by Scott Ragsdale. Broadway; Jazz; Movie. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017492_SOLO_BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017492_SOLO_BC). UPC: 038081519067.But Not for Me from Girl Crazy is a superb vocal with a big band chart on a great standard. Features include a vocal range from B-flat below middle C to third space C, lead trumpet range to A-flat, and the swing tempo is around 134 BPM. Check out the written trombone solo and the fine sax soli. A great chart for your vocalist. Sing it! (3:06) This title is available in SmartMusic.
$3.00
2.76 €
#
George Gershwin and Ira Gershwin
#
Scott Ragsdale
#
Jazz
#
But Not for Me: Solo Bass Clef Part
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
But Not For Me
Piano Facile
Easy Piano - Level 3 - Digital Download SKU: A0.692447 By Ketty Lester. By George G…
(+)
Easy Piano - Level 3 - Digital Download SKU: A0.692447 By Ketty Lester. By George Gershwin and Ira Gershwin. Arranged by Mark Phillips. Jazz,Standards. Score. 3 pages. A. J. Cornell Publications #6529761. Published by A. J. Cornell Publications (A0.692447). George and Ira Gershwin's But Not for Me for Easy Piano (after a recording by Beegie Adair).
$4.99
4.6 €
#
Piano Facile
#
Ketty Lester
#
Mark Phillips
#
But Not For Me
#
A. J. Cornell Publications
#
SheetMusicPlus
But Not for Me: 1st B-flat Trumpet
Trompette (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017492_T1 1st B-flat Trumpet…
(+)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017492_T1 1st B-flat Trumpet. Composed by George Gershwin and Ira Gershwin. Arranged by Scott Ragsdale. Broadway; Jazz; Movie. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017492_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017492_T1). UPC: 038081519067.But Not for Me from Girl Crazy is a superb vocal with a big band chart on a great standard. Features include a vocal range from B-flat below middle C to third space C, lead trumpet range to A-flat, and the swing tempo is around 134 BPM. Check out the written trombone solo and the fine sax soli. A great chart for your vocalist. Sing it! (3:06) This title is available in SmartMusic.
$3.00
2.76 €
#
Trompette (partie séparée)
#
George Gershwin and Ira Gershwin
#
Scott Ragsdale
#
Jazz
#
But Not for Me: 1st B-flat Trumpet
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
But Not for Me: Drums
Batterie (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017492_D Drums. Composed by …
(+)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017492_D Drums. Composed by George Gershwin and Ira Gershwin. Arranged by Scott Ragsdale. Broadway; Jazz; Movie. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017492_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017492_D). UPC: 038081519067.But Not for Me from Girl Crazy is a superb vocal with a big band chart on a great standard. Features include a vocal range from B-flat below middle C to third space C, lead trumpet range to A-flat, and the swing tempo is around 134 BPM. Check out the written trombone solo and the fine sax soli. A great chart for your vocalist. Sing it! (3:06) This title is available in SmartMusic.
$3.00
2.76 €
#
Batterie (partie séparée)
#
George Gershwin and Ira Gershwin
#
Scott Ragsdale
#
Jazz
#
But Not for Me: Drums
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
But Not for Me: E-flat Baritone Saxophone
Saxophone (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017492_BTX E-flat Baritone Saxop…
(+)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017492_BTX E-flat Baritone Saxophone. Composed by George Gershwin and Ira Gershwin. Arranged by Scott Ragsdale. Broadway; Jazz; Movie. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017492_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017492_BTX). UPC: 038081519067.But Not for Me from Girl Crazy is a superb vocal with a big band chart on a great standard. Features include a vocal range from B-flat below middle C to third space C, lead trumpet range to A-flat, and the swing tempo is around 134 BPM. Check out the written trombone solo and the fine sax soli. A great chart for your vocalist. Sing it! (3:06) This title is available in SmartMusic.
$3.00
2.76 €
#
Saxophone (partie séparée)
#
George Gershwin and Ira Gershwin
#
Scott Ragsdale
#
Jazz
#
But Not for Me: E-flat Baritone Saxophone
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
But Not for Me: Score
Ensemble Jazz
Jazz Ensemble - Digital Download SKU: AX.00-PR-0005796 Score. Composed by Ge…
(+)
Jazz Ensemble - Digital Download SKU: AX.00-PR-0005796 Score. Composed by George Gershwin and Ira Gershwin. Arranged by Scott Ragsdale. Broadway; Jazz; Movie. Score. 14 pages. Alfred Music - Digital Sheet Music #00-PR-0005796. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005796). UPC: 038081519067.But Not for Me from Girl Crazy is a superb vocal with a big band chart on a great standard. Features include a vocal range from B-flat below middle C to third space C, lead trumpet range to A-flat, and the swing tempo is around 134 BPM. Check out the written trombone solo and the fine sax soli. A great chart for your vocalist. Sing it! (3:06) This title is available in SmartMusic.
$11.00
10.14 €
#
Ensemble Jazz
#
George Gershwin and Ira Gershwin
#
Scott Ragsdale
#
Jazz
#
But Not for Me: Score
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
But Not for Me: 3rd B-flat Trumpet
Trompette (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017492_T3 3rd B-flat Trumpet…
(+)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017492_T3 3rd B-flat Trumpet. Composed by George Gershwin and Ira Gershwin. Arranged by Scott Ragsdale. Broadway; Jazz; Movie. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017492_T3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017492_T3). UPC: 038081519067.But Not for Me from Girl Crazy is a superb vocal with a big band chart on a great standard. Features include a vocal range from B-flat below middle C to third space C, lead trumpet range to A-flat, and the swing tempo is around 134 BPM. Check out the written trombone solo and the fine sax soli. A great chart for your vocalist. Sing it! (3:06) This title is available in SmartMusic.
$3.00
2.76 €
#
Trompette (partie séparée)
#
George Gershwin and Ira Gershwin
#
Scott Ragsdale
#
Jazz
#
But Not for Me: 3rd B-flat Trumpet
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
But Not for Me: E-flat Alto Saxophone
Saxophone (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017492_AX1 E-flat Alto Saxophone…
(+)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017492_AX1 E-flat Alto Saxophone. Composed by George Gershwin and Ira Gershwin. Arranged by Scott Ragsdale. Broadway; Jazz; Movie. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017492_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017492_AX1). UPC: 038081519067.But Not for Me from Girl Crazy is a superb vocal with a big band chart on a great standard. Features include a vocal range from B-flat below middle C to third space C, lead trumpet range to A-flat, and the swing tempo is around 134 BPM. Check out the written trombone solo and the fine sax soli. A great chart for your vocalist. Sing it! (3:06) This title is available in SmartMusic.
$3.00
2.76 €
#
Saxophone (partie séparée)
#
George Gershwin and Ira Gershwin
#
Scott Ragsdale
#
Jazz
#
But Not for Me: E-flat Alto Saxophone
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
<
1
26
51
....
3401
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
