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Vous avez sélectionné:
Glitter In The Air
Partitions à imprimer
24 partitions trouvées
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1
Glitter In The Air
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1278100 By Pink. By Alecia…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1278100 By Pink. By Alecia Moore and Billy Mann. Arranged by Julie Gaulke. A Cappella,Contemporary,Pop,Rock. Octavo. 11 pages. Julie Gaulke #869795. Published by Julie Gaulke (A0.1278100). This is Julie Gaulke's original arrangement of Glitter In The Air (by P!NK) for SSAA plus Solo a cappella. See full performance video here: Julie's Youtube Channel LEARNING TRACKS AVAILABLE FOR THIS SCORE HERE: Julie Gaulke Tracks Please visit Julie's website Pianomom's Sheet Music for more great arrangements! Pianomom's Sheet Music
$2.99
2.76 €
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Chorale SSAA
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Pink
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Julie Gaulke
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Glitter In The Air
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Julie Gaulke
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SheetMusicPlus
Glitter In The Air
Chorale 2 parties
Choral Choir (SA) - Level 4 - Digital Download SKU: A0.992396 By Pink. By Alecia Mo…
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Choral Choir (SA) - Level 4 - Digital Download SKU: A0.992396 By Pink. By Alecia Moore and Billy Mann. Arranged by Jessica Linnett. A Cappella,Pop. Octavo. 16 pages. Jessica Linnett #3478917. Published by Jessica Linnett (A0.992396). SSSAA a cappella arrangement of Pink's Glitter in the AirOriginally performed by Boston University's Aural Fixation.
$12.99
11.97 €
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Chorale 2 parties
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Pink
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Jessica Linnett
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Glitter In The Air
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Jessica Linnett
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SheetMusicPlus
Nobody Love a Fairy When She's Forty - in C major (soprano key)
Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed b…
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Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697501. Published by Kim Kirkman (A0.779671). This is a wonderful old comedy song.This is in C major - the high key for sopranosI have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king.But alas, I'm getting on, The years have flown somehow,And I feel that Fairy Snowdrop isn't wanted now.Chorus One:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.She may still have her magic power, But that is not enough,They like their bit of magic from a younger bit of fluff.When once your silver star has lost its glitter,And your tinsel looks like rust instead of gold.Your fairy days are ending when your wand has started bending.Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess!Verse 2:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.As far as I can see they try to push you off the map,When once your wand has withered and your wings refuse to flap.When you have lost your little fairy dimples,And the mothholes in your dress let in the cold,It seems that they would sooner listen to a blinkin' crooner,Noone loves a fai-y when she's old!
$1.99
1.83 €
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Arthur Le Clerq
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Kim Kirkman
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Nobody Love a Fairy When She's Forty - in C major
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Kim Kirkman
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SheetMusicPlus
Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea (low key)
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.779670 Composed by Arthur Le…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.779670 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697499. Published by Kim Kirkman (A0.779670). This is a wonderful old comedy song.I have put it into the key that Tessie O'Shea sings it (Ab major)I have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king. But alas, I'm getting on, The years have flown somehow, And I feel that Fairy Snowdrop isn't wanted now. Chorus One:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. She may still have her magic power, But that is not enough, They like their bit of magic from a younger bit of fluff. When once your silver star has lost its glitter, And your tinsel looks like rust instead of gold. Your fairy days are ending when your wand has started bending. Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess! Verse 2:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. As far as I can see they try to push you off the map, When once your wand has withered and your wings refuse to flap. When you have lost your little fairy dimples, And the mothholes in your dress let in the cold, It seems that they would sooner listen to a blinkin' crooner, Noone loves a fai-y when she's old!
$1.99
1.83 €
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Piano, Voix
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Arthur Le Clerq
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Kim Kirkman
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Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea
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Kim Kirkman
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SheetMusicPlus
Glitter In The Air
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.757…
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.757298 By Pink. By Alecia Moore and Billy Mann. Arranged by Ray Kamada. Pop. Score and parts. 5 pages. The Lone Arranger #3022765. Published by The Lone Arranger (A0.757298). Popular gig tune. Easy double stops (fingered for cello) create a powerful, string quartet-like sound.
$12.99
11.97 €
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Trio à Cordes: violon, alto, violoncelle
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Pink
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Ray Kamada
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Glitter In The Air
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The Lone Arranger
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SheetMusicPlus
Glitter In The Air
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.757276 By Pink. …
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.757276 By Pink. By Alecia Moore and Billy Mann. Arranged by Ray Kamada. Pop. Score and parts. 8 pages. The Lone Arranger #3000399. Published by The Lone Arranger (A0.757276). Easy arrangement, great for weddings and party gigs
$12.99
11.97 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Pink
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Ray Kamada
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Glitter In The Air
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The Lone Arranger
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SheetMusicPlus
Glitter In The Air, for Piano, Violin, Cello Trio
Piano Trio: piano, violon, violoncelle
By Pink and Pink. Arranged by Ray Kamada and Ray Kamada. Score, Set of Parts. 8 pages. Pub…
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By Pink and Pink. Arranged by Ray Kamada and Ray Kamada. Score, Set of Parts. 8 pages. Published by The Lone Arranger (H0.189213-140536). - Score,Set of Parts - - The Lone Arranger
$12.99
11.97 €
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Piano Trio: piano, violon, violoncelle
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Pink and Pink
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Ray Kamada and Ray Kamada
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Glitter In The Air, for Piano, Violin, Cello Trio
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The Lone Arranger
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SheetMusicPlus
Gregory Sullivan Isaacs: The Death of Pyramus for bass buffo or baritone voice and piano
Small Ensemble - Level 4 - Digital Download SKU: A0.534549 Composed by Gregory Sull…
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Small Ensemble - Level 4 - Digital Download SKU: A0.534549 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. Score and parts. 10 pages. Musik Fabrik Music Publishing #3627069. Published by Musik Fabrik Music Publishing (A0.534549). Text by William Shakespeare (A Midsummer Night's Dream Act V, Scene I)The ultimate overblown death scene for an actor of limited abilitiesIn the play, Nick Bottom thinks that he is the greatest actor alive. However, he is appallingly dreadful - he shamelessly overplays every line, mugs incessantly and makes word errors. He thinks that he is fabulous when, in fact, he is ridiculous. His suicide scene is one of the great moments for comic actors and it can take as long as the actor wishes - even up to 5 minutes. This aria is set in the same manner and many buffo singers immediately come to mind as models for such satire. This selection cannot be overplayed. It can be sung by any male voiceTEXT: Sweet Moon, I thank thee for thy sunny beams.I thank thee, Moon, for shining now so bright.For by thy gracious, golden, glittering gleams,I trust to take of truest Thisbe sight.—But stay, O spite!But mark, poor knight,What dreadful dole is here!Eyes, do you see?How can it be?O dainty duck! O dear!Thy mantle good,What, stained with blood?Approach, ye Furies fell!O Fates, come, come,Cut thread and thrum.Quail, crush, conclude, and quell!O wherefore, Nature, didst thou lions frame?Since lion vile hath here deflowered my dear,Which is—no, no—which was the fairest dameThat lived, that loved, that liked, that looked with cheer.Come, tears, confound!Out, sword, and wound!The pap of Pyramus— Ay, that left papWhere heart doth hop. (stabs himself)Thus die I, thus, thus, thus.Now am I dead.Now am I fled.My soul is in the sky.Tongue, lose thy light.Moon, take thy flight.Now die, die, die, die, die.(dies)
$11.95
11.01 €
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: The Death of Pyramus for bass buffo or baritone voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Glitter In The Air
Chorale SSAA
Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1387343 By Pink. By…
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Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1387343 By Pink. By Alecia Moore and Billy Mann. Arranged by Musae Vocal. A Cappella,Pop. 12 pages. Musae Vocal #971195. Published by Musae Vocal (A0.1387343).
$5.00
4.61 €
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Chorale SSAA
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Pink
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Musae Vocal
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Glitter In The Air
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Musae Vocal
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SheetMusicPlus
Glitter In The Air
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1379756 By Pink. By…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1379756 By Pink. By Alecia Moore and Billy Mann. Arranged by Ryan Hutcherson (RyHutch). A Cappella,Pop. 11 pages. RyHutch #964457. Published by RyHutch (A0.1379756).
$1.99
1.83 €
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Chorale SATB
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Pink
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Ryan Hutcherson (RyHutch)
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Glitter In The Air
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RyHutch
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SheetMusicPlus
Glitter In The Air
Quatuor à cordes: 2 violons, alto, violoncelle
By Pink. By Alecia Moore and Billy Mann. Arranged by Kate Ryan. Pop. Score and parts. 17…
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By Pink. By Alecia Moore and Billy Mann. Arranged by Kate Ryan. Pop. Score and parts. 17 pages. Kate Ryan #6460825. Published by Kate Ryan
$12.99
11.97 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Pink
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Kate Ryan
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Glitter In The Air
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Kate Ryan
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SheetMusicPlus
Too Much For Our Thirst (Trombone and Piano)
Trombone et Piano
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexa…
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
9.21 €
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Trombone et Piano
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Glitter In the Air [accompaniment only] by Aldy Santos - Piano Solo
Piano seul
Performed by: Aldy Santos: Glitter In the Air [accompaniment only] Digital Sheetmusic plus…
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Performed by: Aldy Santos: Glitter In the Air [accompaniment only] Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 6 pages -- Instrumental Pop~~Solo Instrumental~~Pop
$9.99
9.21 €
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Piano seul
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Aldy Santos
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Piano Solo
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Musicnotes
Glitter In the Air by Pink - Piano Solo
Piano seul
Performed by: Pink: Glitter In the Air Digital Sheetmusic - instantly downloadable sheet m…
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Performed by: Pink: Glitter In the Air Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Chords, instruments: Piano; 5 pages -- Dance-Pop~~Pop
$5.79
5.34 €
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Piano seul
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Pink
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Piano Solo
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Musicnotes
Glitter In the Air by Pink - Piano/Vocal/Guitar
Piano, Voix et Guitare
Performed by: Pink: Glitter In the Air Digital Sheetmusic - instantly downloadable sheet m…
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Performed by: Pink: Glitter In the Air Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 6 pages -- Pop Rock~~Dance-Pop
$5.79
5.34 €
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Piano, Voix et Guitare
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Pink
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Piano/Vocal/Guitar
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Musicnotes
Glitter In the Air by Pink - Piano/Vocal/Chords, Singer Pro
Piano, Voix et Guitare
Performed by: Pink: Glitter In the Air Digital Sheetmusic - instantly downloadable sheet m…
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Performed by: Pink: Glitter In the Air Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 8 pages -- Dance-Pop~~Pop~~Pop Rock
$5.99
5.52 €
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Piano, Voix et Guitare
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Pink
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Piano/Vocal/Chords, Singer Pro
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Musicnotes
Glitter In the Air by Pink - Leadsheet
Ligne De Mélodie, (Paroles) et Accords
Performed by: Pink: Glitter In the Air Digital Sheetmusic - instantly downloadable sheet m…
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Performed by: Pink: Glitter In the Air Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Leadsheet;Lyrics/Melody/Chords, instruments: Voice;C Instrument; 4 pages -- Dance-Pop~~Pop~~Pop Rock
$3.99
3.68 €
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Ligne De Mélodie, (Paroles) et Accords
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Pink
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Leadsheet
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Musicnotes
String Quartet No 1 in G Major
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Digital Download SKU: A0.767061 Composed by Mike Ly…
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String Quartet String Quartet - Digital Download SKU: A0.767061 Composed by Mike Lyons. 20th Century,Contemporary. Score and parts. 44 pages. Lyons Music Services #238471. Published by Lyons Music Services (A0.767061). This is my first attempt at a string quartet. It follows the standard classical/romantic pattern in three movements. The first movement is light and airy, almost evoking the image of a late romantic drawing room. The 2nd movement is slow and sad, evoking the sense of a maiden weeping for a lost love. This movement needs to be played with a lot of passion and all parts need to use their warmest vibrato. The final movement portrays a laughing, glittery ball. Dancers in evening dress whirl around the dance floor. The cello has a leading role. This was originally written in 2005 and added to over the next two or three years. I'm currently working on my second quartet.
$14.99
13.81 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Mike Lyons
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String Quartet No 1 in G Major
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Lyons Music Services
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SheetMusicPlus
A Day on Hellroaring Plateau
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.976732 Composed by Robert Myers. …
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Concert Band - Level 4 - Digital Download SKU: A0.976732 Composed by Robert Myers. 20th Century,Contemporary,Folk. Score and parts. 186 pages. WheatMyer Music #6252911. Published by WheatMyer Music (A0.976732). A Day on Hellroaring Plateau for Concert Band or Wind SymphonyDownload includes transposed score and all parts.Difficulty is Grade 5.Duration is approximately 9:30.Preview the entire score at https://wheatmyermusic.com/product/a-day-on-hellroaring-plateau/The Hellroaring Plateau is a landmass on the northeast extremity of the Absaroka mountain range straddling the Montana-Wyoming border. Its relatively flat topography and high elevation lead to intense winds and unpredictable storms bestowing the plateau's colorful moniker. Contrary to the title, the music reflects a compilation of impressions from multiple visits over a decade’s time, gathered with my son’s first-hand reports of overnight stays, rather than a single day’s experience. My original objective for the music was to portray the stark and stony landscape alternatively caressed and buffeted in a stew of breezes and gales, sunshine and storms. However, as I was writing the piece it became apparent the true theme of the music is rather a daily high-altitude drama pitting light versus darkness, a drama staged on the plateau’s rocks, meadows, streams, and lakes depicting a perpetually shifting kaleidoscope of distinctive lighting unlike any I have experienced elsewhere. The transparent, thin air reveals indigo blue skies and scalding-white clouds overarching stunning vistas stretching a hundred miles or more. The landscape glitters under the radiance of high latitude sunlight. The only word I can think of to describe the golden glow of sunbeams slicing through a summer snow squall is ethereal. The utter absence of artificial light makes for the darkest night skies and brightest stars one can experience on earth.
$125.00
115.19 €
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Orchestre d'harmonie
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Robert Myers
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A Day on Hellroaring Plateau
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WheatMyer Music
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SheetMusicPlus
Augenlieder
3(3.pic).1.ca.3.2.cbsn-4.3.3.1-timp.2perc(crot, vib, xyl, mar, bells, tri, 4sus cym, sizz …
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3(3.pic).1.ca.3.2.cbsn-4.3.3.1-timp.2perc(crot, vib, xyl, mar, bells, tri, 4sus cym, sizz cym, tam-t, h.h, 2 s.d, b.d, tamb, 4templebl)-cel.hp-str(12.12.10.8.6 or 14.14.12.10.8) soprano voice and orchestra - Digital Download SKU: S9.Q7300 For soprano and orchestra. Composed by Ryan Wigglesworth. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 15 minutes. Schott Music - Digital #Q7300. Published by Schott Music - Digital (S9.Q7300). English • French • German.Recently awarded a British Composer Award, Ryan Wigglesworth’s orchestral song cycle 'Augenlieder' is now available as a study score. Setting poems by Robert Browning, Egon Schiele, Arthur Rimbaud and John Berryman, Augenlieder or Eye Songs was described as 'glittering with skill' by Geoff Brown in the Times. Masterfully orchestrated and with beautiful vocal writing, Wigglesworth is a composer to watch out for in the future.Keep your eyes open when you kiss, a sonnet by John Berryman ends this evocative and rich song cycle, premièred by Claire Booth and the BBC Symphony Orchestra conducted by the composer at the Barbican Hall, London in November 2009. Geoff Brown in The Times describes Ryan Wigglesworth as having a ‘bright ear for glinting textures, [a] flair for taut motivic interplay [and] his conjuror’s ability to cast a spell. This is a strong new work.’ The Sonnet depicts a five month love affair and is set alongside a little known poem by Egon Schiele Visionen and poems by Robert Browning and Arthur Rimbaud.
$25.99
23.95 €
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Ryan Wigglesworth
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Augenlieder
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Schott Music - Digital
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SheetMusicPlus
Glitter In The Air
Piano, Voix et Guitare
By Pink. For piano, voice, and guitar (chords only). Pop; Rock. 6 pages. Published by Hal …
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By Pink. For piano, voice, and guitar (chords only). Pop; Rock. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.6 €
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Piano, Voix et Guitare
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Pink
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Rock
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Glitter In The Air
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Billy Mann: Glitter In The Air for voice, piano and guitar
Piano, Voix et Guitare
Instantly printable sheet music by Billy Mann for voice, piano or guitar of MEDIUM skill l…
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Instantly printable sheet music by Billy Mann for voice, piano or guitar of MEDIUM skill level. / pop,rock
$6.97
6.42 €
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Piano, Voix et Guitare
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Billy Mann
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Virtualsheetmusic
Sa Abang Sabsaban - Tagalog Christmas Song
Chorale 3 parties
Choral Choir (SSA) - Digital Download SKU: A0.916659 Composed by Airom Cruz Camua. …
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Choral Choir (SSA) - Digital Download SKU: A0.916659 Composed by Airom Cruz Camua. Christian,Christmas,Gospel,Sacred. Octavo. 6 pages. Airom Camua #4848837. Published by Airom Camua (A0.916659). This is a Tagalog Catholic Mass song specifically composed for the Christmas season. This is part of a 5-song composition project I did for the treble (SSA) chorus. Melody is notated and chords are written as well. On that first Christmas morn when He manifested Himself unto men, the great ones of the earth were unmindful; courts and palaces and royal were unmoved; no brazen trumpet blared; no arms rang; no glittering throngs voiced their pleasure; no lordly heads were bared; no princely knees were bent. Only the shepherds, the lowly ones, heard the glad tidings from the lips of an angel, that the Lord of Lords, the King of Kings, the Creator of heaven and earth, was I born, not in a palace, but in a stable. He who made all things, forsook the ineffable power and happiness and dignity and glory of Heaven, to be born for our sakes in humility and poverty, a helpless infant in the stable of Bethlehem. - The Humility of the Manger, The Sacred Heart Review, 1903
$5.99
5.52 €
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Chorale 3 parties
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Airom Cruz Camua
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Sa Abang Sabsaban - Tagalog Christmas Song
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Airom Camua
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SheetMusicPlus
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
23.91 €
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Orchestre
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Carson Cooman
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Carson Cooman: Pittsburgh Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
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