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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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PIANO & CLAVIERS
Piano seul
975
Piano, Voix
380
Piano Facile
186
Orgue
102
1 Piano, 4 mains
39
Piano Trio: piano, violon, violoncelle
28
Piano, Voix et Guitare
26
Accompagnement Piano
17
Instruments en Do
14
Piano Quatuor: piano, violon, alto, violoncelle
13
Piano Quatuor: piano, 2 violons, violoncelle
10
Piano Quintette: piano, 2 violons, alto, violoncelle
8
2 Pianos, 4 mains
5
Piano (partie séparée)
4
Orgue, Trompette (duo)
4
Clavier
3
2 Accordéons
3
Instrument seul et Orgue
2
Piano grosses notes
2
Accordéon
1
1 Piano, 6 mains
1
Accordéon, Voix
1
Orgue, Piano (duo)
1
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GUITARES
Guitare notes et tablatures
42
Guitare
26
Ligne De Mélodie, (Paroles) et Accords
19
4 Guitares (Quatuor)
8
Ukulele
8
2 Guitares (duo)
6
3 Guitares (trio)
4
Basse electrique
2
Banjo
1
Mandoline
1
Guitare, Violon, Violoncelle (trio)
1
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VOIX
Chorale SATB
135
Voix seule
93
Voix haute
81
Voix basse, Piano
80
Voix Moyenne
80
Chorale 3 parties
67
Chorale 2 parties
36
Voix duo, Piano
24
Chorale TTBB
21
Chorale SSAA
12
Chorale Unison
10
Chorale
6
Voix duo
2
Voix moyenne, Piano
2
Voix Alto, Piano
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
131
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
95
Quatuor de Saxophones: 4 saxophones
87
Clarinette
87
Clarinette et Piano
82
Hautbois, Piano (duo)
74
Saxophone Alto et Piano
72
Flûte traversière
67
Flûte, Hautbois, Clarinette, Basson
66
Quatuor de Clarinettes: 4 clarinettes
51
2 Saxophones (duo)
49
Saxophone Tenor et Piano
47
Saxophone Soprano et Piano
45
2 Flûtes traversières (duo)
39
2 Clarinettes (duo)
36
Saxophone (partie séparée)
36
Quintette de Saxophone: 5 saxophones
34
Quatuor de Flûtes : 4 flûtes
34
Saxophone Alto
30
Saxophone Baryton, Piano
23
Clarinette (partie séparée)
23
Saxophone
22
Ensemble de Clarinettes
21
Hautbois (partie séparée)
21
Cor anglais, Piano
19
Quintette de Clarinettes: 5 clarinettes
19
Flûte, Clarinette (duo)
17
Ensemble de saxophones
17
Flûte et Guitare
16
Trio de Flûtes: 3 flûtes
16
2 Flûte à bec (duo)
15
Flûte à Bec
15
Quatuor de Flûtes à bec
14
Clarinette Basse, Piano
12
3 Saxophones (trio)
12
Flute (partie séparée)
12
Ensemble de Flûtes
11
3 Clarinettes (trio)
11
Hautbois
9
Saxophone Tenor
9
3 Flûtes à bec (trio)
7
Clarinette, Basson (duo)
7
2 Hautbois (duo)
7
Hautbois, Basson (duo)
6
Flûte, Violoncelle, Piano (trio)
6
Flûte, Clarinette, Piano (trio)
6
Piccolo, Piano
6
Quintette de Flûte : 5 flûtes
6
Flûte, Violon
6
Flûte, Violoncelle
6
Hautbois, Violoncelle
4
Flûte, Violon, Guitare
4
2 Flûtes traversières, Piano
4
Clarinette, Violon (duo)
4
Flûte à bec Soprano
3
Hautbois et alto (duo)
3
Flûte, Alto (duo)
3
2 Clarinettes, Piano
3
Saxophone Soprano
3
Flûte, Hautbois (duo)
3
Flûte, Clarinette et Basson
3
Flûte, Basson et Piano
3
2 Saxophones, Piano
3
Flûte, Hautbois, Clarinette (trio)
3
Hautbois, Clarinette (duo)
3
Ocarina
3
Flûte à bec Soprano, Piano
2
Saxophone et Guitare
2
Hautbois, Flûte
2
Flûte, Clarinette, Violon (trio)
2
Hautbois, Basson et Piano
2
Ensemble à vent
2
5 Flûtes à bec
2
Flûte, Hautbois, Basson
2
Flûte, Violon, Piano
2
Saxophone et Piano
2
Flûte à bec Alto, Piano
2
Clarinette, Violoncelle (duo)
2
Flûte à bec Tenor
2
Clarinette, Harpe (duo)
2
Clarinette, Basson, Piano (trio)
2
Saxophone, Basson (duo)
2
Saxophone et violoncelle
1
Flûte et Quatuor à Cordes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Alto
1
Harmonica, Piano
1
Saxophone, Clarinette (duo)
1
Flûte irlandaise
1
3 Hautbois
1
Flûte, Harpe et Violoncelle
1
Clarinette, Tuba
1
Flûte et Trio à cordes
1
Saxophone et Orgue
1
Clarinette, Guitare (duo)
1
Flûte, Trombone (duo)
1
Flûte, Hautbois, Violon
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flute, harpe et violon
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
87
Trombone et Piano
71
Trompette, Piano
67
Trompette
62
Cor et Piano
48
Trombone
36
Euphonium, Piano (duo)
33
Quatuor de Cuivres
30
2 Trompettes (duo)
29
Trombone (partie séparée)
28
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Quatuor de cuivres: 4 trombones
23
Cor
19
Trompette (partie séparée)
19
Cor anglais, Piano
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Tuba et Piano
18
Quatuor de cuivres: 4 cors
18
2 Trombones (duo)
17
2 Cors (duo)
14
Cor (partie séparée)
14
Euphonium
11
Trio de Cuivres
11
Trompette, Trombone (duo)
9
Tuba
9
Tuba (partie séparée)
8
3 Trompettes (trio)
8
2 Euphoniums et 2 Tubas
7
Ensemble de Trombones
6
Trompette, Cor (duo)
6
Quatuor de cuivres: 2 trompettes, 2 trombones
4
2 Euphoniums (duo)
4
4 Tubas
4
3 Cors (trio)
4
Trompette, Tuba (duo)
4
Euphonium, Tuba (duo)
3
Trompette et Guitare
3
2 Tubas (duo)
3
Trompette, Basson (duo)
2
Cor, Violoncelle (duo)
2
Tuba et Orgue
2
Ensemble de Cors
2
3 Trombones (trio)
2
Trombone, Cor (duo)
2
Quatuor de cuivres: 4 trompettes
2
Cor, Tuba (duo)
2
Trombone, Orgue
1
Trombone, Violon (duo)
1
Trombone, Tuba (duo)
1
Trompette, Saxophone (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Cors, Piano
1
Trompette, Violoncelle (duo)
1
Bass Clef Instruments
1
Instruments en Sib
1
Trombone basse et Piano
1
Cor et Basson (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
248
Violon et Piano
165
Violon
120
Violoncelle, Piano
106
Alto, Piano
80
Violon (partie séparée)
49
Alto seul
48
Violoncelle (partie séparée)
45
Violoncelle
43
2 Violoncelles (duo)
40
Quintette à cordes: 2 violons, alto, violoncelle, basse
38
2 Violons (duo)
38
Violon, Violoncelle (duo)
36
Harpe
24
Violon, Alto (duo)
24
Trio à Cordes: violon, alto, violoncelle
22
2 Altos (duo)
16
Contrebasse (partie séparée)
16
Alto (partie séparée)
15
Contre Basse
15
Contrebasse, Piano (duo)
14
Alto, Violoncelle (duo)
13
4 Violoncelles
13
Trio à Cordes: 2 violons, violoncelle
9
Piano Trio: Violon, Alto, Piano
8
2 Violons, Piano
7
Trio à cordes
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Quatuor à cordes: 4 violons
6
Violoncelle , Guitare (duo)
5
Quatuor à cordes : 4 altos
4
Trio à cordes: 3 violins
4
Violon, Basson (duo)
4
Violon, Guitare (duo)
4
Trio à Cordes: 3 violoncelles
3
2 Violoncelles, Piano
3
Alto et Basson
3
Alto, Guitare (duo)
2
Harpe, Flûte (duo)
2
Violon, Tuba (duo)
2
Harpe, Violon (duo)
2
Trio à Cordes: 2 violons, alto
2
2 Contrebasses (duo)
2
Trio à cordes: 3 altos
1
2 Altos, Piano
1
Violon, Clarinette, Piano (trio)
1
Harpe (partie séparée)
1
Ensemble de Violoncelles
1
Harpe, Violoncelle (duo)
1
Violon, Orgue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
126
Orchestre
95
Orchestre d'harmonie
71
Ensemble de cuivres
35
Cloches
24
Orchestre de chambre
23
Ensemble Jazz
16
Percussion (partie séparée)
12
Timbales (partie séparée)
4
Ensemble de Percussions
3
Vibraphone (partie séparée)
3
Marimba
3
Piano et Orchestre
2
Instrumentation Flexible
2
Quatuor à Vent : 4 instruments à vents
2
Batterie (partie séparée)
1
Fanfare
1
Orchestre, Violon
1
Xylophone
1
Percussion
1
Instrumentations suivantes
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AUTRES
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Mendelssohn
Euphonium, Piano (duo)
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Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mende…
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.32 €
#
Euphonium, Piano (duo)
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
#
jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Barth…
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.32 €
#
Euphonium, Piano (duo)
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Mendelssohn: Sonata Op. 45 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.551791 Composed by Felix Barth…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.551791 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 135 pages. Jmsgu3 #5721003. Published by jmsgu3 (A0.551791). Mendelssohn Sonata Op. 45 in three movements.Score: 76 pages, Duration ca. 26:301. Allegro vivace2. Andante3. Allegro assaiOriginally scored for cello & piano.
$32.95
30.32 €
#
Euphonium, Piano (duo)
#
Felix Bartholdy Mendelssohn
#
James Guthrie, ASCAP
#
piano.
#
Mendelssohn: Sonata Op. 45 for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Six Songs Without Words for Euphonium & Piano, Volume II
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.811180 Composed by Felix Barth…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.811180 Composed by Felix Bartholdy Mendelssohn. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 32 pages. Gordon Cherry #5888501. Published by Gordon Cherry (A0.811180). Ralph Sauer has transcribed six of Mendelssohn’s many Songs Without Words for Euphonium and Piano, Volume Two. Mendelssohn wrote eight volumes of songs for the Piano throughout his life. These pieces became popular immediately because of their beauty and accessibility. The Songs are mostly lyrical and of utmost beauty. Mr. Sauer has found a previously un-mined resource and added immeasurably to the Euphonium repertoire. For advanced performers with about 14 minutes of exquisite music in bass clef.
$22.50
20.71 €
#
Euphonium, Piano (duo)
#
Felix Bartholdy Mendelssohn
#
Ralph Sauer
#
Six Songs Without Words for Euphonium & Piano, Volume II
#
Gordon Cherry
#
SheetMusicPlus
Six Songs Without Words for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792388 Composed by Felix Barth…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792388 Composed by Felix Bartholdy Mendelssohn. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 32 pages. Gordon Cherry #4820293. Published by Gordon Cherry (A0.792388). Ralph Sauer has transcribed six of Mendelssohn’s many Songs Without Words for Euphonium. Mendelssohn wrote eight volumes of songs for the Piano throughout his life. These pieces became popular immediately because of their beauty and accessibility technically. The Songs are mostly lyrical and of utmost beauty. Mr. Sauer has found a previously unmined resource and added immeasurably to the Euphonium repertoire. For advanced performers in Bass Clef.
$22.50
20.71 €
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Euphonium, Piano (duo)
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Felix Bartholdy Mendelssohn
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Sauer, Ralph
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Six Songs Without Words for Euphonium & Piano
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Gordon Cherry
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SheetMusicPlus
Goethe Lieder for Euphonium solo and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.810857 Composed by Mendelssohn…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.810857 Composed by Mendelssohn-Hansel, Fanny. Arranged by Darling, Steven. Classical,Romantic Period. Score and part. 13 pages. Gordon Cherry #3585409. Published by Gordon Cherry (A0.810857). Fanny Mendelssohn-Hensel wrote over 460 works, mostly for solo piano and voice (lieder). She set over 34 songs to poems by Goethe, who was her favorite poet. Her songs are very expressive and are in a similar style as Schubert.The Goethe Lieder is a collection of four songs and is just right for a young performer at the intermediate level, however even a mature artist will enjoy the beautiful music of this talented composer.
$15.00
13.8 €
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Euphonium, Piano (duo)
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Mendelssohn-Hansel, Fanny
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Darling, Steven
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Goethe Lieder for Euphonium solo and Piano
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Gordon Cherry
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SheetMusicPlus
Sullivan: The Lost Chord for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur …
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.8 €
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Euphonium, Piano (duo)
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Song Without Words, Op. 109 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792389 Composed by Felix Barth…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792389 Composed by Felix Bartholdy Mendelssohn. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 12 pages. Gordon Cherry #4820291. Published by Gordon Cherry (A0.792389). Mendelssohn wrote 8 books of Songs Without Words for Piano alone. However this one song is the only one not for solo Piano, but for Cello & Piano and was published posthumously. The work is in A-B-A form, the B section being moody in contrast to the heavenly outer sections. The sublime lyricism of the work gives it its great strength. Mr. Sauer has once again found the perfect key for his Euphonium and Piano transcription. For advanced performers.
$15.00
13.8 €
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Euphonium, Piano (duo)
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Felix Bartholdy Mendelssohn
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Sauer, Ralph
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Song Without Words, Op. 109 for Euphonium & Piano
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Gordon Cherry
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SheetMusicPlus
For the Mountains Shall Depart
Euphonium, Piano (duo)
By Felix Bartholdy Mendelssohn (1809-1847). Arranged by David Werden. For Euphonium Solo w…
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By Felix Bartholdy Mendelssohn (1809-1847). Arranged by David Werden. For Euphonium Solo with Piano. Solo music. Solo part and piano score. Published by Cimarron Music Press
$15.00
13.8 €
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Euphonium, Piano (duo)
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Felix Bartholdy Mendelssohn
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David Werden
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For the Mountains Shall Depart
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Cimarron Music Press
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SheetMusicPlus
Songs Without Words (A Collection of Five Pieces Arranged for Euphonium and Piano)
Euphonium, Piano (duo)
Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Danny Chapa. Romantic Per…
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Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Danny Chapa. Romantic Period. Individual Part, Score, Set of Parts. 35 pages. Published by Atticus Sounds Publications (S0.312877). - Individual Part,Score,Set of Parts - Romantic Period - Atticus Sounds Publications
$25.00
23.01 €
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Euphonium, Piano (duo)
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Felix Bartholdy Mendelssohn
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Danny Chapa
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Songs Without Words
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Atticus Sounds Publications
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SheetMusicPlus
On Wings of Song
Euphonium, Piano (duo)
By Felix Bartholdy Mendelssohn (1809-1847). Arranged by David Werden. For Euphonium Solo w…
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By Felix Bartholdy Mendelssohn (1809-1847). Arranged by David Werden. For Euphonium Solo with Piano. Solo music. Solo part and piano score. Published by Cimarron Music Press
$17.00
15.65 €
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Euphonium, Piano (duo)
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Felix Bartholdy Mendelssohn
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David Werden
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On Wings of Song
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Cimarron Music Press
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SheetMusicPlus
Hark, The Herald Angels Sing - Euphonium with Piano accompaniment
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1391360 Composed by Felix Bart…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1391360 Composed by Felix Bartholdy Mendelssohn. Arranged by Bragi Thor Valsson. 19th Century,Christian,Christmas,Religious,Sacred. Score and part. 8 pages. Bragi Thor Valsson #974897. Published by Bragi Thor Valsson (A0.1391360). An arrangement of the Christmas song Hark, The Herald Angels Sing for Euphonium with Piano accompaniment.Two scores are provided - one version is in bass clef, concert pitch, and the other one is in treble clef for Bb euphonium.
$4.99
4.59 €
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Euphonium, Piano (duo)
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Felix Bartholdy Mendelssohn
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Bragi Thor Valsson
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Hark, The Herald Angels Sing - Euphonium with Piano accompaniment
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Bragi Thor Valsson
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SheetMusicPlus
Concerto in D Minor
Euphonium, Piano (duo)
Euphonium & Piano - Grade 6 - Digital Download SKU: R0.53330 (1822). Compose…
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Euphonium & Piano - Grade 6 - Digital Download SKU: R0.53330 (1822). Composed by Felix Bartholdy Mendelssohn. Arranged by Mikhail Nakariakov. Euphonium & Piano. Score and parts. 54 pages. Duration 19'50. Editions Marc Reift - Digital #53330. Published by Editions Marc Reift - Digital (R0.53330).
$27.95
25.72 €
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Euphonium, Piano (duo)
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Felix Bartholdy Mendelssohn
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Mikhail Nakariakov
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Concerto in D Minor
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Editions Marc Reift - Digital
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SheetMusicPlus
Three Romances Without Words Opus 17 for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.792277 Composed by FaureÌ, …
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.792277 Composed by FaureÌ, Gabrie. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Score and part. 15 pages. Gordon Cherry #4803789. Published by Gordon Cherry (A0.792277). The Three Romances Without Words, Opus 17 were most likely composed for solo Piano in 1863 while FaureÌ was still a student at the ÌEcole Niedermeyer, but not performed in public until much later. They have all of the recognizable features of the composer: simplicity, lyricism, charm and fluidity. Their inspiration may have come from the earlier works by Mendelssohn which Mr. Sauer has also lovingly given life to. These 3 short works can be performed by intermediate to advanced performers.
$17.50
16.11 €
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Euphonium, Piano (duo)
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FaureÌ, Gabrie
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Sauer, Ralph
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Three Romances Without Words Opus 17 for Euphonium and Piano
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Gordon Cherry
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SheetMusicPlus
3 Lieder ohne Worte
Euphonium, Piano (duo)
Euphonium & Piano - Grade 3 - Digital Download SKU: R0.46714 Opus 53, Nr. 20 / O…
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Euphonium & Piano - Grade 3 - Digital Download SKU: R0.46714 Opus 53, Nr. 20 / Opus 62, Nr. 25 / Opus 62, Nr. 30. Composed by Felix Bartholdy Mendelssohn. Arranged by Timofei Dokshitser. Euphonium & Piano. Score and parts. 19 pages. Duration 6'30. Editions Marc Reift - Digital #46714. Published by Editions Marc Reift - Digital (R0.46714).
$18.95
17.44 €
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Euphonium, Piano (duo)
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Felix Bartholdy Mendelssohn
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Timofei Dokshitser
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3 Lieder ohne Worte
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Editions Marc Reift - Digital
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SheetMusicPlus
Bach: Wachet auf for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
22.96 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550927 Composed by J. S. Bach …
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888357. Published by jmsgu3 (A0.550927). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
30.32 €
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Euphonium, Piano (duo)
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
The Elephant
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1265066 Composed by Camille Sa…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1265066 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instructional. Score and part. 10 pages. Matthew Nunes Music #857906. Published by Matthew Nunes Music (A0.1265066). Http://www.matthewnunesmusic.com/arrangements.htmlIncludes Treble Clef (TC) and Bass Clef (BC) parts. The Elephant is the fifth movement in Camille Saint-Saens 1886 suite The Carnival of the Animals and originally features the double bass. A quirky and imaginative piece, the Carnival features the representations of lions and swans, assortments of fowl, aquatic wonders, and even fossils. The Elephant is based on two themes, the Scherzo from A Midsummer Night’s Dream by Felix Mendelssohn and Dance of the Sylphs from The Damnation of Faust by Hector Berlioz. There are plenty of jokes in the Carnival, and no doubt audiences at the time chuckled when hearing familiar themes in a much lower presentation.
$1.99
1.83 €
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Euphonium, Piano (duo)
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Camille Saint-Saens
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Matthew Nunes
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The Elephant
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Matthew Nunes Music
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SheetMusicPlus
Five Songs Without Words for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.811056 Composed by Sergei Prok…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.811056 Composed by Sergei Prokofiev. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Score and part. 32 pages. Gordon Cherry #4820307. Published by Gordon Cherry (A0.811056). The Prokofiev Five Songs Without Words, Opus 35 were written in December 1920 during a tour of the USA. The musical format of songs without words is not unusual, as Mendelssohn composed a number of very beautiful ones for the Piano and of course Rachmaninoff’s Vocalise is one of the most famous works in the musical repertoire. The Five Songs Without Words were premiered in New York City in 1921 by the soprano Nina Koshetz. In 1925, while living in Paris the composer arranged the five brief songs for Violin and Piano. Their haunting, bittersweet and lyrical style is typical of Prokofiev and the advanced performer will find these wonderful miniatures totaling 12 minutes in length a perfect vehicle for a major work on a recital. Mr. Sauer has scored these songs beautifully for the Euphonium and Piano.
$22.50
20.71 €
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Euphonium, Piano (duo)
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Sergei Prokofiev
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Sauer, Ralph
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Five Songs Without Words for Euphonium & Piano
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Gordon Cherry
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SheetMusicPlus
Bach-Gounod: Ave Maria for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549370 Composed by Bach-Gounod…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491309. Published by jmsgu3 (A0.549370). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano, S0.661829. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.32 €
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Euphonium, Piano (duo)
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Hark, the Herald Angels Sing (Solo Trombone and Piano)
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.723371 Composed by Charles Wes…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.723371 Composed by Charles Wesley, Felix Mendelssohn. Arranged by Garrett Breeze. Christian,Christmas,Praise & Worship,Sacred. Score and part. 8 pages. Lagom Music #6132665. Published by Lagom Music (A0.723371). This instrumental solo arrangement by composer Garrett Breeze features simple harmonies accompanied by a challenging piano part written in a classical, quasi-operatic style, giving the piece a majestic feeling. Listeners will also hear references to the carol Angels We Have Heard on High which accompany the first two verses as a new refrain.
$5.99
5.51 €
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Euphonium, Piano (duo)
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Charles Wesley, Felix Mendelssohn
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Garrett Breeze
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Hark, the Herald Angels Sing
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Lagom Music
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SheetMusicPlus
Three Romances Without Words, Op. 17 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.810920 Composed by Gabriel Fau…
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.810920 Composed by Gabriel Faure. Arranged by Sauer, Ralph. 20th Century. Score and part. 15 pages. Gordon Cherry #3820429. Published by Gordon Cherry (A0.810920). The Three Romances Without Words, Opus 17 were most likely composed for solo Piano in 1863 while Fauré was still a student at the ÌEcole Niedermeyer, but not performed in public until much later. They have all of the recognizable features of the composer: simplicity, lyricism, charm and fluidity. Their inspiration may have come from the earlier works by Mendelssohn which Mr. Sauer has also lovingly given life to.These 3 short works can be performed by intermediate to advanced performers.
$15.00
13.8 €
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Euphonium, Piano (duo)
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Gabriel Faure
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Sauer, Ralph
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Three Romances Without Words, Op. 17 for Euphonium & Piano
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Gordon Cherry
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.32 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
22.96 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Hark, the Herald Angels Sing (Solo Euphonium and Piano)
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.723372 Composed by Charles Wes…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.723372 Composed by Charles Wesley, Felix Mendelssohn. Arranged by Garrett Breeze. Christian,Christmas,Praise & Worship,Sacred. Score and part. 8 pages. Lagom Music #6132669. Published by Lagom Music (A0.723372). This instrumental solo arrangement by composer Garrett Breeze features simple harmonies accompanied by a challenging piano part written in a classical, quasi-operatic style, giving the piece a majestic feeling. Listeners will also hear references to the carol Angels We Have Heard on High which accompany the first two verses as a new refrain.
$5.99
5.51 €
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Euphonium, Piano (duo)
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Charles Wesley, Felix Mendelssohn
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Garrett Breeze
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Hark, the Herald Angels Sing
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Lagom Music
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SheetMusicPlus
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