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Vous avez sélectionné:
Metamorphosis 1-5
Partitions à imprimer
9 partitions trouvées
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String Quartet No. 1 - Prelude and Metamorphosis (score and parts)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1162641 Composed…
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1162641 Composed by Alan Bullard. 20th Century,Classical. Score and parts. 36 pages. Colne Edition / BullardMusic #763017. Published by Colne Edition / BullardMusic (A0.1162641). Alan Bullard's String Quartet No. 1 (Prelude and Metamorphosis), scored for two violins, viola, and cello, offers two ways of looking at the same musical shape: the Prelude presents it in a brisk and lively manner, and the reflective Metamorphosis transforms it into a lyrical and expressive slow movement.Designed for experienced players, this quartet has been performed by several string quartets, and this download contains the score and the individual parts in one file.For further details, please visit www.colneedition.co.uk.
$20.00
18.58 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Alan Bullard
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String Quartet No. 1 - Prelude and Metamorphosis
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Colne Edition / BullardMusic
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SheetMusicPlus
Symphonic Metamorphosis
Picc. · 2. · 2 · Engl. Hr. · 2 · Bassklar. · 2 · Kfg. – 4 ·…
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Picc. · 2. · 2 · Engl. Hr. · 2 · Bassklar. · 2 · Kfg. – 4 · 2 · 3 · 1 – P. S. (2 Trgl. · 4 Röhrengl. · kl. Gong · 3 hg. Beck. · Beckenpaar · Tamb. · chin. Tomt. · Rührtr. · kl. Tr. · gr. Tr. · 2 Holzbl. · Glsp.) (3–5 Spieler) – Str. Orchestra - Digital Download SKU: S9.Q2135 Of Themes by C.M. von Weber. Composed by Paul Hindemith. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 22 minutes. Schott Music - Digital #Q2135. Published by Schott Music - Digital (S9.Q2135).
$30.99
28.79 €
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Paul Hindemith
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Symphonic Metamorphosis
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Schott Music - Digital
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SheetMusicPlus
Symphonic Metamorphosis
Picc. · 2. · 2 · Engl. Hr. · 2 · Baßklar. · 2 · Kontrafag. â€ 
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Picc. · 2. · 2 · Engl. Hr. · 2 · Baßklar. · 2 · Kontrafag. – 4 · 2 · 3 · 1 – P. S. (2 Trgl. · 4 Röhrengl. · kl. Gong · 3 hg. Beck. · Beckenpaar · Tamb. · chin. Tomt. · Rührtr. · kl. Tr. · gr. Tr. · 2 Holzbl. · Glspl.) (3–5 Spieler) – Str. Large Orchestra - Digital Download SKU: S9.Q1299 Of Themes by C. M. von Weber. Composed by Paul Hindemith. This edition: full score. Downloadable, Full score. Duration 22 minutes. Schott Music - Digital #Q1299. Published by Schott Music - Digital (S9.Q1299). Virtuosität, Fantasie und Humor kennzeichnen die „Symphonischen Metamorphosen“, eines der erfolgreichsten Orchesterwerke Hindemiths. Es sind nicht nur Variationen über Themen von Carl Maria von Weber, sondern freie Umwandlungen im Hindemithschen Stil. Im 1943 komponierten kraftvollen Werk begeistern insbesondere das „Turandot-Scherzo“ durch sein pentatonisches, an chinesische Musik erinnerndes Motiv und ein übermütiges Jazz-Fugato für Bläser und Schlagwerk. Ein flotter Marsch, eingeleitet von energischen Fanfaren, beschließt das mitreißende Werk.
$67.99
63.16 €
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Paul Hindemith
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Symphonic Metamorphosis
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Schott Music - Digital
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SheetMusicPlus
Metamorphosis 1-5 (Complete)
Piano seul
Classical. Piano. 26 pages. Published by Hal Leonard - Digital Sheet Music (HX.332276). - …
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Classical. Piano. 26 pages. Published by Hal Leonard - Digital Sheet Music (HX.332276). - Piano - Classical - Hal Leonard - Digital Sheet Music
$14.99
13.92 €
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Piano seul
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Metamorphosis 1-5
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Philip Glass: Metamorphosis 1-5 (Complete) - piano solo
Piano seul
Instantly printable sheet music by Philip Glass for piano solo of MEDIUM skill level. / cl…
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Instantly printable sheet music by Philip Glass for piano solo of MEDIUM skill level. / classical
$15.99
14.85 €
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Piano seul
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Philip Glass
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Virtualsheetmusic
String Quartet No. 6 (Lochrian) (score)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938389 Composed …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938389 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 46 pages. Colin Bayliss #6143. Published by Colin Bayliss (A0.938389). This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.
$8.00
7.43 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Colin Bayliss
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String Quartet No. 6
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Colin Bayliss
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SheetMusicPlus
String Quartet No. 6 (Lochrian) (parts)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938391 Composed …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938391 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 57 pages. Colin Bayliss #6145. Published by Colin Bayliss (A0.938391). This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.
$10.00
9.29 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Colin Bayliss
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String Quartet No. 6
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Colin Bayliss
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.75 €
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Orchestre de chambre
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
"The Life and Times of the Butterfly" - Complete Score
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1024055 Composed by Jack Mitchell S…
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Piano Solo - Level 5 - Digital Download SKU: A0.1024055 Composed by Jack Mitchell Smith. 20th Century,Contemporary. Score. 44 pages. Jack Mitchell Smith #238159. Published by Jack Mitchell Smith (A0.1024055). Part 1 - The Egg Part 2 - The Caterpillar Part 3 - Metamorphosis Part 4 - The Butterfly To play 'a la butterfly', lock the thumbs around one another and use the remaining fingers - visually representative of a butterfly's wings - to play the notes.
$16.00
14.86 €
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Piano seul
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Jack Mitchell Smith
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"The Life and Times of the Butterfly" - Complete Score
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Jack Mitchell Smith
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SheetMusicPlus
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