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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
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CHORALE - CHAN…
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Slow Fade
Partitions à imprimer
69 partitions trouvées
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Slow Fade
Piano seul
By Ruth B, Ruth B. Arranged by Jesica Yap. Individual Part, Piano Reduction, Solo Part. …
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By Ruth B, Ruth B. Arranged by Jesica Yap. Individual Part, Piano Reduction, Solo Part. 8 pages. Published by Jesica Yap
$7.99
7.45 €
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Piano seul
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Ruth B, Ruth B
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Jesica Yap
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Slow Fade
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Jesica Yap
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SheetMusicPlus
Slow Fade
Batterie
Drum Set,Drums - Level 3 - Digital Download SKU: A0.1359390 By Casting Crowns. By M…
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Drum Set,Drums - Level 3 - Digital Download SKU: A0.1359390 By Casting Crowns. By Mark Hall. Arranged by COPYDRUM. Pop. Score. 2 pages. COPYDRUM #943853. Published by COPYDRUM (A0.1359390).
$5.00
4.66 €
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Batterie
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Casting Crowns
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COPYDRUM
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Slow Fade
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COPYDRUM
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SheetMusicPlus
Slow Fade
Piano seul
By Casting Crowns. By Mark Hall. Arranged by by ezequiel. Religious. Score. 8 pages. …
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By Casting Crowns. By Mark Hall. Arranged by by ezequiel. Religious. Score. 8 pages. Ezequiel edições #827407. Published by Ezequiel edições
$6.99
6.51 €
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Piano seul
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Casting Crowns
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by ezequiel
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Slow Fade
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Ezequiel edições
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SheetMusicPlus
Slow Fade
Piano seul
By Casting Crowns. By Mark Hall. Arranged by ezequiel zeferino. Praise & Worship. …
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By Casting Crowns. By Mark Hall. Arranged by ezequiel zeferino. Praise & Worship. Score. 8 pages. Ezequiel edições #814797. Published by Ezequiel edições
$10.00
9.32 €
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Piano seul
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Casting Crowns
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ezequiel zeferino
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Worship
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Slow Fade
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Ezequiel edições
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SheetMusicPlus
Slow Fade
Piano seul
By Casting Crowns. By Mark Hall. Arranged by ezequiel zeferino. Praise & Worship. …
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By Casting Crowns. By Mark Hall. Arranged by ezequiel zeferino. Praise & Worship. Score. 8 pages. Ezequiel edições #814330. Published by Ezequiel edições
$4.99
4.65 €
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Piano seul
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Casting Crowns
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ezequiel zeferino
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Worship
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Slow Fade
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Ezequiel edições
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SheetMusicPlus
Prelude and Dance for String Quartet
Cello,Viola,Violin - Level 3 - Interactive Download SKU: A0.1425553 Composed by Eth…
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Cello,Viola,Violin - Level 3 - Interactive Download SKU: A0.1425553 Composed by Ethan Tai. This edition: Interactive Download. Classical. 21 pages. Duration 255. Ethan T. #5m6PuZBVwNWzz7ecR9FHpe. Published by Ethan T. (A0.1425553). Key: B minor.A small string quartet about 4 minutes long with 2 movements, a Prelude followed a Dance. There is a short break in between the two movements via a fermata to allow the quartet to transition into the Dance from the Prelude. Program Notes: The slow and passionate opening of the Prelude gives way to a more melancholic melody, passed around the quartet by the violins and cello. A new, more hopeful and animated melody is introduced by the violin and viola shortly after the first theme, but is cut short by the sudden introduction of a short and more subtle transition, led by the violin, viola, and cello, which then leads into a yearning melody. The melody is passed back and forth between the violin and viola in a call and response gesture, as if the viola and violin are having a romantic conversation with each other. The dreamy melody slowly fades into a peaceful moment of silence and a resolution between the violin and viola, signaling the end of the Prelude. Suddenly, a lighthearted and spirited violin melody is introduced, leading into the Dance. The melody by the violin is passed around the quartet by the violins and viola, eventually leading to the climax of the Dance. A determined and more driving melody is passed around through the quartet, led by the violins and cello, which then gives way to a shorter, but slower and more delicate theme, led by the cello. The theme quickly resolves into another peaceful and resolute moment of silence as the Dance comes to an end, signaling the end of the performance.
$2.99
2.79 €
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Ethan Tai
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Prelude and Dance for String Quartet
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Ethan T.
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SheetMusicPlus
When You Say Nothing At All
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797826 By Keith Whitley…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797826 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Derek Hasted. Contemporary,Pop. Score and parts. 20 pages. Derek Hasted #6414637. Published by Derek Hasted (A0.797826). WHEN YOU SAY NOTHING AT ALL - GUITAR TRIO with OPTIONAL BASS PARTFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar. Derek Hasted writes This lovely melody, first made famous by Alison Krauss, and more recently by Ronan Keating, makes a delightful concert piece for guitars.My arrangement is based on Ronan Keating’s version, where the distinctive guitar accompaniment is a little different to Alison’s original. The music doesn’t have the slow fade-out of Keating’s piece - it’s not that easy for a guitar ensemble on stage to emulate that! Besides - the fade-out in Keating’s version is lots of repeated notes sung with different syllables - on the guitar it loses any sense of variety.But this arrangement does have all the rest of the thematic material, including the strange but seldom noticed fact that verse two is one measure shorter than verse one. A lot of the vocal countermelodies are here too.The optional fourth part is suitable for novice guitar, for bass or acoustic guitar or for pizzicato double bass, and is included in both treble and bass clefs. But this arrangement works fine with just three guitars too...The key is the same as Keating’s version and includes the rather lovely key changes - both seem to go up slightly in pitch, yet the second key change actually returns back to the starting key.I hope you enjoy performing this!
$4.99
4.65 €
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Keith Whitley
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Derek Hasted
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When You Say Nothing At All
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Derek Hasted
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SheetMusicPlus
Slow Fade by Casting Crowns - Piano/Vocal/Guitar
Piano, Voix et Guitare
Performed by: Casting Crowns: Slow Fade Digital Sheetmusic - instantly downloadable sheet …
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Performed by: Casting Crowns: Slow Fade Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 8 pages -- CCM~~Adult Contemporary~~Christian~~Alternative CCM
$5.50
5.13 €
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Piano, Voix et Guitare
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Casting Crowns
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Piano/Vocal/Guitar
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Musicnotes
When You Say Nothing At All
Flûte et Guitare
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.7…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797825 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Derek Hasted. Contemporary,Pop. Score and parts. 12 pages. Derek Hasted #6411785. Published by Derek Hasted (A0.797825). WHEN YOU SAY NOTHING AT ALL - FLUTE and GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This lovely melody, first made famous by Alison Krauss, and more recently by Ronan Keating, makes a delightful concert piece for flute and guitar.My arrangement is based on Ronan Keating’s version, where the guitar part is a little different to the original. The music doesn’t have the slow fade-out of Keating’s piece - it’s not that easy for a flute and guitar duo on stage to emulate that! But it does have all the rest of the thematic material, including the strange but seldom noticed fact that verse two is one measure shorter than verse one. The key is the same as Keating’s version and includes the rather lovely key changes - both seem to go up slightly in pitch, yet the second key change actually returns back to the starting key.Much of the guitar part can be played in the lower positions where there’s just a little bit more sustain to help support the flute part. Where the guitar part needs sustain across the bar-lines, I have used “ties to nothing†rather than formal ties. Ties generate a lot more black on the page and make the music harder to read. I hope you enjoy performing this!
$4.99
4.65 €
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Flûte et Guitare
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Keith Whitley
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Derek Hasted
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When You Say Nothing At All
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Derek Hasted
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SheetMusicPlus
In the Steppes of Central Asia
Ensemble de Flûtes
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.817938 Composed by Alexander Borodin. Arranged by Adrian Dee. Romantic Period. 34 pages. Adrian Dee #4368834. Published by Adrian Dee (A0.817938). We are on the vast grasslands in Central Asia. In the distance we hear a caravan approaching. They are guided by Russian soldiers singing a folk song. As they get closer, we hear a melancholy native melody also emerge. The caravan passes, the voices of the men, the plodding of the horses and camels, the bundles of goods on their way to a foreign market. All intermingled into one song now. We watch them slowly fade into the distance until all we can discern is a faint rise of dust on the horizon and the fading notes of the folk song.
$19.95
18.59 €
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Ensemble de Flûtes
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Alexander Borodin
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Adrian Dee
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In the Steppes of Central Asia
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Adrian Dee
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SheetMusicPlus
Hamlet V
Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,Horn,Oboe,Percussion,Trombone,Trumpet,Tub…
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,Horn,Oboe,Percussion,Trombone,Trumpet,Tuba,Viola,Violin - Level 5 - Interactive Download SKU: A0.923239 Composed by Sina Babajani-Feremi. This edition: Interactive Download. Classical. Score and parts. 20 pages. Duration 60. Sina Babajani-Feremi #IogDEcbq8TZJtlcGrObE4. Published by Sina Babajani-Feremi (A0.923239). Key: C major.This work is very abstract, as in the last act of hamlet this work is specifically focused on the last part of the last act where we can see many of the characters dying one by one in a grand amalgamation of death, we can see here that there is no rhyme or reason to the parts being played, they are all independent, remincant of the lack of reason to the deaths in the final act and also a reminder that as they are independent voices with seperate stories journies and goals as with everyone who died in the final act, they slowly fade away and there remains the timpani, drumming out a repetative marching tune as homage to the militaristic tradition that rought the bodies of elsinore cold, followed by at last 3 notes played on a harp as a church bell to the funerary service of those who died in this act.
$3.00
2.8 €
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Sina Babajani-Feremi
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Hamlet V
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Sina Babajani-Feremi
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SheetMusicPlus
One Second to the Future - Guitar Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaill…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
69.9 €
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Brent C Robitaille
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One Second to the Future - Guitar Orchestra
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Brent C Robitaille
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SheetMusicPlus
Good King Wenceslas
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1125812 By Michael Swedberg. By 13t…
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Piano Solo - Level 4 - Digital Download SKU: A0.1125812 By Michael Swedberg. By 13th Century Finnish Carol. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726552. Published by Niska Music Publishing (A0.1125812). This carol holds a special memory for me. I was living in Green Bay following my graduate studies and I was teaching private voice lessons at Appleton West High School with my brother and his wife at the request of the choral director, Kevin Meidl. Kevin was also the director of the Appleton Boychoir and one year he asked me to sing the solo part of this carol for a recording they were making. My arrangement of this carol is rather straightforward with very little altering of the basic rhythms found in the original tune. However, the melody in the first verse is found among triplet figures and therefore one must be sure to bring out the important notes. There is a dance-like quality to the music, reminiscent of a gigue from the Baroque period. Following a brief reprise of the opening material the melody shifts to the left hand, starting out as a single note and soon joined in harmony. To me, it represents the page and the king from the story as they walk through the cold, winter night to bring food and fuel to the peasant living near the mountain. The melody then moves back to the right hand, but is now played in half notes indicating the difficult terrain and the snow they must traverse causing them to move more slowly. The left hand rumbles below as a reminder of the wind blowing and the snow swirling about them. The page, fears he cannot go on, but the king tells him to walk in his footsteps and all will be well. Soon, monarch and servant are moving swiftly to their destination. The music slowly fades as they pass into the mountain’s shadow only to grow once again as they arrive at the poor man’s home. The final chords ring out as the door is thrown open and they step inside to share what they have brought.
$3.99
3.72 €
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Piano seul
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Michael Swedberg
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Terrence Niska
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Good King Wenceslas
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Niska Music Publishing
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SheetMusicPlus
Whatever We Imagine (vocal)
Instruments en Do
C Instrument - Level 3 - Digital Download SKU: A0.1303235 By James Ingram. By David…
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C Instrument - Level 3 - Digital Download SKU: A0.1303235 By James Ingram. By David Babyface Foster, Jeremy Michael Lubbock, and Paul Gordon. Arranged by Popnroll 1976. 20th Century,Pop. Lead Sheet / Fake Book. 2 pages. Popnroll 1976 #892835. Published by Popnroll 1976 (A0.1303235). Whatever We Imagine - David Foster (Lead Sheet/Rhodes Intro)This is a lead sheet (with electric piano intro) for Whatever We Imagine, the opening instrumental from the 1985 leader album by the great American producer David Foster.PDF format, 2 pages.Composed by David Foster, Paul Gordon and Jeremy Lubbock[Song description].The introduction is a Rhodes electronic piano solo by Jeremy Lubbock, which is a perfect and chic introduction to the song.After the drums begin to fade in, the piano theme appears.In the chorus part, the synthesizer and brass are in unison, and the latter half of the song is modulated to minor third degree (Ab to B), and it is slowly carried to the ending with a sense of exuberance.The original sound source fades out, but this score ends with a Bmaj7 whole note at the end.The bass playing pattern is based on quarter note + eighth note + quarter note + eighth note throughout the entire piece.
$9.99
9.31 €
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Instruments en Do
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James Ingram
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David Foster, Paul Gordon and Jeremy Lubbock
[Song description]
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Popnroll 1976
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Whatever We Imagine
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Popnroll 1976
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SheetMusicPlus
Angels We Have Heard On High - Piano Solo
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.904108 Composed by French carol. Ar…
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Piano Solo - Level 5 - Digital Download SKU: A0.904108 Composed by French carol. Arranged by Whitney Hawker. Christian,Christmas,Sacred. Score. 5 pages. Whitney Hawker #6118409. Published by Whitney Hawker (A0.904108). The perfect arrangement for any Christmas gathering or performance. This piece will touch the hearts of all listening with the Christmas spirit! Arranged in a new time signature, the original song takes on a more dancing, lilting feel in 6/8. The movement continues throughout as it builds to the strongest verse and then slowly fades out at the ending. Written for the early advanced performer.
$4.50
4.19 €
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Piano seul
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French carol
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Whitney Hawker
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Angels We Have Heard On High - Piano Solo
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Whitney Hawker
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SheetMusicPlus
Amazing Grace for Solo Instrument and Piano or Organ
Large Ensemble Alto Saxophone,Bassoon,Cello,Clarinet,English Horn,Euphonium,Flute,Oboe,Org…
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Large Ensemble Alto Saxophone,Bassoon,Cello,Clarinet,English Horn,Euphonium,Flute,Oboe,Organ,Piano Accompaniment,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Violin - Level 3 - Digital Download SKU: A0.919593 Composed by John Newton, Tune: New Britain. Arranged by Randy Adams. Christian,Sacred,Spiritual. Score and parts. 12 pages. Randy Adams #6038241. Published by Randy Adams (A0.919593). This arrangement, originally written for piano/organ and flugelhorn, includes score and parts for Bb Trumpet or Flugelhorn, C Trumpet, Flute, Oboe, Violin, Horn in F, Bass Clef Instruments (including Trombone, Euphonium, Bassoon, Cello), Eb Alto Saxophone and Bb Tenor Saxophone. The music begins with the solo instrument playing softly by itself. The accompaniment joins and crescendos to a modulation up a step with gentle rolling embellishment, then slowly fades back down to the intimacy of the solo instrument by itself. A beautiful, contemplative rendering that is of moderate to easy difficulty level. .
$12.50
11.65 €
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John Newton, Tune: New Britain
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Randy Adams
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Amazing Grace for Solo Instrument and Piano or Organ
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Randy Adams
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SheetMusicPlus
AMOUR LOINTAIN (LOVE FROM AFAR) Piano Solo by ROBERT VAN HORNE
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.914972 Composed by ROBERT VAN HORNE…
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Piano Solo - Level 4 - Digital Download SKU: A0.914972 Composed by ROBERT VAN HORNE. 20th Century,Classical,Instructional,New Age,Romantic Period. Score. 9 pages. White Piano International Publishing #6448451. Published by White Piano International Publishing (A0.914972). AMOUR LOINTAIN (LOVE FROM AFAR) Advanced Intermediate Piano Soloby ROBERT VAN HORNE9 Pages In 2010, AMOUR LOINTAIN (LOVE FROM AFAR) won 2nd in the Division 7 State Contest sponsored by the Music Teachers' Association Of California. After attending a piano concert in 2009 featuring several works by Maurice Ravel, Robert was inspired to write this piano work in the style of the Impressionistic French composers. It comprises lyrical melodies in mostly 9/8 and 5/4 meters and sequential patterns, using predominately notes from the whole tone scales. The left hand ostinato occurs mostly throughout while the right hand melody is heard in different keys. As the piece concludes, there is a brief reprise of the waltz melody that slowly fades away. The score is clearly and carefully notated with dynamic marks, phrasing, pedal indications, suggested fingerings, and appropriate musical terms for playing. This piano solo makes a wonderful recital and encore piece that will delight audiences...ideal for both students and professionals. Duration time is about 4:30. A 2021 Youtube video of Robert's performance is available at: https://www.youtube.com/watch?v=V-i0GHRycok AMOUR LOINTAIN was premiered by pianist, Karen Sugano on July 3, 2010 at the 100th Music Teachers' Association of California Convention held at the LAX Marriott Hotel in Los Angeles.  Here is the video link of her performance: http://www.youtube.com/watch?v=yQUzUezA-vo Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.comRobert is a member of ASCAP       Â
$6.99
6.51 €
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Piano seul
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ROBERT VAN HORNE
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AMOUR LOINTAIN
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White Piano International Publishing
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SheetMusicPlus
Rays of Light
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1147785 Composed by Kevin Walters…
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Concert Band - Level 4 - Digital Download SKU: A0.1147785 Composed by Kevin Walters. Contemporary,Contest,Festival,Spiritual,Standards. Score and parts. 46 pages. Kevin Walters #747982. Published by Kevin Walters (A0.1147785). The title of the piece, Rays of Light, exemplify the inspiration for the work. I was inspired by the beauty of sun rays piercing through the clouds in the sky, and how every combination of these light beams are unique in shape and size. These sun rays are represented through beautiful dissonances, extended fermatas, and subtle staggered percussion entrances. The piece has natural progression towards a noticeable peak, with very slight accelerations, and then slowly fades to an ending similar to that of the beginning. This is a wonderful piece to showcase the beauty in dissonance, the significance of subtlety, and offers several solo moments for every section of the band, starting with the horn and ending with the vibraphone.
$55.00
51.26 €
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Orchestre d'harmonie
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Kevin Walters
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Rays of Light
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Kevin Walters
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.8 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.8 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Waltz of the Roses (Think of My Love As A Rose), for High Voice Piano, Theme from The Snow Queen, A
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730413 Composed by James…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730413 Composed by James Nathaniel Holland. Contemporary,Holiday,Wedding. 8 pages. James Nathaniel Holland #3369761. Published by James Nathaniel Holland (A0.730413). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged for high voice (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.95
4.61 €
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
Waltz of the Roses (Think of My Love As A Rose), for SA Chorus Piano, Theme from The Snow Queen, A B
Chorale 2 parties
Choral Choir,Choral (SA) - Level 2 - Digital Download SKU: A0.730414 Composed by Ja…
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Choral Choir,Choral (SA) - Level 2 - Digital Download SKU: A0.730414 Composed by James Nathaniel Holland. Holiday,Wedding. 8 pages. James Nathaniel Holland #3369775. Published by James Nathaniel Holland (A0.730414). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged here for SA Chorus or Individual Soprano or Alto Duet (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.25
3.96 €
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Chorale 2 parties
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
Waltz of the Roses (Think of My Love As A Rose), for SATB Chorus Piano, Theme from The Snow Queen, A
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.730415 Composed by James N…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.730415 Composed by James Nathaniel Holland. Holiday,Love,Wedding. Octavo. 9 pages. James Nathaniel Holland #3369827. Published by James Nathaniel Holland (A0.730415). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American Costa Rican composer James Nathaniel Holland. Here arranged here for close harmonies for SATB Chorus (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: https://youtu.be/9dgnKajSsE8 Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlFacebook page: https://www.facebook.com/jamesnathanielholland/
$4.50
4.19 €
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Chorale SATB
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
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