Une collection de cinq hymnes arrangés en style Gospel traditionnel pour le choeur SATB, avec accompagnement au piano.Inclus< i>Go Tell It On The Mountain, et Swing Low, Sweet Chariot. / Voix / 50 pages / niveau : Intermédiaire / Partition

Ce volume vise à présenter un large éventail de styles, simple réglage Choral à swing et gospel-roche, appel-et-réponse et en criant, a cappella et avec l'accompagnement au piano. Chaque titre peut être effectuée sur sa propre, mais le tout jusqu'à ajoute également un très / Choeur Mixte (SATB), Aussi Avec Piano

Recueil de 14 compositions ou arrangements pour voix mixtes a cappella ou avec piano / Choeur Mixte Et Piano / 112 pages / Partition

Opening with a reverent a cappella setting of a favorite spiritual, this anthem then transitions to a flowing setting of a beloved text set to new tune by the always creative Ken Medema. The spiritual and new tune eventually come together, complementing each other perfectly. / Choeur (SATB)

The haunting spiritual 'Wayfaring Stranger' is paired another classic spiritual, 'This Train is Bound for Glory' resulting in a creative celebration of the 'sweet by and by!' Pure fun to sing and highly effective! / Choeur Mixte (SATB)

Recueil de 14 oeuvres, la plupart avec piano.Arrangements de Pierre-Gérard Verny, Cyrille Martial, William L. Dawson, H. T. Burleigh. / Choeur Mixte Et Piano / 72 pages / Partition

Negro spiritual très connu, arrangé 'en jazz', sans difficultés rythmiques ni solfégiques.Partition de choeur seul (sans piano) / Choeur Mixte (SATB)

This energetic sparkling collection of gospel songs by one of Britain's leading gospel choral exponents is a superb introduction to the genre for all choirs. Feel the spirit! provides about twenty minutes of music to be used as a complete set or a part of a programme. Any choir keen to experiment with new styles and genre will love these pieces they are fun relatively straightforward and come with handy tips for those less experienced in this style of singing.Arranged for SATB Choir a cappella by Ken Burton. The pieces all include notated piano accompaniments for rehearsal use only however Ev’ry Time I Feel The Spirit should be performed accompanied.

Traditional spiritual arranged by Moses Hagan. Moses Hagan born in New Orleans in 1957 has earned an international reputation as one of America's most gifted pianists conductors and arrangers. His contemporary choralsettings of spirituals and other works have been praised by the American Choral Directors Association and Gramophone magazine. Audiences have responded with standing ovations upon hearing these unique and sensitivearrangements. The world renowned Philip Brunelle Chorale of Minnesota and the Boy's Choir of Harlem have both performed Hogan's arrangements for national audiences on television and radio.

Stacey Gibbs has built a reputation for outstanding arrangements of spirituals. Many ACDA performances and commissions later we are proud to announce the Stacey Gibbs Choral Series. Only Stacey could deliver a new setting of this famous spiritual that honors its heritage and breathes new life at the same time. College choirs high school chamber choirs and church choirs will enjoy this new setting.

Novello New Choral Series-Craig McLeish writes of The Negro Speaks of Rivers; Langston Hughes (1902-1967) was the first black American to earn his living from writing. He was an innovator of jazz poetry becoming part of the Harlem Renaissance in the 1920s and 1930s. He wrote plays short stories novels and his poetry was widely read. He was also a journalist columnist and lecturer. The Negro Speaks of Rivers was perhaps his earliest published work written when only 17 and while travelling by train to Mexico to visit his father. As the train crossed the Mississippi he suddenly began thinking about how rivers had impacted on Negro history particularly in the fight against slavery.The four rivers mentioned in the poem lent themselves to using musical influences from those particular regions. However I have tried to keep these links fairly tenuous to avoid overt pastiche. A few years ago I was fortunate enough to work with Congolese musicians. These sessions led to the intricate rhythms in The Congo. The Mississippi mentions New Orleans so a jazz fugue seemed the most appropriate compositional device to weave into the texture. The spirit of The Nile was gauged from many hours listening avidly to Egyptian music.Craig McLeish began his musical life as a chorister at St Paul’s Cathedral. As a bass guitarist conductor musical arranger and composer he has worked with a wide variety of groups in several genres and scored a hit with the cult pop band ‘Fat & Frantic’. He is musical director of Young Voices UK and conducts several youth and community choirs in and around Milton Keynes. Listen to an excerpt from Craig McLeish's The Negro Speaks Of Rivers:  

Medley in Honor of Dr. Martin Luther King Jr.-This moving work was commissioned by the Choral Arts Society of Washington in honor of Dr. Martin Luther King Jr. and premiered at the John F. Kennedy Center for the Performing Arts. It was described by The Washington Post as a speaker's narration of the slain African American leader's accomplishments with a galvanizing chorus of pungent syncopations and emotional turbulence - of both the composer's own invention and assimilated spirituals.