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Der Herr Ist Mit Mir
Choral SATB
SATB, Strings
[Score and Parts]
Barenreiter
/ 4 Parties Mixtes, Instruments A Cordes Et Basse Continue / Partition
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Johann Sebastian Bach: Hohe Messe h-Moll BWV232: Voice: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Mass in B minor (BWV 232) (Urtext) (L).2 3 0 2 - 1 3 0 0 timp org str ...
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Mass in B minor (BWV 232) (Urtext) (L).2 3 0 2 - 1 3 0 0 timp org str solo SSATB mx chorVocal Score Paperback
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Antonio Vivaldi: Gloria RV 589 (Vocal Score): Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions an...
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Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solopassages.The same mastery has also been applied to the ? Kyrie? RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Vocal score as well as choral score available for the ?Gloria?.- Informative foreword (Ger/Eng).
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Ludwig van Beethoven: Mass In C Op.86: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Barenreiter
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score ...
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Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary (Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven???s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and for its time distinctly modernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work???s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score just as Beethoven envisioned it for the first printed edition. As stated in the original sources the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work???s genesis and a detailed critical commentary.
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Ludwig van Beethoven: Mass In C Op.86: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score ...
(+)
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary (Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven’s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and for its time distinctly modernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score just as Beethoven envisioned it for the first printed edition. As stated in the original sources the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.
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Ludwig van Beethoven: Mass In C Op.86: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
Barenreiter
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score ...
(+)
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary (Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven’s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and for its time distinctly modernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score just as Beethoven envisioned it for the first printed edition. As stated in the original sources the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.
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HANDELG.F. - ZADOK THE PRIEST HWV 258 - VOCAL SCORE
Piano, Voice
[Vocal Score]
Barenreiter
HANDELG.F. - ZADOK THE PRIEST HWV 258 - VOCAL SCORE / Choeur et ensemble vocal ...
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HANDELG.F. - ZADOK THE PRIEST HWV 258 - VOCAL SCORE / Choeur et ensemble vocal / Barenreiter
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MOZART W.A. - MASS IN C MINOR KV 427 - VOCAL SCORE
Piano, Voice
[Vocal Score]
Barenreiter
MOZART W.A. - MASS IN C MINOR KV 427 - VOCAL SCORE / Choeur et ensemble vocal /...
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MOZART W.A. - MASS IN C MINOR KV 427 - VOCAL SCORE / Choeur et ensemble vocal / Barenreiter
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Mass In B Minor Bwv 232
Piano, Voice
[Sheet music]
Barenreiter
Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présente...
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Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets. ' / Chant Et Piano / Partition
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SCHUMANN R. - DICHTERLIEBE - VOIX ET PIANO
Piano, Voice
Barenreiter
Komponist / Autor:Schumann, RobertTitel:Dichterliebe op. 48Besetzung Detail:Sing...
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Komponist / Autor:Schumann, RobertTitel:Dichterliebe op. 48Besetzung Detail:Singstimme, KlavierTextdichter:Heine, HeinrichHerausgeber:Ewert, HansjörgVor- / Grußwort:Ewert, HansjörgProduktart:Singpartitur, UrtextausgabeEnthaltene Einzelstimme / Tous instruments / Barenreiter
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Felix Mendelssohn Bartholdy: Der 98. Psalm - MWV A 23 op. Posth 91: Mixed Choir:
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Ps...
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Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord):Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng)Words underlaid in both German and EnglishPiano reduction based on the first printed editionFull score performance material (BA9076) and vocal score (BA9076-90) available for saleMendelssohn composed his setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) in the space of just a few weeks to satisfy a commission in his new position as general musicdirector of Prussia. The work was premiered by the Berlin Cathedral Choir on 1 January 1844. As Mendelssohn neither released the work for publication nor produced a vocal score his psalm setting did not appear in print until after his death.For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions which tend to treat the autograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The Piano reduction is based on the first printed edition which was published by F. Kistner and Evers & Co. in 1851.
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Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...
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HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
17.50 GBP - Sold by Musicroom UK
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Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...
(+)
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
6.00 GBP - Sold by Musicroom UK
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Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...
(+)
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
6.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Johannes-Passion (St. John Passion) BWV 245: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
The St. John Passion was first performed in Leipzig on Good Friday of 1724. Writ...
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The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion it was a work Bach revised during the rest of his life in fact he did not leave us a definitive version either in print or fair copy. The sources give evidence of four different versions used at four performances - 1724 1725 around 1730 and during the last years of Bach's life. They often contain two or more readings for the same passage or even different movements that on different occasions occupied the same place in the work.Barenreiter's edition uses the final version IV as its basis with alternativemovements and readings contained in the appendices. A comprehensive preface in the study score (German/English) TP197 gives full information.- Full score performance material (BA5037) vocal score (BA5037-90) and study score (TP197) available for sale.
120.00 GBP - Sold by Musicroom UK
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Felix Mendelssohn Bartholdy: Three Motets Op.69: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Barenreiter
Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belong...
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Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belong to the standard repertoire of many choruses and vocal ensembles. These editions the work of two leading Mendelssohn specialists Hiromi Hoshino and Michael Cooper present these pieces in separate volumes reflecting the latest state of scholarly research.Barenreiter also offer a separate edition of Psalm 91 “For He shall give His angels charge” in its original setting for eight-part a cappella chorus. (Mendelssohn later incorporated it into “Elijah” with an orchestral accompaniment).Each edition contains the original German text and the English translationauthorized by the composer himself.A two-stave reduction of the vocal parts has been added as an aid in rehearsal. Complete editions are available with critical reports and introductions in German and English.- Urtext at the forefront of musical scholarship- Complete editions with critical reports and introductions in German and English- With piano reductions for rehearsal purposes
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Wolfgang Amadeus Mozart: Requiem K.626: Mixed Choir: Score
Choral
[Facsimile]
Barenreiter
KV 626-Hardback facsimile; Half-leather binding; 235 pages - 24 4 x 33 0 cm.Moza...
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KV 626-Hardback facsimile; Half-leather binding; 235 pages - 24 4 x 33 0 cm.Mozart???s Requiem: Truth and Legend.Facsimile of the autograph score held in the Austrian National Library with a foreword/introduction by Christoph Wolf.Mozart???s ???Requiem??? is fraught with questions and emotions: the expressive depth of its music sorrow at the great composer???s early death truth and legend fragments and attempts to complete the work.The surviving manuscript reflects its dramatic history: Mozart???s handwriting often appears on the same page as inscriptions by S?ssmayr and others. One corner of a pagewith Mozart???s final musical thoughts was later stolen but an old photograph bears witness to it.This high-quality new facsimile presents each page individually trimmed to convey a vivid impression of the original.Besides a detailed description of the manuscript by G?nter Brosche the volume contains a Foreword by Christoph Wolff depicting the work???s genesis.Barenreiter Facsimilie:The seal is used exclusively for facsimile editions published by B?renreiter which meet the highest demands in both scholarly and technical terms.The distinguishing features include:A facsimile in high-quality colour printingScholarly commentaryAttractive cover design
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Georg Friedrich Händel: Riccardo Primo Re D'Inghilterra HWV 23: Opera: Score
Opera
Barenreiter
Opera in three acts-Complete version. Full Opera Score. This accurate and author...
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Opera in three acts-Complete version. Full Opera Score. This accurate and authoritative Barenreiter Urtext edition is suitable for both study and performance.
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Johann Sebastian Bach: Cantata BWV 12 Weinen Klagen Sorgen Zagen: Voice &
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying ...
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Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying Sorrow Sighing) BWV 12Cantata for the Sunday Jubilate - Performance material (BA10012) vocal score (BA10012-90) & study score (TP1012) available for sale Barenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of thechurch year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Franz Schubert: Die Schöne Müllerin Op.25 - Medium Voice: Voice: Vocal Work
Medium voice, Piano
[Sheet music]
Barenreiter
Mezzo-Barenreiter urtext edited by Walther Dürr.
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Johann Sebastian Bach: Cantata BWV 147 Herz Und Mund Und Tat Und Leben: Mixed
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
As one of the most popular and best-known cantatas this work has become an indis...
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As one of the most popular and best-known cantatas this work has become an indispensable part of the repertoire. The last movement is most commonly known as Jesu Joy of Man's Desiring. Study score and performance material available for sale. Barenreiter Urtext: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest inmusicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...
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HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
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Wolfgang Amadeus Mozart: Missa Brevis In D K.194: Voice & Piano: Vocal Score
Piano, Voice
Barenreiter
Barenreiter Urtext Edition of Mozart's Missa Brevis In D K.194. This authoritati...
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Barenreiter Urtext Edition of Mozart's Missa Brevis In D K.194. This authoritative vocal score version features a piano reduction of the instrumental material as well as the complete score for Soprano solo Alto solo Tenor solo Bass solo and mixed SATB choir.
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Johann Sebastian Bach: Magnificat In D BWV243: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
The 2nd version with the 4 inserts from the E-flat major version (transposed int...
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The 2nd version with the 4 inserts from the E-flat major version (transposed into D major).Barenreiter Urtext:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions thatpresent the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Schwanengesang D.957 / D.965a - Medium Voice: Vocal Album
Medium voice, Piano
Barenreiter
After Schubert?s death in 1828 his brother Ferdinand passed on thirteen songs b...
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After Schubert?s death in 1828 his brother Ferdinand passed on thirteen songs based on texts by Ludwig Rellstab and Heinrich Heine to the publisher Haslinger. Schubert had only composed them shortly before his death in August 1828. During his lifetime Schubert actually wanted to publish the two groups of Lieder separately. However the Heine and Rellstab songs are indeed closely related. Haslinger added a fourteenth Lied ?Die Taubenpost? based on a text by Johann Gabriel Seidl which Schubert had composed at the same time as ?Der Hirt auf dem Felsen? (D 965) one month before his death but which in no way bears any relation to the Rellstab and Heine Lieder. Thiscollection was published posthumously by Haslinger early in May 1829 and it was named Schwanengesang traditionally the term given to an artist?s last work before his death. This collection is here presented in an authoritative Barenreiter Urtext Edition for Medium Voice.Based on the Urtext of the ?New Schubert Edition?Foreword by Walther Dürr about the genesis and history of the works and the available sources for each individual Lied (Ger/Eng)English translations of the Lied texts by Richard Wigmore
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Felix Mendelssohn Bartholdy: Nun lassest du deinen Diener in Frieden fahren:
Choral SATB
SATB, Organ
Barenreiter
Lord now lettest Thou Thy servant depart in peace Op.69Mendelssohn’s Three...
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Lord now lettest Thou Thy servant depart in peace Op.69Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belong to the standard repertoire of many choruses and vocal ensembles. These editions the work of two leading Mendelssohn specialists Hiromi Hoshino and Michael Cooper present these pieces in separate volumes reflecting the latest state of scholarly research.Barenreiter also offer a separate edition of Psalm 91 “For He shall give His angels charge” in its original setting for eight-part a cappella chorus. (Mendelssohn later incorporated it into “Elijah” with an orchestral accompaniment).Each editioncontains the original German text and the English translation authorized by the composer himself.A two-stave reduction of the vocal parts has been added as an aid in rehearsal. Complete editions are available with critical reports and introductions in German and English.- Urtext at the forefront of musical scholarship- Complete editions with critical reports and introductions in German and English- With piano reductions for rehearsal purposes
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Johann Sebastian Bach: Cantata BWV 6 Bleib Bei Uns: Mixed Choir: Score
Soli (SATB, Soprano Aussi Chorale), Choeur Mixte (SATB) Et Orchestre
[Sheet music]
Barenreiter
Cantata for Easter Monday-Bleib Bei Uns Denn Es Will Abend Werden BWV 6Cantata ...
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Cantata for Easter Monday-Bleib Bei Uns Denn Es Will Abend Werden BWV 6Cantata for Easter Monday - Full score & performance material (BA10006) vocal score (BA10006-90) available for sale. Barenreiter's editions of Bach's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numeroussecular occasions such as council inaugurations school and university celebrations and royal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Georg Friedrich Händel: Dixit Dominus HWV 232: SATB: Vocal Score
Choral SATB
Soli, mixted choir, orchestra
[Vocal Score]
Barenreiter
Revised Barenreiter Urtext choral score for Handel's Dixit Dominus HWV 232.
80.00 GBP - Sold by Musicroom UK
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Franz Schubert: Die Schöne Müllerin Op.25 - Low Voice: Voice: Vocal Work
Low voice, Piano
[Sheet music]
Barenreiter
Tiefe Stimme-Barenreiter urtext edited by Walther Dürr.
15.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Concert Arias For Tenor: Voice: Vocal Score
Tenor voice, Piano
Barenreiter
This Barenreiter Urtext edition Vocal score of Mozart’s insert and Concer...
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This Barenreiter Urtext edition Vocal score of Mozart’s insert and Concert Arias is based on the New Mozart Edition (NMA).The musical text presented in this edition is free from practical references on performance aspects or suggestions on performance practice. An accompanying booklet gives detailed explanations on the execution of appoggiaturas and other performance practice phenomena relevant to each aria. In addition there is a choice of suggestions for the performance of cadenzas and lead-ins as well as for the ornamentation of dal segno parts which are often found in the early Mozart arias.Underlaid textpresented in the original language only.All aria texts translated into German and English and printed separately.Idiomatic Piano reduction to the individual arias.Clear and legible layout of the musical text.Additional notes and suggestions on performance practice in the accompanying booklet.Performance material on hire to each aria(Please refer to the relevant volume for further information).
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