Par OLLENDORFF TOM. This stunning compilation collects guitarist Tom Ollendorff?s revered études for the first time in print, in both standard notation and tab formats. Suitable for electric and acoustic guitarists, jazz, fingerstyle and classical players alike, from intermediate to advanced level. With preparatory exercises that explore the key aspects of Tom?s unique technical approach, plus commentary about each étude from the acclaimed artist himself. / Date parution : 2022-10-25/ Etude / Guitare

Presents the Contradanzas Habaneras of Manuel Saumell (1817-1870) who has been called a 'Pioneer of the Cuban danza.' Originally written for the piano this collection of contradanzas is a good example of Saumell’sinnate sensitivity to the rhythms characteristic of Cuban Music. Written in standard notation and tablature.

A special two-volume set of songs by the great Juan Solano Pedrero arranged for Piano Voice and Guitar. Working as a member of the hugely successful Ochaita Valerio and Solano trio the Maestro Solano developed his skills as a composer and the group became responsible for some of the most celebrated songs of Spain. His works have been performed by many star voices including Concha Piquer Manolo Escobar and Rafael Farina. His popular and best-loved songs include A Tu Vera El Porompompero and Almoneda.This title is the first of two volumes beautifully presented that will help you to enjoy these wonderful songs again and again.

A special two-volume set of songs by the great Juan Solano Pedrero arranged for Piano Voice and Guitar. Working as a member of the hugely successful Ochaita Valerio and Solano trio the Maestro Solano developed his skills as a composer and the group became responsible for some of the most celebrated songs of Spain. His works have been performed by many star voices including Concha Piquer Manolo Escobar and Rafael Farina. His popular and best-loved songs include A Tu Vera El Porompompero and Almoneda.This title is the second of two volumes beautifully presented that will help you to enjoy these wonderful songs again and again.

Timeless Solos is a play on words. The solos in this volume contain no time signatures or bar lines. I did this because I wanted the solos to be very expressive in interpretation yet 'free-form' in structure. The companionrecording presents my interpretation of these works. You may interpret them differently and that is fine! All solos are in notation and tablature. When writing these solos I first envisioned the form as an extended 'cadenza'.However from my earlier trumpet playing days I recalled that especially in the 19th century a cadenza was a momentary break in a solo which gave the performer a chance to dazzle the audience with his or her virtuosity. Thesesolos are not about that. Rather they are a vehicle to give the guitarist an opportunity to move the listener with the performer's expressive ability. I also thought of these solos in the form of a 'chant'. However most chantsare monophonic in form and these solos in various parts present a fairly lush harmonic structure. While the solos were written for a 7 string guitar they may be played successfully on a 6 string guitar. Alternate notes for thosefound on the 7th string are shown in the tablature part. Also the solo Peace is written in Dropped D tuning and makes little use of the 7th string pedal tones. The solos are contemplative in nature and provide ample opportunityfor individual expression and interpretation. I hope you enjoy playing and performing these works.

for Solo Guitar Vol. 1-This collection will help spark an interest in the development of an American repertoire for the classical guitar. Traditional Scottish and Irish tunes were transformed by the African rhythms of banjo players which in turninfluenced popular music and led to ragtime jazz and blues. The amount of folk music in America is staggering. The nineteenth century gave birth to many unique American styles and its songs are an important part of our musicalheritage. Even today quite a few of the tunes in this collection will seem very familiar. Written primarily in standard notation the exceptions being those tunes in altered tunings which logically appear in tablature only.

Paolo Bellinati presents his long-awaited solo Guitar arrangements of 10 of the 12 compositions featured on the companion online video. Written in standard notation only with brief performance notes for each piece these arrangements would best be approached by the intermediate to advanced classic Guitarist.In this collection masterful Brazilian Guitarist Paolo Bellinati has meticulously transcribed his solo Guitararrangements of ten melodies by his beloved countryman and pioneering bossa nova composer Antonio Carlos Jobim. Bellinati particularly laboured over his arrangements of Jobim's instrumentalcompositions i.e. songs without lyrics as these 'reveal a much more sophisticated Jobim closer to his favourite classical composers.The book also contains arrangements of lyrical songs of a more introspectiveand romantic character including 'Luiza' which Bellinati regards as 'The most beautiful and perfect Brazilian song ever written'. Includes access to online video.

A suite of 6 superb pieces by Gary Ryan who many consider to be the UK's finest classical guitarist. Ryan's lyrical and atmospheric style effortlessly draws on the inspiration of images of America's Wild West to provide an exceptionally attractive set of pieces which can be performed individually or as a suite lasting 25 minutes. Ryan recorded the suite on CD in 2003.

Classic guitarist Andrew York of the renowned Los Angeles Guitar Quartet displays his extra- ordinary compositional skills in these three reflective solo guitar pieces entitled Wish; Into Dark; and Higher Ground. Written instandard notation only.

Score and Parts-Il Lamento di Tristano a work for Flute and Guitar is a set of variations on two themes that are highly contrasting in styles juxtaposing fragments from Wagner's Opera Tristan and Isolde with a 14th Centurymonophonic dance Lamento di Tristano.

A collection of works by the prolific Granada song composer Jose Maria Legaza all presented for Voice and Piano.Includes a biography of the maestro in Spanish and English.

Britten's Nocturnal After John Dowland Op.70 is a fantastically varied and intricate piece for Solo Guitar which has been edited here by Julian Bream. This piece will present an enjoyable challenge to the advancing classical guitarist.The first performance of Nocturnal was given by Julian Bream at the Aldburgh Festival June 12th 1964. The song upon which the work is based is No.20 in The First Book Of Songs or Ayres of Four Parts by John Dowland published in 1597.

Contenu : Divertimento - Valseana - Preludio e toccatina Compositeur/Auteur : ASSAD Sergio Discipline/Instrument : guitare Support : Partition Style/Genre : classique Date de parution : janv.-92 Niveau de difficulté : 5 Nombre de pages : 13