SKU: SP.TS557
ISBN 9781585609178.
Due to the success of our Instrumental Fingering Posters, we thought it would be helpful to create a smaller version that could be tucked comfortably into any method book as a reference guide. Unbeknownst to us after days of research, we were left with countless questions, much confusion, and a slew of poorly crafted images from contradicting publications. That being said, we realized that there weren't truly any trustworthy resources in print and decided to address the void. We consulted experts in every category asking questions until both we and they and we were satisfied. Finally, a guide to fingering for beginners that even the experienced players will find beneficial. Santorella's Basic Fingering Charts are essential for anyone that picks up an instrument. Initially intended for beginners but after understanding the importance of false fingerings or more appropriately called, alternate fingerings their necessity is vital for playing certain musical passages on a particular instrument. In addition, after observing the difficulties that students had in identifying key signatures, we decided to include the Circle of Fifths diagram and every major scale in two octaves in every key including their enharmonic counterparts. After all was said in done, we now know, we now have the best educational products available for fingering in the industry. Our Basic Fingering Charts are perfect for private students, classroom study, or simply for a quick and easy reference guide while practicing at home. These graphic reference guides for assorted brass, reeds, woodwinds, and orchestral strings are specifically available for Clarinet, Bass Clarinet, Trumpet, Flute, Piccolo, Recorder, Baritone Horn, Trombone, Bass Trombone, Alto Sax, Soprano Sax, Tenor Sax, Baritone Sax, French Horn, Euphonium, Tuba, Oboe, Bassoon, Violin, Viola, Cello, and Bass. Every chart displays the entire range of each instrument by clearly depicting the fingering for each note including all their enharmonic substitutions. Each chart includes a diagram identifying the levers, valves, keys, slides, frets and more of each and every instrument. Learn where, when, and why to place your fingers. Now is the time to truly start playing with assured confidence.
SKU: BT.9781408114582
ISBN 9781408114582. English.
Now in a third edition, Abracadabra Viola has a fresh, contemporary new look and is the perfect book for pupil and teachers.This title offers an identical selection of repertoire to the other booksin the Abracadabra Strings series, so they can be used in any combination for group or whole class lessons and mixed ensemble performances. Used alone, they remain ideal for individual tuition.With tunes you know andwant to play, carefully graded in 20 learning steps, this new edition of the popular tutor also includes duets, trios and teacher's parts. Clear fingering and bowing diagrams and concise theory explanations help to teachthefundamentals of the instrument, and each new technical aspect is reinforced by several pieces using that particular technique.Abracadabra Viola now also includes two CDs of performance and backingtracks, featuring selected orchestral backings.
SKU: XC.SB2220
ISBN 9781644021309. 9 x 12 inches.
Adaptable Quartets for Christmas contains 22 newly arranged quartets written at grades 1.5 to 3. Since it’s creation in 2019, Tyler Arcari and Matthew R. Putnam’s Adaptable Ensemble series has emerged as a leading resource in flexible instrumentation and this new addition to the series for Christmastime is no exception. Designed to be used with any combination of four instruments, the possible combinations are endless! Play these quartets as traditional four instrument chamber works, or expand your instrumentation to include the entire ensemble. Tyler and Matthew use their experience as music educators to craft quartets that are fun to play, and musically stimulating.
SKU: HF.FH-3257
ISBN 9790203432579. 9 x 12 inches.
In seinen spaten Zwanzigern entdeckte Atar Arad seine Liebe fur die Viola und entschied, sich diesem Instrument zu widmen. Zoltan Kodalys Bearbeitung der Fantasia Cromatica (BWV 903) war ein wichtiger Bestandteil in seiner Entwicklung. Die Viola, eine Meisterin der Melancholie, Wehmut, Elegie und Dunkelheit, sollte auch in der Lage sein zu schillern und zu reizen. Vorliegende Bearbeitung der Fantasia Cromatica mochte so nah wie moglich an Bachs Original zu bleiben. Sie ist eine wahre Bereicherung fur das Solorepertoire der Viola im gehobenden Schwierigkeitsgrad.
SKU: CA.5506313
ISBN 9790007242091. Language: English/German. Text: Eschenburg, J. J. / Loy, Felix.
First critical edition. The oratorio Judas Maccabaeus is one of George Frideric Handel's most popular choral works. It was performed over fifty times during the composer's lifetime and was one of his first works to be performed in Germany (1772). The frequent performances given by Handel himself resulted in a particularly large number of reworkings, reflecting local conditions. This new edition therefore offers the work in two performable versions: firstly, the version of the first performance in 1747, and the one from the last oratorio season during Handel's lifetime (1758/59). This makes available all the choruses and arias which Handel ever wrote for Judas Maccabaeus. Reflecting the latest Handel research, the edition is based for the first time throughout on Handel's conductor's score, thereby eradicating not only long-perpetuated mistakes, but also providing clarity about which pieces were actually performed by Handel. By contrast with the Chrysander edition obligatory until now, the aria Father of heav'n which introduces Part III is included here in its original, longer version. Score and part available separately - see item CA.5506300.
SKU: HL.49046438
ISBN 9781540094056. UPC: 840126924183. 9.0x12.0x0.078 inches.
Judith Butler defines 'precarity' as the unequal distribution of precariousness. These are precarious times, in which access to safe clean water is an endangered human right, increasingly under siege by the damage to the planet brought about by humankind's excesses. But this is also an epoch of systemic inequality, in which corporations, municipalities, and nation-states can and do inflict incremental or drastic harm on entire vulnerable populations, through war, deregulated pollution, and the differential withholding of basic life needs. Jasbir Puar has called out this cruel, largely unchecked capacity of the powerful, which she critically labels 'the right to maim.' The people of Flint, Michigan became a historic example of a living population subjected to this kind of violence, in the form of environmental racism. In this Year of Water, I offer this piece, and my commission, to the children of Flint.- Vijay IyerNew York CityOctober 2, 2019.
SKU: FG.55011-758-7
ISBN 9790550117587.
Géza Szilvay's Kreutzerini, here adapted for viola by David Banney, consists of 42 finger exercises for perfect intonation in the first position. These mini-studies were created to make learning and teaching ear-led finger-stopping movements even more effective and enjoyable with inventive and resourceful use of natural harmonics and left hand pizzicatos. Kreutzerini is a supplementary material for the Colourstrings Viola ABC Book B (ISMN 9790550112537), but it can be used independently as well.
SKU: BR.OB-5509-19
The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.
ISBN 9790004338483. 9 x 12 inches.
The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.
SKU: HL.44011232
ISBN 9789043129862. 9.0x12.0x0.217 inches. English-German-French-Dutch.
4 Collections to give a structured training scheme for the viola player to play in position. Positions 4 & 5 - the eighteen exercises and 32 pieces in this volume, with the accompaniments on the enclosed CD, provide a fine collection of material for further developing your viola playing using the fourth and fifth positions. With this book a sound basis is created not just for playing in the fourth and fifth positions but also for using these in combination with the first three positions. Various styles are featured which adds educational value and makes studying extra fun.Positions 4 & 5 bevat 18 oefeningen en 32 speelstukken - met begeleiding op de cd. De stukken en oefeningen zijn ideaal voor het ontwikkelen van het spel in de vierde en vijfde positie, en voor de combinatie met de eerste drieposities.Die 18 Ubungen und 32 Stucke in diesem Buch - samt Begleitungen auf der beiliegenden CD - bieten wertvolles Material zur Weiterentwicklung des Violaspiels in der vierten und funften Lage. Positions 4 & 5 schafft eine solide Basis, nicht nur was das Spiel in der vierten und funften Lage betrifft, sondern auch deren Gebrauch in Kombination mit den ersten drei Lagen. Durch die Verwendung verschiedener Stile wird das Uben nicht nur lehrreicher, sondern macht auch mehr Spass!Positions 4 & 5 contient 18 exercices, 32 melodies dans des styles varies et un accompagnement sur compact disc constituent cette excellente base de travail pour developper votre jeu et apprendre a jouer en quatrieme et cinquieme positions avec plaisir et motivation. 33 Brani per suonare in quarta e quinta posizione Diciotto esercizi, trentadue melodie in diversi stili, e un accompagnamento su CD costituiscono questa eccellente base di lavoro per sviluppare e migliorare la vostra tecnica, nonche per apprendere a suonare in quarta e quinta posizione divertendovi. Positions 4 & 5 crea la giusta base per suonare in quarta e quinta posizione, ma offre anche combinazioni che necessitano l'utilizzo delle prime tre posizioni. La diversita degli stili musicali garantisce uno studio piacevole, variegato e istruttivo.
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