SKU: CA.2731115
ISBN 9790007201579. Language: Latin.
The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score and part available separately - see item CA.2731100.
SKU: CA.2731116
ISBN 9790007201586. Language: Latin.
SKU: CA.2731105
ISBN 9790007132255. Language: Latin.
The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score available separately - see item CA.2731100.
SKU: CA.2731113
ISBN 9790007201555. Language: Latin.
SKU: BP.2254D
Printed score and parts for full orchestra: Winds 2.1.2.2, 2 Tpts, 2 Hns, 2 Tbns, Tba, Percussion (1 or 2 players), and Strings.Brass parts differ from brass sextet parts; Percussion part is identical to brass/percussion version part.May be used with piano accompaniment (in choral score) or organ accompaniment (available separately).
SKU: CA.1000149
ISBN 9790007015671. Language: German.
Oratorio that lasts the whole evening, made up of particularly valuable movements from the lesser known of Bach's cantatas, put together by Hans Grischkat for the 1950 Bach Festival. Score and part available separately - see item CA.1000100.
SKU: CA.3111707
ISBN 9790007091651. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.
The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score available separately - see item CA.3111700.
SKU: CA.2918409
ISBN 9790007203672. Language: all languages.
Score available separately - see item CA.2918400.
SKU: CA.1000119
ISBN 9790007135249. Language: German.
Oratorio that lasts the whole evening, made up of particularly valuable movements from the lesser known of Bach's cantatas, put together by Hans Grischkat for the 1950 Bach Festival. Score and parts available separately - see item CA.1000100.
SKU: CA.2918407
ISBN 9790007102678. Language: all languages.
SKU: CA.1000109
ISBN 9790007015626. Language: German.
SKU: CA.2918419
ISBN 9790007203696. Language: all languages.
Score and parts available separately - see item CA.2918400.
SKU: CA.2919809
ISBN 9790007203788. Key: D minor. Language: all languages. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
Score available separately - see item CA.2919800.
SKU: CA.2300119
ISBN 9790007198565. Language: German. Text: Tersteegen, Gerhard. Text: Gerhard Tersteegen.
Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen's text Gott ist Gegenwartig on the occasion of that poet's 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which corresponds to the text. Score and parts available separately - see item CA.2300100.
SKU: CA.2300109
ISBN 9790007198497. Language: German. Text: Tersteegen, Gerhard. Text: Gerhard Tersteegen.
SKU: CA.2918449
ISBN 9790007203719. Language: all languages.
SKU: CA.1000100
ISBN 9790007098353. Language: German.
Oratorio that lasts the whole evening, made up of particularly valuable movements from the lesser known of Bach's cantatas, put together by Hans Grischkat for the 1950 Bach Festival.
SKU: CA.1000111
ISBN 9790007015633. Language: German.
SKU: CA.1000113
ISBN 9790007015657. Language: German.
SKU: CA.1000112
ISBN 9790007015640. Language: German.
SKU: CA.1000105
ISBN 9790007015619. Language: German.
Oratorio that lasts the whole evening, made up of particularly valuable movements from the lesser known of Bach's cantatas, put together by Hans Grischkat for the 1950 Bach Festival. Score available separately - see item CA.1000100.
SKU: CA.1000108
ISBN 9790007189112. Language: German.
SKU: CA.3110207
ISBN 9790007047382. Key: G minor / c minor. Language: German/English.
In 1726 Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to the textual models used his cousin: a Meiningen cycle of texts by an unknown author from the early 18th century. All these texts share the characteristic of including two quotations from the bible: one from the Old Testament at the beginning, and another from the New Testament in the middle. These cantatas include Herr, deine Augen sehen nach dem Glauben BWV 102. The opening chorus in several sections is one of Bach's masterpieces of choral composition. The cantata is also one of those works on which Bach's later reputation was based: performances are documented from 1776 in Hamburg and in Berlin by Zelter's Sing-Akademie from 1813 onwards. In 1830 it was one of the very first cantatas by Bach to appear in print. Score available separately - see item CA.3110200.
SKU: CA.4045209
ISBN 9790007068608. Key: G major. Language: German/English.
Score available separately - see item CA.4045200.
SKU: CA.3105807
ISBN 9790007043216. Key: C major. Language: German/English.
The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score available separately - see item CA.3105800.
SKU: CA.4033190
ISBN 9790007104870. Language: all languages.
Score available separately - see item CA.4033100.
SKU: CA.1038919
ISBN 9790007138714. Language: German. Text: Luther, Martin.
Score and parts available separately - see item CA.1038900.
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