| Gabriel Faure: Anthology Of Selected Pieces
Cello, Piano [Set of Parts] Peters
Composed by Gabriel Faure (1845-1924), edited by Roy Howat. For cello and piano ...(+)
Composed by Gabriel Faure (1845-1924), edited by Roy Howat. For cello and piano accompaniment. Format: set of performance parts (includes separate pull-out cello part). With solo part, piano accompaniment, performance notes and introductory text. Romantic period. 47 pages. 9x12 inches. Published by C.F. Peters.
(2)$23.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sicilienne Handbells - Intermediate/advanced Beckenhorst Press
3-5 octave handbells - Grade 4 SKU: BP.HB256 Composed by Robert C. Currie...(+)
3-5 octave handbells - Grade 4 SKU: BP.HB256 Composed by Robert C. Currier. Arranged by Robert C Currier. Handbell choir music. Sacred. Handbell part. Beckenhorst Press #HB256. Published by Beckenhorst Press (BP.HB256). Arranged for 3-5 octave handbell choir and optional 2 octaves of handchimes. Level 4. Original music by Gabriel Faure (opus 78). $3.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Gabriel Faure : Messe de Requiem op. 48 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Vocal Score] Barenreiter
By Gabriel Faure (1845-1924). Edited by Christina M. Stahl; Michael Stegemann. A...(+)
By Gabriel Faure (1845-1924). Edited by Christina M. Stahl; Michael Stegemann. Arranged by Martin Focke. For soprano voice solo/baritone voice solo/SATB choir/2 flutes/2 clarinets/2 bassoons/4 horns/2 trumpets/3 trombones/timpani/harp/2 violins/2 violas/2 cellos/contrabass/organ. This edition: Urtext edition. Vocal score. Language: Latin, Text language: German/English. Opus 48. Published by Baerenreiter Verlag
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| Huit pièces brèves, opus 84 2 Guitars (duet) - Advanced Productions OZ
2 guitars - Advanced SKU: DZ.DZ-3690 Composed by Gabriel Faure. Arranged ...(+)
2 guitars - Advanced SKU: DZ.DZ-3690 Composed by Gabriel Faure. Arranged by Chris Dumigan. 2 scores. Les Productions d'OZ #DZ 3690. Published by Les Productions d'OZ (DZ.DZ-3690). ISBN 9782897956073. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Song Without Words, Opus 17 Piano solo IMC (International Music Co.)
By Gabriel Faure (1845-1924). Edited by Marthe Morhange-Motchane. For piano solo...(+)
By Gabriel Faure (1845-1924). Edited by Marthe Morhange-Motchane. For piano solo. Published by International Music Company
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| Suite Opus 56 2 Guitars (duet) - Intermediate Productions OZ
Composed by Gabriel Faure (1845-1924). Arranged by Chris Dumigan. Scores (2). ...(+)
Composed by Gabriel Faure
(1845-1924). Arranged by
Chris Dumigan. Scores (2).
Les Productions d'OZ #DZ
3474. Published by Les
Productions d'OZ
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| 3e Symphonie en ut mineur, op. 78 - Advanced Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, Hn1, Hn2 , Hn3(chrom.), Hn4(chrom.), 3Trp, 3trombone, timpani, Tr-Gr, Tri, Be, Org, piano-4ms, 2 Violin, Viola, Cello, Double Bass) - Level 5 SKU: BA.BA10303-01 Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: Edition of selected works, Urtext edition. Linen. Saint-Saens, Camille. Oevres instrumentales completes I/3. Edition of selected works, Score. Opus 78. Duration 39 minutes. Baerenreiter Verlag #BA10303_01. Published by Baerenreiter Verlag (BA.BA10303-01). ISBN 9790006559503. 33 x 26 cm inches. Key: C minor. Preface: Michael Stegemann. The third symphony by Camille Saint-Saens, known as the Organ Symphony, is the first publication in a complete historical-critical edition of the French composer's instrumental works.
I gave everything I was able to give in this work. [...] What I have done here I will never be able to do again.Camille Saint-Saens was rightly proud of his third Symphony in C minor Op.78, dedicated to the memory of Franz Liszt. Called theOrgan Symphonybecause of its novel scoring, the work was a commission from the Philharmonic Society in London, as was Beethoven's Ninth, and was premiered there on 19 May 1886. The first performance in Paris followed on 9 January 1887 and confirmed the composer's reputation asprobably the most significant, and certainly the most independent French symphonistof his time, as Ludwig Finscher wrote in MGG. In fact the work remains the only one in the history of that genre in France to the present day, composed a good half century after the Symphonie fantastique by Hector Berlioz and a good half century before Olivier Messiaen's Turangalila Symphonie.
You would think that such a famous, much-performed and much recorded opus could not hold any more secrets, but far from it: in the first historical-critical edition of the Symphony, numerous inconsistencies and mistakes in the Durand edition in general use until now, have been uncovered and corrected. An examination and evaluation of the sources ranged from two early sketches, now preserved in Paris and Washington (in which the Symphony was still in B minor!) via the autograph manuscript and a set of proofs corrected by Saint-Saens himself, to the first and subsequent editions of the full score and parts. The versions for piano duet (by Leon Roques) and for two pianos (by the composer himself) were also consulted. Further crucial information was finally found in his extensive correspondence, encompassing thousands of previously unpublished letters. The discoveries made in producing this edition include the fact that at its London premiere, the Symphony probably looked quite different from its present appearance ...
No less exciting than the work itself is the history of its composition and reception, which are described in an extensive foreword. With his Symphony, Saint-Saens entered right into the dispute which divided French musical life into pro and contra Wagner in the 1880s and 1890s. At the same time, the work succeeded in preserving the balance between tradition and modernism in masterly fashion, as a contemporary critic stated:The C minor Symphony by Saint-Saens creates a bridge from the past into the future, from immortal richness to progress, from ideas to their implementation.
On 19 March 1886 Saint-Saens wrote to the London Philharmonic Society, which commissioned the work:
Work on the symphony is in full swing. But I warn you, it will be terrible. Here is the precise instrumentation: 3 flutes / 2 oboes / 1 cor anglais / 2 clarinets / 1 bass clarinet / 2 bassoons / 1 contrabassoon / 2 natural horns / [3 trumpets / Saint-Saens had forgotten these in his listing.] 2 chromatic horns / 3 trombones / 1 tuba / 3 timpani / organ / 1 piano duet and the strings, of course. Fortunately, there are no harps. Unfortunately it will be difficult. I am doing what I can to mitigate the difficulties.
As in my 4th Concerto [for piano] and my [1st] Violin Sonata [in D minor Op.75] at first glance there appear to be just two parts: the first Allegro and the Adagio, the Scherzo and the Finale, each attacca. This fiendish symphony has crept up by a semitone; it did not want to stay in B minor, and is now in C minor.
It would be a pleasure for me to conduct this symphony. Whether it would be a pleasure for others to hear it? That is the question. It is you who wanted it, I wash my hands of it. I will bring the orchestral parts carefully corrected with me, and if anyone wants to give me a nice rehearsal for the symphony after the full rehearsal, everything will be fine.
When Saint-Saens hit upon the idea of adding an organ and a piano to the usual orchestral scoring is not known. The idea of adding an organ part to a secular orchestral work intended for the concert hall was thoroughly novel - and not without controversy. On the other hand, Franz Liszt, whose music Saint-Saens' Symphony is so close to, had already demonstrated that the organ could easily be an orchestral instrument in his symphonic poem Hunnenschlacht (1856/57). There was also a model for the piano duet part which Saint-Saens knew and may possibly have used quite consciously as an exemplar: theFantaisie sur la Tempetefrom the lyrical monodrama Lelio, ou le retour a la Vie op. 14bis (1831) by Berlioz. The name of the organist at the premiere ist unknown, as, incidentally, was also the case with many of the later performances; the organ part is indeed not soloistic, but should be understood as part of the orchestral texture.
In fact the subsequent success of the symphony seems to have represented a kind of breakthrough for the composer, who was then over 50 years of age.My dear composer of a famous symphony, wrote Saint-Saens' friend and pupil Gabriel Faure:You will never be able to imagine what a pleasure I had last Sunday [at the second performance on 16 January 1887]! And I had the score and did not miss a single note of this Symphony, which will endure much longer than we two, even if we were to join together our two lifespans!
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
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| Three Melodies, Op. and for Tuba or Bass Trombone and Piano Tuba and Piano - Advanced Cherry Classics
Composed by Gabriel Faure (1845-1924). Arranged by Ralph Sauer. For Tuba or Bass...(+)
Composed by Gabriel Faure (1845-1924). Arranged by Ralph Sauer. For Tuba or Bass Trombone and Piano. French 20th Century. Advanced. Solo part and Piano accompaniment. Published by Cherry Classics
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| Masques et Bergamasques, op. 112 Orchestra Barenreiter
Suite for Orchestra. Composed by Gabriel Faure (1845-1924). Edited by Rob...(+)
Suite for Orchestra. Composed by Gabriel Faure (1845-1924). Edited by Robin Tait. This edition: urtext edition. Stapled. Barenreiter Urtext. Score. Opus 112. Baerenreiter Verlag #BA07894. Published by Baerenreiter Verlag (BA.BA07894).
$38.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sicilienne, Opus 78 Clarinet and Piano IMC (International Music Co.)
B-Flat Clarinet and Piano SKU: IM.3775 Composed by Gabriel Faure. Edited ...(+)
B-Flat Clarinet and Piano SKU: IM.3775 Composed by Gabriel Faure. Edited by Graham Bastable. Score and part. International Music Co. #3775. Published by International Music Co. (IM.3775). A dreamy, nostalgic favorite, now available for clarinet in B-Flat. $13.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Works for Mixed Choir and Orchestra - Les Djinns, op. 12 N 43b / La Naissance de Venus, op. 29 N 72b / Madrigal, op. 35 N 78b / Pavane, op. 50 N 100a Choral SATB SATB, Orchestra Barenreiter
Composed by Gabriel Faure (1845-1924). Edited by Hugh MacDonald. This editio...(+)
Composed by Gabriel Faure
(1845-1924). Edited by Hugh
MacDonald. This edition:
complete edition, urtext
edition. LN. Gabriel Faure.
OEuvres completes II/1.
Complete edition, Score,
anthology. Opus 12, 35, 50,
29. Baerenreiter Verlag
#BA09473-01. Published by
Baerenreiter Verlag
$363.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Pavane
Flute, Clarinet, Piano (trio) [Score and Parts] Theodore Presser Co.
Composed by Gabriel Faure (1845-1924). Arranged by Michael Webster. Classical. S...(+)
Composed by Gabriel Faure (1845-1924). Arranged by Michael Webster. Classical. Score and part(s). With Standard notation. Composed 2005. Opus 50. 28 pages. Duration 5 minutes. Theodore Presser Company #114-41756. Published by Theodore Presser Company (PR.114417560).
$20.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 3 Romances sans paroles, Opus 17 2 Guitars (duet) - Advanced Productions OZ
2 guitars - Advanced SKU: DZ.DZ-3804 Composed by Gabriel Faure. Arranged ...(+)
2 guitars - Advanced SKU: DZ.DZ-3804 Composed by Gabriel Faure. Arranged by Chris Dumigan. Score (2). Les Productions d'OZ #DZ 3804. Published by Les Productions d'OZ (DZ.DZ-3804). ISBN 9782897957216. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Three Melodies, Op. 7 for Euphonium & Piano Euphonium, Piano (duet) - Advanced Cherry Classics
Euphonium and Piano - advanced SKU: CY.CC2703 Composed by Gabriel Faure. ...(+)
Euphonium and Piano - advanced SKU: CY.CC2703 Composed by Gabriel Faure. Arranged by Ralph Sauer. French 20th Century. Solo part (Bass & Treble clef) & Piano. Published by Cherry Classics (CY.CC2703). --Gabriel Faure's Opus 7 is a grouping of three songs written between 1870 and 1878 and then published together almost 20 years later.
The songs are: --Apres une reve (After a Dream) - Faure's most famous song, text by Romain Bussine --Hymne - also an ethereal love song, text by Charles Baudelaire --Barcarolle - a flowing song in 6/8 time from a poem by Marc Monnier
--Mr. Sauer has beautifully arranged these songs for advanced performers and provided English translations of the lyrics for better understanding of the spirit of each song.
--Length of the three song set is about 7 minutes. $25.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Pelléas et Mélisande, op. 80 N 142b Barenreiter
Double bass (double bass) SKU: BA.BA07895-85 Suite for Orchestra. ...(+)
Double bass (double bass) SKU: BA.BA07895-85 Suite for Orchestra. Composed by Gabriel Faure. Edited by Robin Tait. This edition: urtext edition. Folded. Barenreiter Urtext. Single part. Opus 80. 4 pages. Duration 39 minutes. Baerenreiter Verlag #BA07895_85. Published by Baerenreiter Verlag (BA.BA07895-85). ISBN 9790006564293. 32.5 x 25.5 cm inches. Incidental music with the famous Sicilienne
Faure wrote Pelleas et Melisande in 1898 originally as incidental music to Maurice Maeterlinck's like-named play. After the premiere and subsequent performances, he set about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.
In December 1912, the four-movement version of Pelleas et Melisande was finally premiered. The additional movement, the Sicilienne, was taken from the third interlude of the incidental music. This delightful piece would later become one of Faure's most popular compositions and now exists in countless arrangements.
BA$?renreiter's new scholarly-critical edition of the four-movement orchestral suite Pelleas et Melisande op. 80 is based on Gabriel Faure The Complete Works, Volume IV/2 which appeared in 2016.
* First Urtext edition * Based on Gabriel Faure The Complete Works * Score and orchestral parts in a large format (25.5 x 32.5 cm). About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Pelléas et Mélisande, op. 80 N 142b Violin (band part) Barenreiter
First violin (1. Violin) SKU: BA.BA07895-74 Suite for Orchestra. C...(+)
First violin (1. Violin) SKU: BA.BA07895-74 Suite for Orchestra. Composed by Gabriel Faure. Edited by Robin Tait. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 80. 8 pages. Baerenreiter Verlag #BA07895_74. Published by Baerenreiter Verlag (BA.BA07895-74). ISBN 9790006564255. 32.5 x 25.5 cm inches. Incidental music with the famous Sicilienne
Faure wrote Pelleas et Melisande in 1898 originally as incidental music to Maurice Maeterlinck's like-named play. After the premiere and subsequent performances, he set about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.
In December 1912, the four-movement version of Pelleas et Melisande was finally premiered. The additional movement, the Sicilienne, was taken from the third interlude of the incidental music. This delightful piece would later become one of Faure's most popular compositions and now exists in countless arrangements.
BA$?renreiter's new scholarly-critical edition of the four-movement orchestral suite Pelleas et Melisande op. 80 is based on Gabriel Faure The Complete Works, Volume IV/2 which appeared in 2016.
* First Urtext edition * Based on Gabriel Faure The Complete Works * Score and orchestral parts in a large format (25.5 x 32.5 cm). About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Pelléas et Mélisande, op. 80 N 142b Cello (band part) Barenreiter
Cello (Violoncello) SKU: BA.BA07895-82 Suite for Orchestra. Compos...(+)
Cello (Violoncello) SKU: BA.BA07895-82 Suite for Orchestra. Composed by Gabriel Faure. Edited by Robin Tait. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 80. 7 pages. Baerenreiter Verlag #BA07895_82. Published by Baerenreiter Verlag (BA.BA07895-82). ISBN 9790006564286. 32.5 x 25.5 cm inches. Incidental music with the famous Sicilienne
Faure wrote Pelleas et Melisande in 1898 originally as incidental music to Maurice Maeterlinck's like-named play. After the premiere and subsequent performances, he set about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.
In December 1912, the four-movement version of Pelleas et Melisande was finally premiered. The additional movement, the Sicilienne, was taken from the third interlude of the incidental music. This delightful piece would later become one of Faure's most popular compositions and now exists in countless arrangements.
BA$?renreiter's new scholarly-critical edition of the four-movement orchestral suite Pelleas et Melisande op. 80 is based on Gabriel Faure The Complete Works, Volume IV/2 which appeared in 2016.
* First Urtext edition * Based on Gabriel Faure The Complete Works * Score and orchestral parts in a large format (25.5 x 32.5 cm). About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Pelléas et Mélisande, op. 80 N 142b Violin (band part) Barenreiter
Second violin (2. Violin) SKU: BA.BA07895-75 Suite for Orchestra. ...(+)
Second violin (2. Violin) SKU: BA.BA07895-75 Suite for Orchestra. Composed by Gabriel Faure. Edited by Robin Tait. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 80. 7 pages. Baerenreiter Verlag #BA07895_75. Published by Baerenreiter Verlag (BA.BA07895-75). ISBN 9790006564262. 32.5 x 25.5 cm inches. Incidental music with the famous Sicilienne
Faure wrote Pelleas et Melisande in 1898 originally as incidental music to Maurice Maeterlinck's like-named play. After the premiere and subsequent performances, he set about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.
In December 1912, the four-movement version of Pelleas et Melisande was finally premiered. The additional movement, the Sicilienne, was taken from the third interlude of the incidental music. This delightful piece would later become one of Faure's most popular compositions and now exists in countless arrangements.
BA$?renreiter's new scholarly-critical edition of the four-movement orchestral suite Pelleas et Melisande op. 80 is based on Gabriel Faure The Complete Works, Volume IV/2 which appeared in 2016.
* First Urtext edition * Based on Gabriel Faure The Complete Works * Score and orchestral parts in a large format (25.5 x 32.5 cm). About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Masques et Bergamasques, op. 112 N 185b Violin (band part) Barenreiter
First violin (1. Violin) SKU: BA.BA07894-74 Suite for Orchestra. C...(+)
First violin (1. Violin) SKU: BA.BA07894-74 Suite for Orchestra. Composed by Gabriel Faure. Edited by Robin Tait. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 112. 8 pages. Baerenreiter Verlag #BA07894_74. Published by Baerenreiter Verlag (BA.BA07894-74). ISBN 9790006564200. 32.5 x 25.5 cm inches. In the style of commedia dell'arte
In 1918 Gabriel Faure, then 73 years old, received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the commedia dell'arte. The four-movement orchestral suite op. 112, consisting of Ouverture, Menuet, Gavotte and Pastorale, combines previously unpublished parts of this stage music. The Pastorale of 1919 was Faure's last composition for orchestra, the Ouverture originated in a piece of 1864 for piano duet and the original version of the Gavotte was written for piano as early as 1869. The op. 112 orchestral suite demonstrates how the composer, now older and more experienced, reworked and improved his earlier music.
This scholarly-critical edition of the four-movement Masques et Bergamasques op. 112 is based on Gabriel Faure The Complete Works, Volume IV/2. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Masques et Bergamasques, op. 112 N 185b Barenreiter
Viola (viola) SKU: BA.BA07894-79 Suite for Orchestra. Composed by ...(+)
Viola (viola) SKU: BA.BA07894-79 Suite for Orchestra. Composed by Gabriel Faure. Edited by Robin Tait. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 112. 8 pages. Baerenreiter Verlag #BA07894_79. Published by Baerenreiter Verlag (BA.BA07894-79). ISBN 9790006564224. 32.5 x 25.5 cm inches. In the style of commedia dell'arte
In 1918 Gabriel Faure, then 73 years old, received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the commedia dell'arte. The four-movement orchestral suite op. 112, consisting of Ouverture, Menuet, Gavotte and Pastorale, combines previously unpublished parts of this stage music. The Pastorale of 1919 was Faure's last composition for orchestra, the Ouverture originated in a piece of 1864 for piano duet and the original version of the Gavotte was written for piano as early as 1869. The op. 112 orchestral suite demonstrates how the composer, now older and more experienced, reworked and improved his earlier music.
This scholarly-critical edition of the four-movement Masques et Bergamasques op. 112 is based on Gabriel Faure The Complete Works, Volume IV/2. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Masques et Bergamasques, op. 112 N 185b Violin (band part) Barenreiter
Second violin (2. Violin) SKU: BA.BA07894-75 Suite for Orchestra. ...(+)
Second violin (2. Violin) SKU: BA.BA07894-75 Suite for Orchestra. Composed by Gabriel Faure. Edited by Robin Tait. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 112. 7 pages. Baerenreiter Verlag #BA07894_75. Published by Baerenreiter Verlag (BA.BA07894-75). ISBN 9790006564217. 32.5 x 25.5 cm inches. In the style of commedia dell'arte
In 1918 Gabriel Faure, then 73 years old, received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the commedia dell'arte. The four-movement orchestral suite op. 112, consisting of Ouverture, Menuet, Gavotte and Pastorale, combines previously unpublished parts of this stage music. The Pastorale of 1919 was Faure's last composition for orchestra, the Ouverture originated in a piece of 1864 for piano duet and the original version of the Gavotte was written for piano as early as 1869. The op. 112 orchestral suite demonstrates how the composer, now older and more experienced, reworked and improved his earlier music.
This scholarly-critical edition of the four-movement Masques et Bergamasques op. 112 is based on Gabriel Faure The Complete Works, Volume IV/2. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Masques et Bergamasques, op. 112 N 185b Cello (band part) Barenreiter
Cello (Violoncello) SKU: BA.BA07894-82 Suite for Orchestra. Compos...(+)
Cello (Violoncello) SKU: BA.BA07894-82 Suite for Orchestra. Composed by Gabriel Faure. Edited by Robin Tait. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 112. 6 pages. Baerenreiter Verlag #BA07894_82. Published by Baerenreiter Verlag (BA.BA07894-82). ISBN 9790006564231. 32.5 x 25.5 cm inches. In the style of commedia dell'arte
In 1918 Gabriel Faure, then 73 years old, received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the commedia dell'arte. The four-movement orchestral suite op. 112, consisting of Ouverture, Menuet, Gavotte and Pastorale, combines previously unpublished parts of this stage music. The Pastorale of 1919 was Faure's last composition for orchestra, the Ouverture originated in a piece of 1864 for piano duet and the original version of the Gavotte was written for piano as early as 1869. The op. 112 orchestral suite demonstrates how the composer, now older and more experienced, reworked and improved his earlier music.
This scholarly-critical edition of the four-movement Masques et Bergamasques op. 112 is based on Gabriel Faure The Complete Works, Volume IV/2. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Masques et Bergamasques, op. 112 N 185b Barenreiter
Double bass (double bass) SKU: BA.BA07894-85 Suite for Orchestra. ...(+)
Double bass (double bass) SKU: BA.BA07894-85 Suite for Orchestra. Composed by Gabriel Faure. Edited by Robin Tait. This edition: urtext edition. Folded. Barenreiter Urtext. Single part. Opus 112. 4 pages. Baerenreiter Verlag #BA07894_85. Published by Baerenreiter Verlag (BA.BA07894-85). ISBN 9790006564248. 32.5 x 25.5 cm inches. In the style of commedia dell'arte
In 1918 Gabriel Faure, then 73 years old, received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the commedia dell'arte. The four-movement orchestral suite op. 112, consisting of Ouverture, Menuet, Gavotte and Pastorale, combines previously unpublished parts of this stage music. The Pastorale of 1919 was Faure's last composition for orchestra, the Ouverture originated in a piece of 1864 for piano duet and the original version of the Gavotte was written for piano as early as 1869. The op. 112 orchestral suite demonstrates how the composer, now older and more experienced, reworked and improved his earlier music.
This scholarly-critical edition of the four-movement Masques et Bergamasques op. 112 is based on Gabriel Faure The Complete Works, Volume IV/2. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ballade, op. 19 N 56a / Barcarolles / Valses-Caprices Piano solo Barenreiter
Piano SKU: BA.BA09468-01 Composed by Gabriel Faure. Edited by Christophe ...(+)
Piano SKU: BA.BA09468-01 Composed by Gabriel Faure. Edited by Christophe Grabowski. This edition: complete edition, urtext edition. Linen. Gabriel Faure. The Complete Works VI/2. Complete edition, Performance score, anthology. Opus 19. Baerenreiter Verlag #BA09468_01. Published by Baerenreiter Verlag (BA.BA09468-01). ISBN 9790006544578. 33 x 26.5 cm inches. Text Language: French/English/German. Preface: Jean-Michel Nectoux / Christophe Grabowski. About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$520.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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