Arranged by David Mooney. For SATB choir and Harp (Mixed Voices). Christmas. Harp Part For # 5930. Choral. 4 pages

Composed by Gwyneth W. Walker (1947-). For SATB choir, organ accompaniment. General. Published by E.C. Schirmer Publishing

Composed by Various. For choir. Modern Christian: Sacred. Choral book. Published by Word Music

By Walter Gronostay (1906-1937). For SAB Choir, Flute, 2 Violins, Cello. Full score available separately - see item CA.1014100. Cantatas; Use during church year: Advent. Choral score. Language: German. 4 pages

(Oratorium. Bearbeitung von Wolfgang Amadeus Mozart. Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe). By George Frideric Handel (1685-1759). Edited by Andreas Holschneider. Arranged by Ernst R. Barthel. For Soprano Solo (2), Alto Solo, Tenor Solo, Bass Solo, Mixed Choir: SSATB, Flute (2), Oboe (2), Clarinet (B Flat) (2), Bassoon (2), Horn (2), Trumpet (2), Trombone (3), Kettledrum, Strings. Piano Reduction/Vocal Score (paperbound). KV 572

(Lift High Every Voice -- O God, to You We Lift Our Song -- We, Your Children, Praise You). By Hal H. Hopson. For unison choir and piano. Sacred Anthem. Octavo. Published by Chorister's Guild

Arranged by Mac Huff. For Choir. (SATB). Choral Octavo. Christmas Pop Choral Series. Secular, Christmas. Choral Octavo. 8 pages. Published by Alfred Publishing.

Composed by Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Matthauspassion. Passions, Lent and Passiontide. Complete orchestral parts. BWV 244. Duration 175 minutes. Published by Carus Verlag (CA.3124419).

Soloists, Orchestra (2Sg-S-solo,Sg-A-solo,Sg-T-solo,Orch)

SKU: BA.BA10721-90

Oratorio in two Parts. Composed by George Frideric Handel. Edited by Michael Pacholke. Arranged by Christopher Sokolowski. This edition: urtext edition. Paperback. Barenreiter Urtext. Rome 1707. Vocal Score. HWV 46A. Baerenreiter Verlag #BA10721_90. Published by Baerenreiter Verlag (BA.BA10721-90).

ISBN 9790006568680. 27 x 19 cm inches. Text Language: Italian. Preface: Annette Landgraf. Text: Pamphili, Benedetto.

Handel composed his first Italian oratorioLa Bellezza ravveduta nel trionfo del Tempo e del DisingannoHWV 46a in 1707. It is based on an allegorical moral libretto written by Cardinal Benedetto Pamphili who also commissioned this work.

Disinganno (Illumination) and Tempo (Time) try to get the young, beautiful and frivolous Bellezza (Beauty) to recognise the true values of life and to act accordingly. The audience accompanies Bellezza in her spiritual development, in which she increasingly distances herself from Piacere (Pleasure) and listens more and more to Tempo and Disinganno.

The oratorio contains some of the most beautiful music Handel ever composed. This includes the enchanting ariaLascia la spina, in which he uses the music of the sarabande from the operaAlmira, composed in Hamburg in 1704, and which then achieved immortal fame inRinaldo(1711) asLascia ch'io pianga.

By Felix Bartholdy Mendelssohn. Edited by Todd, R. Larry. For Soli SATB, SATB/SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ, Harp. Full score available separately - see item CA.4007500. Psalms, German; Stuttgart Urtext editions; Occasions: Praise and thanks, Psalms; Use during church year: Easter and Eastertide. Piano/Vocal score. Language: German/English. Composed 1843. 91. 16 pages. Duration 8 min. Published by Carus Verlag (German import).

By Otto Nicolai (1810-1849). Edited by Klaus Rettinghaus. For SSATB/SATB choir, 2 Trumpets, 3 Trombones, Organs. Full score available separately - see item CA.2333800. Psalms, German; Occasions: Psalms. Set of instrumental parts (except strings). Language: German. 10 pages

By Curt Oliver. For 2-part mixed choir and keyboard (2-part). Choral Music. Missions. Medium

By Hal H. Hopson. For 2-part mixed choir and keyboard (3-part Mixed). Choral Music. Pentecost. Medium-Easy

Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3

SKU: CA.2732111

Composed by Niccolo Jommelli. Edited by Julia Rosemeyer. Violin 1. Sacred vocal music, Requiem. Part. Duration 48 minutes. Carus Verlag #CV 27.321/11. Published by Carus Verlag (CA.2732111).

ISBN M-007-25435-3. Latin.

The best-known setting of the Requiem Mass before Mozart's unfinished work is by the celebrated opera composer Niccolo Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli's time as Kapellmeister at the court of the Wurttemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in the solo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli's composition, the Appendix contains settings by another composer from his circle, Nicola Sala. * The best-known setting of the Requiem Mass before Mozart * First critical edition * Effective choral movements with numerous suspended dissonances and solo/tutti alternation * Scored for small instrumental forces of strings and organ.