SKU: BT.ALHE32649
French.
Duphly's Harpsichord Pieces is in two volumes and the compilation remains a favourite in the Harpsichord repertoire. Jacques Duphly (1715-1789) studied the Harpsichord and Organ as a boy, becoming a virtuoso of both instruments.Comprising Gavottes, Menuets, and other works, this second volume of La Pupite's collection of Duphly's Harpsichord Pieces,, exemplifies the composer's skills on the Harpsichord. The second volume of Harpsichord Pieces alsohelpfully contains a table of ornaments, demonstrating how each should be performed. Duphly's Harpsichord Pieces is essential to the repertoire of aspiring players of the instrument.
SKU: HL.49047178
ISBN 9781705197486. UPC: 842819115908. 9.0x12.0x0.075 inches.
Are you a lover of classical piano music looking for something new and exciting to add to your repertoire? Look no further than Goldberg in Istanbul, the stunning op. 94 composition by Fazil Say. This concert and encore piece takes the well-known themes of theGoldberg Variations by Johann Sebastian Bach and infuses them with Turkish maqams, jazz elements, and Istanbul rhythms. The result is a breathtaking fusion of cultures and styles that is sure to captivate any audience. Whether you're a pianist or harpsichordist, this sheet music publication is a must-have for any performer looking to add something fresh and unique to their repertoire. Get your copy of Goldberg in Istanbul today and experience the magic for yourself.
SKU: HL.48181261
UPC: 888680787110. 9.25x12.25x0.083 inches.
“Being an unusual composer of his day, Ibert did not attach himself to any of the predominant genres of music of the time. Described as elicit, the composer's Deux Interludes for Flute, Violin and Harpsichord is pleasantly unusual in instrumentation, creating a worthy addition to the classical music repertoire. Ibert stands out as a composer who tackled all styles with equal success, his Deux Interludes for Flute, Violin and Harpsichord being no exception. With clear, separate parts, this edition is a must buy for aspiring musicians seeking to expand their repertoire.â€.
SKU: HL.14020226
8.25x11.75x0.077 inches.
A Harpsichord is a musical instrument played by means of a keyboard. It produces sound by plucking a string when a key is pressed. The instrument was widely used in Renaissance and Baroque music. During the late 18th century,it gradually disappeared from the musical scene with the rise of the Piano. In the 20th century, it made a resurgence, being used in historically informed performances of older music, in new (contemporary) compositions, and inpopular culture.
This piece is perfect for anyone who wants to discover this unique instrument. Composed in 1966 by Elizabeth Maconchy the upbeat allegro of Notebook For Harpsichord takesapproximately 8 minutes to perform.
SKU: FG.55011-764-8
ISBN 9790550117648.
The title of Esa Pietilä’s solo harpsichord work Fata morgana (2019) refers to a special weather con-dition, which creates illusory effect of mirage-like fairy castle-like monuments in the horizon of the sea. The piece brings forth the frightening bass sonority on double manual, full size harpsichord and the brightness on the treble and makes a dialogue out of them. “I got fasci-nated by the sonority, character and power of the low register sound on the instrument, es-pecially when used in non-traditional way and found some kind of especially delightful and outlandish cluster-mud and airy glimmering things which seem to play together, the com-poser describes. The challenges of the piece lie in rhythmical ideas, which are surprisingly multi-faceted and in the short, improvised section. Duration: c. 6’ Esa Pietilän soolo-cembalolle tehdyn sävellyksen otsikko Fata morgana (2019) viittaa erityisen sääil-miön aiheuttamaan illusatoriseen kangastuksen tapaiseen efektiin, joka tuo esiin satulinnojen kaltaisten rakennelmien ilmaantumisen meren horisonttiin. Sävellys tuo esiin cembalon bas-sorekisterin pelottavuuden sekä diskantin kirkkauden ja käy niillä vuoropuhelua. Haltioiduin cembalon alarekisterin erityisestä soinnista, karakteerista ja voimasta, jos sitä käyttää hyvinkin ei-perinteisesti. Löysin myös erityisen hauskasti soivaa klusteri-mutaa ja ilmavaa kimallusta, jotka sointuvat yhteen, Pietilä kuvaa sävellystään. Kappaleen haasteena ovat rytmisesti yllät-tävät ja monitahoiset ideat sekä lyhyt improvisaatiojakso.
SKU: HL.48186076
Alessandro Stradella: Symphonia avanti il Damone (Harpsichord & Orchestra).
SKU: HL.48182692
Michel Merlet: Hommage a Manuel de Falla Op.15 (Harpsichord solo).
SKU: HL.48182906
Tony Aubin: Toccatrotta (Harpsichord solo).
SKU: HL.48182043
1.Hommage a Scarlatti; 2.Bransle de Touraine; 3.Tempo di Gavotta (for harpsichord or piano).
SKU: HL.48183323
Jacques Charpentier: Prelude (Harpsichord solo).
SKU: HL.51481381
UPC: 196288019442. 9.25x12.25x0.16 inches.
Johannes Umbreit (piano reduction); Michael Schneidt (fingering) Two copies needed for performance It is almost impossible to tell from listening to them that Bach's extremely popular concerti for harpsichord were probably his own transcriptions of solo concerti which had originally been composed for violin or a woodwind instrument. The outer movements of the second concerto, in E major, probably written around 1738, sparkle with joy, while the expressive melodic lines of the middle movement, the Siciliano in C-sharp minor, transport the listener to the realm of his Passion music. G. Henle Publishers presents this repertoire standard in an Urtext edition with an extensive commentary. The study edition (HN 7381) features the complete orchestral score; the piano reduction (HN 1381) contains the solo part as well as a very playable piano reduction of the score prepared by Johannes Umbreit for practical use.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: HL.48186592
Odette Gartenlaub: Parcours (Harpsichord solo).
SKU: HL.14023645
ISBN 9780711983281. 9.0x12.0x0.162 inches.
These three solo harpsichord pieces are a collection of recent compositions, each with an individual theme and idea. The first, The convertibility of Lute Strings, was first performed at the Purcell Room, London in 1992. The second, Tango for Tim was written in memory of a friend and composer Tim Souster, which was composed and first performed in 1994. The third piece, Elisabeth Gets Her Way, is an extended version of the cadenza which Elisabeth Chojnacka persuaded Michael Nyman to add to his Harpsichord Concerto, which includes material from the first two pieces in this album.
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