Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by Hal Leonard

For Cello Instrumental Play- Along. Composed by Various. Instrumental Play-Along. Softcover Audio Online. 16 pages. Published by Hal Leonard

Composed by Various. Instrumental Folio. Softcover. 120 pages. Published by Hal Leonard

(for Cello). By Various. For Cello (Cello). Instrumental Folio. Softcover. 64 pages. Published by Hal Leonard

Playable on Any Three Instruments or Any Number of Instruments in Ensemble. Arranged by Michael Story. For Cello/Bass. Mixed Instruments - Flexible Instrumentation. Pop Instrumental Ensembles for All. Pop. Book. 24 pages. Published by Alfred Publishing.

By John Williams. For cello. String Series. Pop Instrumental Solo Series. Play Along. Level: Level 2-3 (grade 2-3). Book and CD. 104 pages. Published by Alfred Publishing.

For Cello. Composed by Various. Instrumental Folio. Softcover. 112 pages. Published by Hal Leonard

By Peter Ilyich Tchaikovsky (1840-1893). For cello. Dominique de Williencourt, violoncello; Les Orpheistes Chamber Orchestra Vienna with Nayden Todorov, conductor. Solo part and performance/accompaniment CD. Published by Music Minus One

(Fun Pieces for Strings on Eco-ThemesåÊ(Cello Part)). By Peter Wilson. For Cello. Method/Instruction; Part(s); String Ensemble - Mixed. Faber Edition: Stringpops. Published by Faber Music

(Cello). For Cello. Book; CD; Play-Along; String Series. Ultimate Pop Instrumental Solos Series. Movie. Grade 2; Grade 3. 84 pages. Published by Alfred Music Publishing

Performed by The Beatles. Chart. Softcover. Size 9x12 inches. 94 pages. Published by Hal Leonard Corporation.

Cello

SKU: HL.14028929

Composed by David Blake. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV120425. Published by Music Sales (HL.14028929).

Written for Moray Welsh whilst still an undergraduate at York University. This piece was completed in mid-September. Inspired by Hermann Hesse's Steppenwolf. A solo 'cello seemed an appropriate medium for music which might explore the character of Harry Haller, with his desire for bourgeois comfort and his strong misanthropic and suicidal tendencies. The opening theme attempts to express this - melancholy, nostalgic, a bit Biedermeyer (cf. Brahms Intermezzi). The basic theme of the book, at its simplest, is that every human personality consists of hundred of different personalities - within every man there lurks a wolf. Accordingly the tendency of my piece is for all its musical material to become distorted, either by thematic transformation or by changes of timbre. There are three movements played without a break. The first is a character portrait of the Steppenwolf. The second is concerned in the most general sort of way with the dance elements in the novel - Harry's being taught to dance and appreciate low 'popular' music - a tango is recapitulated in a waltz and 'Yearning', a popular song of the time (1927) is hinted at. The third movement concerns the Masked Ball and the Magic Theatre. Mozart is one of Hesse's great loves and he is repeatedly mentioned in the book. Inevitably some Mozart quotes have been worked in, the most significant being a reference to The Magic Flute 'fire and water' flute theme in the middle of the second movement. Long before I finished the piece, I was disenchanted with the work of Hesse. Much of Steppenwolf I now find rather embarrassing and the claims currently made for Hesse's greatness seem to me exaggerated. Since my piece is in no important sense programmatically specific, this change of heart doesn't really matter. ~ David Blake.

For Cello. By Various. Instrumental Folio. Pop, Standards. Softcover. 122 pages. Published by Hal Leonard