STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119414

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Trinity. Single Part, basso continuo. Composed 1724. BWV 194. 24 pages. Duration 39 minutes. Carus Verlag #CV 31.194/14. Published by Carus Verlag (CA.3119414).

ISBN 9790007210342. Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119423

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Oboe 3. Sacred vocal music, Cantatas, Trinity. Single Part, Oboe 3. Composed 1724. BWV 194. 4 pages. Duration 39 minutes. Carus Verlag #CV 31.194/23. Published by Carus Verlag (CA.3119423).

Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119422

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Oboe 2. Sacred vocal music, Cantatas, Trinity. Single Part, Oboe 2. Composed 1724. BWV 194. 8 pages. Duration 39 minutes. Carus Verlag #CV 31.194/22. Published by Carus Verlag (CA.3119422).

Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119411

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 1. Composed 1724. BWV 194. 8 pages. Duration 39 minutes. Carus Verlag #CV 31.194/11. Published by Carus Verlag (CA.3119411).

ISBN 9790007210311. Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119412

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 2. Composed 1724. BWV 194. 8 pages. Duration 39 minutes. Carus Verlag #CV 31.194/12. Published by Carus Verlag (CA.3119412).

ISBN 9790007210328. Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3110809

Cantata for the Sunday Cantata. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.108/21 oboe d'amore 1, 1x 31.108/22 oboe d'amore 2. German title: Es ist euch gut 2. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Whitsun. Set of Orchestra Parts. Composed 1725. BWV 108. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.108/09. Published by Carus Verlag (CA.3110809).

ISBN 9790007047948. Key: A major / b minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Es ist euch gut, dass ich hingehe [It is well that I go forth] BWV 108 for Cantate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The text contains two sayings by Jesus which are taken directly from the Sunday gospel reading (John 16:5-15). The quotation opening the cantata was set by Bach as a bass aria with solo oboe d'amore; it breathes tranquility and assurance. The second quotation, however, is set as an extended choral fugue in three sections; it forms the center of the cantata. The free text surrounding the biblical quotations is divided into two arias in which the emphasis is on melodic lines; there is only one single recitative, the original text of which was substantially abridged by Bach. A four-part chorale concludes the cantata. Score and parts available separately - see item CA.3110800.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106014

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Single Part, Cello/Double Bass. Composed 1723. BWV 60. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.060/14. Published by Carus Verlag (CA.3106014).

ISBN 9790007043452. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and part available separately - see item CA.3106000.

SATB/SATB choir - Level 2

SKU: CA.304840

Composed by Bartholomaus Gesius and Johann Sebastian Bach. Arranged by Johannes Falk. Separate edition with choral collection. Sacred vocal music, Hymn settings, Easter and Eastertide, Praise and thanks. Full score. BWV. Duration 2 minutes. Carus Verlag #CV 03.048/40. Published by Carus Verlag (CA.304840).

ISBN 9790007148065. Key: A minor. Text language: German. Text: Stolzhagen, Kaspar. Text by Kaspar Stolzhagen.

Arrangement for double choir.

SAT vocal soli, SATB choir, 2 flutes, 2 oboe d'amore, 2 violins, viola, 2 viola da gamba, 2 lutes, basso continuo (organ, cello/bassoon/violins)

SKU: CA.1036513

Version Koch. Composed by Johann Sebastian Bach and Johannes H. E. Koch. German title: Markus-Passion. Sacred vocal music. Single Part, Viola. Composed 1723. BWV 247. 12 pages. Carus Verlag #CV 10.365/13. Published by Carus Verlag (CA.1036513).

ISBN 9790007190477. Language: German.

Reconstruction (based parodies) of Bach's St. Mark Passion by Diethard Hellmann (1964), with new composed recitatives (texts of the evangelium) and turba choirs by Johannes Koch (1999). The words of Jesus are accompanyed by 2 gambas and organ. Score and part available separately - see item CA.1036500.

By Johann Sebastian Bach. Edited by Graulich, Gunter. Arranged by Paul Horn. For SATB Choir [4 Instr], Basso continuo. BWV 230. Motets, Psalms, German; Stuttgart Urtext editions; Occasions: Praise and thanks. Score. Language: German/English. 16 pages. Duration 8 min. Published by Carus Verlag (German import).

SSATB choir, basso continuo

SKU: CA.160000

Aus: Magnificat. Composed by Johann Sebastian Bach. Edited by Gunter Graulich. Arranged by Paul Horn. Sacred vocal music, motets. German title: Lob, Ehr und Preis sei Gott. Sacred, Magnificat, Motets. Full score. BWV 243,11. Carus Verlag #CV 01.600/00. Published by Carus Verlag (CA.160000).

ISBN 9790007005351. Key: D major. Language: German.

STB vocal soli, SATB choir, 3 trumpets, timpani, 2 oboes, taille (english horn), 2 violins, 2 violas, basso continuo

SKU: CA.3101949

Cantata for Michaelmas. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Es erhub sich ein Streit. Sacred vocal music, Cantatas, Special days. Single Part, Organ. Composed 1726. BWV 19. 12 pages. Duration 18 minutes. Carus Verlag #CV 31.019/49. Published by Carus Verlag (CA.3101949).

ISBN 9790007204969. Language: German/English.

Score available separately - see item CA.3101900.