SKU: BA.BA10557
ISBN 9790006553068. 33 x 25.8 cm inches. Language: German.
The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbelâ??s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbelâ??s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbelâ??s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbelâ??s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: M7.DOHR-10211
ISBN 9790202022115. Latin.
Die vorliegende Einzelausgabe für den praktischen Gebrauch basiert auf der wissenschaftlichen Gesamtausgabe, herausgegeben von Holger Eichhorn. Während die wissenschaftliche Ausgabe die originalen Schlüssel übernimmt, ist die praktische Ausgabe in modernen Schlüsseln ediert. Ein ausführliches Vorwort und der kritische Bericht finden sich im entsprechenden Band der wissenschaftlichen Gesamtausgabe.
SKU: JK.00250
Luke 2.
Christmas spiritual for a cappella mixed chorus (SSATB) and soloists: For He was born, born, born within a manger, Jesus my Savior and my King. 'Twas a sign unto the world, the wise men testify.Composer: Ann Kapp Andersen Lyricist: Tamara Hann Difficulty: Medium Performance time: 2:00Reference: Luke 2.
SKU: M7.DOHR-10209
ISBN 9790202022092. Latin.
SKU: M7.DOHR-10210
ISBN 9790202022108. Latin.
SKU: UT.TME-1
ISBN 9790215316096. 9 x 12 inches.
Performance Material on Hire[Solo: SAATB - Str - Bc]Thanks to its patron the Duke Francesco II, Modena became a capital city worldwide for the oratorio genre: renowned maestro di cappella in Ferrara, also Bassani wished to offer to the Duke his own work, setting aside for him the summit of his melodic and dramaturgical inventiveness.According to the documents that we have, the performance of Giona was Bassani's debut at the court of Francesco II. Born in Padua around 1650, the composer carried out the main part of his activities in Ferrara, where he was organist (probably from 1667), and maestro di cappella at the Accademia della Morte (from 1683), and subsequently also at the Cathedral (from 1686); he also became a member of the Accademia Filarmonica of Bologna (in 1677) and was committed to Alessandro II Pico, Duke of Mirandola and Marquis of Concordia. In 1712 he moved to Bergamo, where he was maestro di cappella at S. Maria Maggiore; he died there on 1st October 1716. Before his commission in Modena, the <> - as he was often called at that time - had already printed seven instrumental and vocal works as well as a few operas and oratorios.
SKU: JK.01147
Luke: 2.
Traditional French lullaby arranged for seasoned a cappella mixed chorus (SSATB), creates a lovely vision of lowing animals in the stable and angels hovering over the cradle where the God of Light is laid. Arranger: Julie Webb Difficulty: Very Easy Performance time: 1:20Reference: Luke: 2.
SKU: JK.01219
Revelation 1:17-18, Doctrine and Covenants 6:36-37.
Anthem for mixed chorus (SSATB) and piano, appropriate for Sacrament or Easter service.Come let us sing of endless love, of Him who left His throne above and came to earth, Oh, wondrous plan! To suffer, bleed and die for man.Composer: David Len Allen Lyricist: George A. Manwaring, treatment by David Len Allen Difficulty: Medium Performance time: 2:20Reference: Revelation 1:17-18, Doctrine and Covenants 6:36-37.
SKU: JK.01015
Psalm 95:1-6, Psalm 33:1-6.
Thanksgiving anthem for mixed chorus (SATB) and organ or piano. Sopranos divide the last four measures. Sopranos' highest note: E.Composer: Conrad Kocher Arranger: Darwin Wolford Lyricist: Folliot S. Pierpont Difficulty: Medium / medium-difficult acc. Performance time: 3:10Reference: Psalm 95:1-6, Psalm 33:1-6.
SKU: JK.01427
Luke 2:8-20, Psalm 95:6.
Brent Jorgensen adds to his multi-cultural Christmas series with this delightful piece, The Carols of France Medley, including the song He Is Born, (Il Est Né). Other songs include Hurry, Shepherds, (Quittez Pasteurs) and Angels, We Have Heard On High..
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