SKU: HL.48181347
UPC: 888680856779. 9.0x12.0x0.084 inches.
French composer, conductor and teacher, Jules Semler-Collery (1902-1988) was born to a musical father. He studied at the Paris Conservatoire where he won many prizes. Semler-Collery's works have been successful, with many of his concertos being included in the Conservatoire's list of compulsory works. Reverie and Scherzo for Clarinet and Piano is no exception to the composer's success. Published in 1950, Semler-Collery's Reverie is marked Andantino Cantabile and is in 6/8 meter. Both the Clarinet solo line and Piano accompaniment are virtousic, exploiting rhythm, tonality and harmony. A cadenza-like passage is heard towards the end. The Scherzo is marked Molta Leggiero and is staccato in 3/4 meter. Quaver and semiquaver passages are heard with the speed accelerating to a dramatic finale. For all advanced clarinetists, Semler-Collery's Reverie and Scherzo provides an exciting performance work for performers and audiences alike..
SKU: IS.CP6302EM
ISBN 9790365063024.
The Swiss-born clarinet virtuoso Matthias Muller is one of the most versatile and inspiring clarinet players and composers of his generation. This concerto is modelled on classical forms and deploys an aesthetic that is close to the Second Age of Modernism, which does not seek renewal in external appearance but looks for own characteristic ways in the internal structure. The harmony is based on a specific chord structure, exposed in the first part and set to shape in the next parts. The technical Clarity seeks contrasts in motivic and thematic processing of the material and in pronounced variations. This concerto has been recorded by the composer on the NEOS label (20904).
SKU: IS.CP4835EM
ISBN 9790365048359.
August Louis Baeyens received his musical training at the Royal Flemish Music Conservatory in Antwerp, studying solfège, viola, and harmony. As a composer, Baeyens developed chiefly through the study of composers such as Debussy, Wagner and Strauss; this interest gave him the reputation of a revolutionary within the confines of the very traditionalist conservatory. This Rhapsodie for Clarinet and Piano was composed in 1965, only a year before his death. Composed in the concours style, it opens with a lyrical Moderato, leading to a faster and more technical Allegro section.
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