Airs Célèbres D'Opéras Vol.2 for Flute or Oboe and Piano is an anthology of famous pieces arranged by Armando Ghidoni. Written for intermediate players this second volume features five pieces which can be played along with the CD which includes the Piano part for each song. The five pieces are: - Una Furtiva Lagrima from 'L'Elisir d'Amore' by Donizetti - A Leucade from 'La Belle Hélène' by Offenbach - Marche Des Trompettes from 'Aïda' by Verdi - Scorrendo Uniti from 'Rigoletto' by Verdi - Coro Zingarelle from 'Traviata' by Verdi Armando Ghidoni isan Italian musician who is very famous in France. He composed and arranged a large variety of pieces influenced by the impressionism à la française and incorporating jazz rhythms to his music. He composed religious pieces operas and numerous pieces of chamber music among others.

Pièceby Gabriel Fauré is a piece for Flute Oboe or Violin with Piano accompaniment. This romantic piece in A only features one movement. Small it is really melodious and quite slow: “Adagio molto tranquillo”. Rated as quite difficult upper-intermediate players will enjoy playing it for recitals. The book includes an insert with the instrument only part. Gabriel Fauré was a French composer organist pianist and teacher. He is one of the most important composers of his generation with pieces such as 'Pavane' or 'Requiem'.

Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in D is an adaptation of the original Oboe Concerto in C which the composer reworked in 1778. The Concerto remains widely studied and performed on both instruments making it one of the more important Concerti in the woodwind repertoire. Concerto in D is in three movements; 1. Allegro aperto 2. Adagio non troppo and 3. Rondo: Allegretto. The first and last movements are in the tonic key whilst the second movement is in the subdominant key of G major. A Dutch flautist of the time Ferdinand de Jean commissioned Mozartfor four Flute quartets and three Flute concerti. However the composer who famously disliked the Flute only completed three quartets and one concerto. Instead of composing a second concerto Mozart rearranged his Oboe Concerto with substantial changes for it to fit with the Flute. De Jean did not approve yet the Concerto in D for Flute remains as popular to this day as the Concerto in C for Oboe.

Cyril Scott was an English composer writer and poet. He was essentially a late romantic composer whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works which include two mature symphonies three operas three Piano concertos concertos for Violin Cello Oboe and Harpsichord several overtures four oratorios as well as a mass of chamber music.While less appreciated during his lifetime it is Scott’s late works(written between 1950 and his death) that are the most individual with their ever-shifting harmoniccolours and wayward inflections of phrase and mood capturing perfectly the way the mind shifts backwards and forwards between reminiscence regrets and self-assertion.Composed in 1961 for Flute and Piano and premiered by William Bennett and Margaret Norman on November 9 of that year Sonata For Flute is perfect  example of the genius of Scott’s late works.

Adagio for flute (or violin) and piano. Péter Wolf's collection Wolf-temperiertes Klavier, published in 2018, referring to the series The Well-Tempered Clavier by Bach, contains 24 piano pieces, a major and a minor key composition based on each pitch of the chromatic scale. The ninth piece, an Adagio in E major, is one of the gems in the volume, building on the tradition of the Baroque pastorale. This soaring melody has been arranged by the composer to a duet: above the piano accompaniment, it can be performed by a violin or a flute (either by an oboe or other melodic instrument).

Written for Flute And Piano in four movements between 1680 and 1730. Edited by Louis Moyse.Professionally Loeillet was first referred to when he moved to London in 1705. By 1707 he was a member of the orchestra at Drury Laneplaying the flute and oboe. By 1709 he had become the principal oboist for the Queen's operatic theatre orchestra. Concerts were often given in this talented musicians home including the English premiere of Corelli's concertigrossi. The transverse flute was popularized in England by Loeillet as well.

Arranger: Wiese Henrik The flute part may also be taken by the transverse flute, oboe or violin and the piano part by the harpsichord.

Favourite Operatic Arias – Vol. 1 for Flute or Oboe and Piano is an anthology of famous pieces arranged by Armando Ghidoni. Written for intermediate players this first volume features five pieces which can be played along with the CD which includes the Piano part for each song. The five pieces are: - “Habanera” from Carmen by Bizet - “Che faró senza Euridice” from Orfeo Ed Euridice by Glück - “E lucevan le stelle” from Tosca by Puccini - “Questa o quella per me pari sono” from Rigoletto by Verdi - “Brindisi” from La Traviatta by Verdi Armando Ghidoni is an Italian musician who is very famous in France. He composed and arranged a large variety of pieces influenced by the impressionism à la française and incorporating jazz rhythms to his music. He composed religious pieces operas and numerous pieces of chamber music among others.

Cecile Chaminade's Concertino For Flute And Piano provides quite a workout for the flutist with its wide-ranging highly decorative solo part. A broad and graceful melody opens the work. After a more active central section marked Più animato agitato in the score a short oboe phrase leads into a cadenza for the soloist. A reprise of the opening melody and a rousing coda conclude this melodic and attractive work.

Johann Strauss' Aimer Boire Chanter is a Valse for Flute (or Oboe) and Piano accompaniment arranged by Armando Ghidoni.

In a letter dating from 1777 Mozart reported to his father from Mannheim that Johann Baptist Wendling principal Flautist of the famous Mannheim Orchestra had been approached by a wealthy Dutch businessman by the name of De Jean who was prepared to pay 200 gulden for three easy flute concertos and four flute quartets for his own use. Mozart accepted the commission. By the day before the Dutchman left Mozart had delivered only three of the quartets andtwo concertos for which he had been paid 964 gulden. The composer who was himself being pressed by his father to continue his own journey to Paris with his mother was full of excuses writing back to Salzburg on 14 February 'It is not surprising I have been unable to finish them for I never have a single hour's quiet here...Moreover you know I become quite powerless when I am obliged to write for an instrument I can't stand.' There is more than a hint of disingenuousness in Mozart's words for this was the height of the period during which he was being distracted from his work by his new-found love for the Mannheim singer Aloysia Weber. (He ultimatelymarried her sister Constanze.) If Mozart's dislike of the Flute was as great as he claimed there are few signs in the Flute Concerto No.1 in G major particularly in the expressive central Adagio ma non troppo. The outermovements are an Allegro maestoso and a concluding Rondo: Tempo di Menuetto. The work is scored for two oboes (replaced by flutes in the Adagio) two horns and strings. This Great Performers' Edition is edited byJames Galway.

Par ARNOLD MALCOLM. Malcolm Arnold composed his Second Flute Concerto in 1972 for Richard Adeney, who premiered it at the Aldeburgh Festival with the English Chamber Orchestra. Cast in three movements, this delightful 14-minute concerto is scored for solo flute, pairs of oboes and horns, and strings. / Instrumental Music / Répertoire / Flûte Traversière et Piano

9 Composizioni per stumento melodico (violino, flauto, oboe, clarinetto) e pianoforte in stile modernoCon partitura e parti staccate per strumenti in Do e Sib / Flûte Traversière Et Piano