Keyboard

SKU: SU.80101342

For Keyboard. Composed by Carson Cooman. Keyboard, Piano/Harpsichord, Keyboard, Organ. Score. Zimbel Press #80101342. Published by Zimbel Press (SU.80101342).

Keyboard Duration: 8' Composed: 2013 Published by: Zimbel Press Ricercari are three pieces inspired by the keyboard music of the early and mid 16th century. During this time, the genre of the ricercare developed as a sort of instrumental motet and a kind of proto-fugue. Each work here is a contrapuntal ricercare in a modal cast, each in a different number of voices. However, all three blend elements of the 16th century style with more contemporary sounds. These pieces may be played on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard).

Keyboard

SKU: SU.80101353

For Keyboard. Composed by Carson Cooman. Keyboard. Score. Zimbel Press #80101353. Published by Zimbel Press (SU.80101353).

Keyboard Duration: 6' Composed: 2014 Published by: Zimbel Press Inspired by Bach's BWV 998 (a keyboard piece likely originally conceived for the lautenwerk or lute harpsichord), this piece may be played effectively on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard). The opening triple-meter prelude in Eb major is sunny and bright in character, with its arpeggiated textures evoking plucked strings. The fughetta begins in the relative minor (C), with a darker and more dissonantly chromatic character; however, it works through several keys to end in Eb major. The concluding allegro returns to joyous mood of the opening movement (though its middle section returns again to C minor).

Keyboard

SKU: HL.14044198

Composed by Roux-Jan. CARISCH - MUSIC SALES. Jazz. General Merchandise. Carisch Edition #IMP9087A. Published by Carisch Edition (HL.14044198).

ISBN 9788882918941.

A selection of jazz pieces arranged for Keyboard and Guitar (both chord symbols and tablatures are included). For every piece you will find three versions:

• A simplified version: with the melody in the right hand and an easy accompanying line in the left hand (for beginners)
• A version for organ: with the melody in the right hand, chords in the left, and bass line for the pedal
• a version for solo piano for use with the piano or keyboard (medium difficulty)

• VOICE: It is possible to use the version contained in the CD for singing the pieces. The texts are found in the sheets inserted at the end of the volume and themelodies are given in the keyboard parts (right hand)
• GUITAR: All the guitar boxes for the chords are given in the single sheets inserted at the end of the volume. The sheet for each piece contains, besides the guitar chords, the text and a table with the melodic line (right hand) of the keyboard versions.
• OTHER INSTRUMENTS: It is also possible to play the melody parts or to improvise with other instruments such as flute, violin, etc. It should be noted that for instruments such as the clarinet or the saxophone the melodies will have to be transposed. A bass can be added to the group, playing from the pedal part of the organ versions.

  
  

Written by Bert Konowitz. For keyboard. Includes instructional book and accompaniment/examples CD. With chord names, instructional text, fingerings, chord chart and introductory text. Chords. 80 pages. 9x12 inches. Published by Alfred Publishing.

Keyboard

SKU: SU.12800038

For Keyboard. Composed by Johann Sebastian Bach. Keyboard, Piano/Harpsichord. Music Theory. Score. Subito Music Corporation #12800038. Published by Subito Music Corporation (SU.12800038).

BachScholar Edition Vol. 38: SIGHT-READING & HARMONY: GRADES 1-2 (Beginning) (12 pages) is a short and practical book that presents forty-eight selected sight-reading excerpts and two sample exams taken from Sight-Reading & Harmony (Complete Edition). It is the first volume of five in Sight-Reading & Harmony’s Sight-Reading Only Edition series, created specifically for piano and organ teachers and students who wish to concentrate on sight-reading only without being burdened by the technical exercises and musical theory covered in the extensive, 220-page Sight-Reading & Harmony (Complete Edition). Ideal for students of all ages of beginning to early intermediate levels, college and university classes, keyboard & theory group classes, piano and organ teachers and students, and self-learners. Keyboard Published by: BachScholar.

Keyboard

SKU: SU.12800042

For Keyboard. Composed by Johann Sebastian Bach. Keyboard, Piano/Harpsichord. Music Theory. Score. Subito Music Corporation #12800042. Published by Subito Music Corporation (SU.12800042).

BachScholar Edition Vol. 42: SIGHT-READING & HARMONY: GRADES 5-6 (Intermediate to Early Advanced) (12 pages) is a short and practical book that presents forty-eight selected sight-reading excerpts and two sample exams taken from Sight-Reading & Harmony (Complete Edition). It is the third volume of five in Sight-Reading & Harmony’s Sight-Reading Only Edition series, created specifically for piano and organ teachers and students who wish to concentrate on sight-reading only without being burdened by the technical exercises and musical theory covered in the extensive, 220-page Sight-Reading & Harmony (Complete Edition). Ideal for students of all ages of intermediate to early advanced levels, college and university classes, keyboard & theory group classes, piano and organ teachers and students, and self-learners. Keyboard Published by: BachScholar.

Keyboard

SKU: ST.MB96

Composed by Various. Edited by Alan Brown. Library Volumes. Edited by Alan Brown. First published in 2014.. Pages: 240. Format: Hardback. Dimensions (mm): 330 x 254 x 26. Keyboard collection. Stainer & Bell Ltd. #MB96. Published by Stainer & Bell Ltd. (ST.MB96).

ISBN 9790220223853.

This volume is the first of two intended to extend the coverage of keyboard music in Musica Britannica comprehensively into the first quarter of the 17th century. (The other, MB102, includes material from the two virginal books in the Fitzwilliam Museum, Cambridge.) The present edition contains music by anonymous and a dozen or so named composers, including the complete keyboard works of Nicholas Carleton, the surviving twenty 'Miserere' canons by Thomas Woodson, and the anonymous 'Pretty ways for young beginners to look on'. The 77 complete pieces are organised by genre, including preludes, plainsong settings, voluntaries, dances and character pieces. Drawing on 22 manuscripts which mostly also transmit music by Byrd and other noted virginalists, this residue of music from these sources shows great diversity and a pleasing level of technical skill and musical interest, sufficient to enhance our wider view of English Renaissance music.