SKU: CA.9244000
ISBN 9790007238551. Language: German.
SKU: HL.49006306
ISBN 9790001068406.
SKU: CA.2911600
ISBN 9790007203429. Language: all languages.
Movements: I. Proomium, II. Movimento, III. Notturno, IV. Mobile, V. Elegie.
SKU: CA.4065661
ISBN 9790007219758. Key: F major. Language: Latin.
Piano/Vocal score available separately - see item CA.4065653.
SKU: BT.F-31001
SKU: HL.14034025
ISBN 9788759875391.
To stemmer (sopran og alt) med klaver eller orgel.
SKU: LO.70-2486L
ISBN 9780787789695.
Karen Beaumont brings us this highly flexible collection in response to the growing demand for shorter worship service voluntaries. Each of the seven postludes are less than a minute and a half in length and contain interludes that can serve as shorter works or transitions between multiple postludes. The pieces are thoughtfully arranged to flow seamlessly from one to the next. While each composition can be played with a single manual, suggestions for incorporating pedal or multiple manuals are also provided. Additionally, these pieces are adaptable for use on a piano or other keyboard instrument.
SKU: GH.EC-571
SKU: HL.50513494
SKU: MA.EMR-18618
SKU: HH.HH267-SOL
ISBN 9790708092162.
Though primarily known as an opera composer, Giovanni Paisiello did not neglect the instrumental repertoire. His Capriccio in D minor, written in St Petersburg for his pupil the Grand Duchess Maria Feodorovna and first published c.1799, is a fine example of this Southern Italian composer's keyboard style.
SKU: MA.EMR-18588
SKU: HH.HH240-SOL
ISBN 9790708059738.
When Zinck's sonatas first appeared in print in 1783, the publication was greeted as exceptional by the best European critics: Their interesting melodic style, highly developed turns of phrase, great diversity of musical ideas unified into one great sonata style far removed from the routine, and finally, very descriptive tone painting, elevate them and make them worthy of the approval of connoisseurs.
SKU: HH.HH300-SOL
ISBN 9790708092490.
Carl Fasch was notoriously reluctant to have his music made public and even asked that much of it should be destroyed. What remains, however, supports the view of the contemporary writer on music Johann Reichardt that Fasch was the true successor to C. P. E. Bach, with whom he shared keyboard duties for Frederick the Great. In this first volume of his complete keyboard works, the six sonatas, which appeared in print and were well regarded during the composer's lifetime, show him to be a minor master and an eloquent advocate for the eclectic expressive style then current in Berlin.
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