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You've Selected:
Piano, Voice
Barenreiter
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Orchestra (1609)
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Organ (974)
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4 Parties Mixtes (147)
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Chant (114)
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Opera (113)
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Harpsichord (71)
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Flute (65)
Woodwind Quintet: flute, oboe,… (65)
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Clavecin Et Instruments A Cord… (49)
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Chamber Orchestra (46)
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2 Choeurs Mixtes (SATB Et SATB… (41)
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Soprano voice, Piano (39)
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Orgue Et Orchestre (35)
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6 Parties Mixtes (33)
Conducteur (32)
2 Violins (duet) (31)
Violin, Cello (duet) (30)
Voice, Organ (30)
Voice and Orchestra (30)
2 Flutes (duet) (29)
Violin, Basso continuo (28)
Low voice, Piano (28)
2 Cellos (duet) (27)
2 Recorders (duet) (27)
Clarinet, Orchestra (27)
Choral, Orchestra (27)
Choral SSATB (26)
2 Guitars (duet) (26)
String Trio: 2 violins, cello (26)
Recorder Quartet (25)
3 Parties Similaires (25)
Trio (25)
Flute and Guitar (25)
Oboe (24)
Soli (T (Evangelist), B (Jesus… (24)
String Quintet: 2 violins, vio… (24)
Baritone voice, Piano (24)
Tenor voice, Piano (24)
Soli (STB), Choeur Mixte (SSAT… (23)
Soli (SSATB), Choeur Mixte (SS… (23)
Voice solo (23)
Double Bass (23)
Conducteur et Poche (23)
2 Violins and Basso (22)
Guitare (22)
Violon, Instruments A Cordes E… (22)
4 Parties Mixtes, Instruments … (20)
Easy Piano (20)
Soli (SAB), Choeur Mixte (SATB… (20)
Soli (AT), Choeur Mixte (SATB)… (20)
French Horn and Piano (20)
Orchestre Et Orgue (19)
Solo instrument and Organ (19)
Choeur Mixte (SATB), Instrumen… (19)
Flute Quartet: Flute, Violin, … (19)
Gemischter Chor (SATB) und Orc… (18)
Soli (SAB), Choeur Mixte (SATB… (18)
4 Parties Mixtes Et Orchestre (18)
Choral SSAATTBB (18)
Accordion (18)
String quintet (18)
Brass Quintet: 2 trumpets, hor… (17)
Choeur Mixte (SATB), Orchestre… (17)
Cordes Et Basse Continue (17)
Soli (SATB, Soprano Aussi Chor… (17)
Harp, Orchestra (16)
Soli (SATB), Choeur Mixte (SAT… (16)
Soli (SB), Choeur Mixte (SATB)… (16)
Clarinet (16)
4 Voix D'Hommes (16)
Piano ou Clavecin et Instrumen… (16)
2 Petits Choeurs Mixtes A 4 Vo… (16)
Piano et Orchestre (16)
Choral SSAA (16)
Ensemble Instrumental et Petit… (16)
Soli (ATB), Choeur Mixte (SATB… (15)
Quatuor (15)
Flute, Violin, Violoncello and… (15)
Choeur Mixte (SATB) Et Instrum… (15)
Quatuor De Fltes A Bec (Quatu… (15)
Gemischter Chor (SSATB/SSATB/S… (15)
Soli (T (Evangelist), B (Jesus… (15)
Violoncello, Basso continuo (14)
3 Violons, Instruments Corde… (14)
Oboe and Orchestra (14)
SB, 4 Parties Mixtes et Orches… (14)
Soli (SATB), Choeur Mixte (SAT… (14)
Flte Traversire, Violon, Ins… (14)
Descant (Soprano) Recorder (14)
Violin, Viola and Orchestra (14)
Soli (SATB), Choeur Mixte (SAT… (14)
Flute, Violin, Keyboard (basso… (14)
2 Choeurs Mixtes Et Orchestre … (14)
Violin, Viola (duet) (14)
Soli (AB), Choeur Mixte (SATB)… (14)
Harp (14)
SATB, 4 Parties Mixtes, 2 Viol… (14)
Basse, Choeur Mixte (SATB) Et … (13)
Soprano, 4 Parties Mixtes 2 Tr… (13)
Cello, String Bass (duet) (13)
Choeur Mixte (SATB), Soli Et O… (13)
Orgue (Clavecin) (13)
Soli (STB), Choeur Mixte (SATB… (13)
Voix Haute(s) Et Piano (13)
Soli (SATB), Choeur Mixte (SAT… (13)
4 Parties Mixtes, 2 Trompettes… (13)
Bassoon, Orchestra (13)
Violin, Organ (13)
3 Guitars (trio) (13)
Violon II (13)
Viola, Organ (13)
Violon I (13)
Soli (SSTB) Et Orchestre Choeu… (12)
Pocket, Study conductor (12)
Quintette (12)
Soli (SATB), Choeur Mixte (SAT… (12)
Choeur De Chapelle, 4 Parties … (12)
Orchester (12)
String Quintet : 2 Violins, Vi… (12)
Choeur Mixte (SATB, Partie(s) … (12)
Trumpet (12)
2 Sopranos, Choeur Mixte (SATB… (12)
Treble (Alto) Recorder, Basso … (12)
Soli (SSAATB), Choeur Mixte (S… (12)
Soprano, Trompette, 2 Violons,… (12)
2 Petits Choeurs A 4 Voix Et B… (12)
Violon 2 (12)
Recorder, Piano (12)
Trombone (11)
Clarinette (Clarinette De Bass… (11)
Medium Voice (11)
Clavecin ou Piano et Instrumen… (11)
Clarinette, 2 Violons, Viole e… (11)
Gemischter Chor (SSAATBB) und … (11)
SATBasse (2 Grands Choeurs Mix… (11)
Solistes (SATB), Choeur Mixte … (10)
S, A, A, T, B, Choeur Mixte A … (10)
Orchestre de Jeunes (10)
2 Choeurs Mixtes 4 Voix (10)
Organ, Piano (duet) (10)
Solistes (STB), Choeur Mixte (… (10)
All Instruments (10)
Choeur Mixte (SATB), Orchestre… (10)
String Trio: 2 violins, viola (10)
Solistes, Choeur Mixte (SATB),… (10)
Violon, Viole et Violoncelle (10)
Flute, Clarinet (duet) (10)
Basse, Choeur Mixte (SATB), Ha… (10)
Violon, Viole Et Orchestre (10)
Concert band, Choral (10)
2 Fltes Traversires, Instrum… (10)
Soli (STB), Choeur Mixte (SSAT… (10)
Clavecin, 2 Fltes A Bec Et In… (10)
Choeur Mixteor (SATB), Orchest… (10)
Organ, Voice (10)
2 Parties Similaires (10)
Choeur De Femmes A 1 A 5 Voix,… (10)
2 Recorders, Basso continuo (t… (10)
Clavecin (10)
Solo Instrument (Violon I, Vio… (9)
ATB S, S, T, T, Choeur Mixte (… (9)
Viole et Orchestre (9)
Choral 2-part (9)
Oboe, Piano (duet) (9)
Orgue, 2 Trompettes et 3 Tromb… (9)
2 Choeurs Mixtes 4 Voix et B… (9)
2 Violons, Instruments A Corde… (9)
SATB, 4 Parties Mixtes et Inst… (9)
Bassoon, Piano (duet) (9)
Voice, Clarinet, Piano (9)
2 Violons et Viole (9)
Choeur Mixte A 5 Voix (9)
2 Violons Et Orchestre (9)
Flute, Violin and Violoncello (9)
Choeur De Chapelle, Choeur Mix… (9)
Bassoon (9)
Cordes, Basse Continue, Partie… (9)
Vocal duet (9)
Clarinette, Viola and Piano (t… (9)
5 Parties Mixtes, Instruments … (9)
4 Guitars (Quartet) (9)
Choeur Mixte (SSATB) et Basse … (9)
Trumpet, Piano (9)
Octuor (8)
French horn (8)
Quintette Cordes (8)
Violon 1 (8)
Clarinette Basse, Trombone, Pi… (8)
Choeur Mixte (SAB/STB) (8)
Hautbois, Instruments Cordes… (8)
Choeur Mixte (Voix SAM), Flte… (8)
Soli (SSATB), Choeur Mixte (SA… (8)
S, A, (T, B Du Choeur), Choeur… (8)
Ensemble A Vent (8)
Hautbois, Violon, Instruments … (8)
Flte Traversire, Hautbois, C… (8)
S, S, A, T, B, 5 Parties Mixte… (8)
Voix Hautes (8)
Treble (Alto) Recorder (8)
Musique de chambre (8)
Choeur Mixte 5 Voix (8)
2 Clarinets (duet) (8)
3 Violons, Alto et Violoncelle… (8)
Horn, Violin, 2 Violas and Cel… (8)
S, A, T, B Du Choeur Ad Libitu… (8)
Recorder (8)
4 Parties Mixtes (Ou 3 Parties… (8)
6 8 Parties Mixtes et Basse … (8)
Choeur Mixte (SATB, Partie(s) … (8)
Soli (STB) Et Orchestre (8)
Soli (SATB), Gemischter Chor (… (8)
4 Guitares ou Ensemble de Guit… (8)
Trio avec Piano (8)
Descent (Soprano) Recorder, Pi… (8)
4 Parties Mixtes, 2 Violons, 2… (8)
Soprano ou Tnor, Soprano ou T… (8)
Hohe Stimme, Melodie-Instrume… (8)
S, T, 4 Parties Mixtes Instrum… (8)
Choeur Mixte (SSATB) Et Instru… (8)
Voix, Instruments (8)
Soli (SSATTBB), Choeur Mixte (… (8)
Double bass, Piano (duet) (8)
Flte Traversire, Clarinette,… (7)
S, A, T, B, Choeur Mixte A 4 V… (7)
Harpsychord (7)
Cordes Et Orgue (7)
5 Parties Mixtes, 2 Trompettes… (7)
Piano, Violon Et Violoncelle (7)
2 Pianos et Orchestre (7)
Cordes et Basse Continue (2 Fl… (7)
Soprano, Choeur Mixte 4 Voix… (7)
Choeur Mixte (SATB), 2 Cors, 2… (7)
3 Parties Mixtes, Flte A Bec … (7)
Choeur Mixte (SATB), Choeur De… (7)
Tnor, Basse (A, B), Solistes … (7)
Clarinette, Basson, Cor, 2 Vio… (7)
SATB, 4 Parties Mixtes, 3 Clar… (7)
Piano (Ou Clavecin) Et Orchest… (7)
Choeur Mixte (SATB), Instrumen… (7)
2 Hautbois, Basson, 2 Cors, In… (7)
Soli (SATB), Choeur Mixte (SAT… (7)
Clarinet, Cello, Piano (trio) (7)
Baryton, Choeur De Garons A 2… (7)
Choeur Mixte (SATB, Partie(s) … (7)
SB, 5 Parties Mixtes, Instrume… (7)
1 Voix, Quatuor Pour Fltes A … (7)
Mezzo-Soprano voice, Piano (7)
S, S, Basse (Chorale Ou En Sol… (7)
Flte Traversire, Violon et B… (7)
Flexible Instrumentation (7)
4 Parties Similaires Et Orches… (7)
Soli, Choeur Mixte (SATB), Ins… (7)
3 Hautbois, Basson, Instrument… (7)
Organ, Trumpet (duet) (7)
2 Trompettes, Batterie Et Orch… (7)
6 Instruments Cordes et Bass… (7)
Trompette Et Orchestre (7)
Soli (SATB), Chor (SATB/SATB) … (7)
T, B, Hautbois, Instruments A … (7)
Soli (SB) Et Orchestre (7)
3 Parties Similaires, Flte A … (7)
2 Choeurs Mixtes A 4 Voix, Ens… (7)
Drums (7)
Choeur Mixte (SATB), Flte A B… (7)
4 Parties Mixtes, 2 Trompettes… (7)
Choeur Mixte (SAB), Flte A Be… (7)
Violon 1, Violon 2, Alto, Viol… (7)
Oboe, Basso continuo (7)
Streichorchester (7)
Violin, Clarinet, Piano (trio)… (6)
2 Violas (duet) (6)
Violon, Clavecin Obligatoire E… (6)
Clavecin, Hautbois Obligatoire… (6)
Hautbois, Basson, Violon, Viol… (6)
Clavier et Piano (6)
Flute Trio: 3 flutes (6)
Soli (SATB), Chor (SATB) und K… (6)
Klavier und Orchester (6)
Choeur Mixte (ATB) Ou Choeur D… (6)
2 Petits Choeurs 4 Voix, 2 G… (6)
Soli (du Choeur), 1 Voix D'Enf… (6)
Soli, Gemischter Chor 1 & 2, … (6)
String Quintet: 2 violins, 2 v… (6)
Percussion (6)
Saxophone and Orchestra (6)
4 Fltes Bec (Instruments … (6)
4 Parties Mixtes, Choeur De Pa… (6)
3 A 5 Parties Mixtes (6)
Solistes (SATB) . Choeur Mixte… (6)
2 Fltes Traversires, 2 Hautb… (6)
Flute Quartet: 4 flutes (6)
2 Flutes, Violoncello (6)
4 Parties Mixtes, 2 Violons et… (6)
Orgue (Piano) (6)
Alto, Cordes Et Basse Continue… (6)
Viole, Instruments A Cordes Et… (6)
Kammerorchester (6)
Hautbois D'Amour (Hautbois), I… (6)
Soli (SATB), Gemischter Chor (… (6)
Violin, Cello, Organ (6)
Choral, Organ (6)
2 Matres De Chapelle Du Choeu… (6)
Choeur Mixte A 3 Voix, 2 Violo… (6)
Soprano, Orchestre et Orgue (6)
2 Fltes A Bec, Hautbois, Viol… (6)
Cordes (Aussi Chorale) (6)
4 A 6 Parties Mixtes (2 Guitar… (6)
Hautbois, Trompette, Instrumen… (6)
Tuba (6)
Flute, Cello, Piano (trio) (6)
Choeur Mixte A 4 Voix, 2 Violo… (6)
Soli (SATB), Choeur Mixte (SAT… (6)
Hautbois, Clarinette, 4 Violon… (6)
2 Choeurs Mixtes (SATB Et SATB… (6)
Flte Bec Alto, Instruments … (6)
3 Parties Mixtes (SSB, Aussi E… (6)
Gemischter Chor (SATB/CantoATB… (6)
Instruments A Vent (6)
Soli (SAT), Choeur Mixte (SATB… (6)
Alto, 4 Parties Mixtes Orchest… (6)
S, S, A, T, Basse (Aussi Chora… (6)
3 Parties Mixtes, 2 Violons Et… (6)
Choeur Mixte (SATB), Flte A B… (6)
Clavecin et Instruments Cord… (6)
Soli (SATB), 2 Choeurs Mixtes … (6)
4 Voix (Tnor, Flte Bec Alt… (6)
Choeur De Femmes A 3 Voix (Cho… (6)
6 Pianos Et Orchestre (6)
Piano (Ou Clavecin) Et Orchest… (6)
Flte Traversire et Instrumen… (6)
3 Recorders (trio) (6)
3 Instruments Cordes/4 Instr… (6)
SingSt, Klavier (6)
4 Parties Mixtes, Flte Traver… (6)
Gesang (6)
Violin, Horn and Piano (6)
Soprano voice, Orchestra (6)
Petit Orchestre (6)
Stationery (6)
Choeur Mixte (SATB), 2 Trompet… (5)
Blechblser (5)
Voix Hautes (Original) et Pian… (5)
2 A 4 Parties (5)
Voix Haute(s) Ou Moyenne(s), 1… (5)
2 Violons ou Flte Traversire… (5)
Organ and Brass Quartet (5)
Solistes (SAAATTTTBBB), Choeur… (5)
2 Fltes Traversires, Instrum… (5)
Soprano, Violon I, Violon II e… (5)
Soprano, Choeur Mixte (SSATB, … (5)
Choeur Mixte (SATB), 2 Hautboi… (5)
Matre De Chapelle (Tenor Et R… (5)
2 Hautbois (Ou 2 Fltes A Bec … (5)
Choeur Mixte (SATB) Et Basse C… (5)
2 Fltes Traversires, 2 Hautb… (5)
Quintette (2 Violons, Viole et… (5)
Choeur Mixte et Orchestre (5)
Flte Traversire, 2 Hautbois,… (5)
3 Parties Mixtes (5)
Instrument (5)
Trompette et Orchestre de Cham… (5)
5 Parties Mixtes, Instruments … (5)
Flte Traversire, 2 Hautbois,… (5)
Soli (SATB), Chor (SATB) und O… (5)
Soli (SSATTB), Choeur Mixte (S… (5)
3 Clarinets (trio) (5)
4 Parties Mixtes et Orgue (5)
S, S Basse (Aussi Chorale), 2 … (5)
4 A 6 Parties Mixtes (5)
Choral SSAATBB, Organ (5)
Choeur Mixte (SAB) (2 Violons … (5)
3 Guitares ou plus (5)
Descant (Soprano) Recorder, Ba… (5)
Solistes, Choeur Mixte, et Orc… (5)
3 Instruments Mlodiques et Ba… (5)
2 Choeurs Mixtes (SATB et SATB… (5)
Viole (5)
Singstimme (5)
Concert band (5)
Saxophone (5)
Triangle et Orchestre Cordes… (4)
Baryton, Choeur Mixte (SATB), … (4)
Voix Haute(s), 5 Parties Mixte… (4)
2 Violons, Instruments Corde… (4)
3 Choeurs d'Hommes (TTBB) (4)
S, T, 2 Violons Et Violoncelle… (4)
Guitar, String Quartet (4)
Violoncelle (Partie Spare) (4)
Viol et Basse Continue (4)
S, SATB, B, (2 Grands Choeurs … (4)
Clarinette et Instruments Co… (4)
2 Violons ou Clarinette et Vio… (4)
Flte Traversire, Accesoires … (4)
Organ, Percussion (4)
2 Violons, Violoncelle (ou Alt… (4)
S, A, T, T, B, 5 Parties Mixte… (4)
Flte Traversire Alto (Grande… (4)
Organ and Orchestra (4)
Flte Traversire, Hautbois et… (4)
Low voice, Organ (4)
Soprano, Flte Traversire, Vi… (4)
Klavierauszug - Sopran solo, … (4)
Choeur Mixte (SATB), Hautbois … (4)
Lute (4)
Flte Traversire, Orchestre D… (4)
4 Parties Mixtes, Instruments … (4)
Flte Traversire ou Violon), … (4)
4 A 10 Parties Mixtes (4)
Violon, Viole ou Violon et Bas… (4)
Solistes (SSATTB), Choeur Mixt… (4)
Flte Traversire Alto, 2 Flt… (4)
Violoncelle, Contrebasse, Bass… (4)
1 ou 2 Fltes Bec Soprano (4)
Hautbois, 2 Cors et Instrument… (4)
2 Violons ou Flte Traversire… (4)
Contrebasse (Partie spare) (4)
Wind ensemble (4)
2 Violins, Piano (4)
Flte Bec Soprano, Flte B… (4)
Musique de Chambre et Piano (4)
2 Choeurs Mixtes 4 Voix (SSA… (4)
Flte Traversire ou Violon), … (4)
Choeur Mixte A 2 A 8 Voix Et O… (4)
Flte Bec Alto, Flte Bec … (4)
Soli (ATB), Chor (SSATB) und O… (4)
Piano et Quatuor Cordes (4)
2 Flutes, Piano (4)
Solistes, SATB et Orchestre (4)
Vocal (4)
Alto, 2 Violons et Basse Conti… (4)
Hautbois D'Amour et Orchestre … (4)
Flte Bec Soprano, Flte B… (4)
Baryton, Choeur Mixte (SATB), … (4)
Piccolo, Piano (4)
Low voice (4)
Violon Solo, Violoncelle Solo,… (4)
Horn und Orchester (4)
4 5 Parties Mixtes (4)
Violon, Violoncelle et Contreb… (4)
2 Gemischter Choren, Orcheste… (4)
Alto Saxophone and Piano (4)
Soli (SAATTBB), Choeur Mixte (… (4)
Flte Traversire (Ou Flte Tr… (4)
Flte Bec Soprano, Flte B… (4)
S, B, 2 Violons Et Basse Conti… (4)
2 Violons, Violoncelle et Bass… (4)
Flte Traversire Hautbois, Ba… (4)
Violoncelle et Orchestre de Ch… (4)
Soprano, Choeur Mixte (SATB) E… (4)
S, S, B, 3 Parties Mixtes, 2 V… (4)
Hautbois, Clarinette et Basson… (4)
Soli , Choeur Mixte (SATB) Et … (4)
Soli Et Sonates En Trio pour I… (4)
Solostimmen (SSB) auch Chor (… (4)
Flte Traversire, Violon, Vio… (4)
Violon, Viole, Flte Traversi… (4)
2 Fltes Traversires et 2 Fl… (4)
Violon, Cor Anglais ou Cor et … (4)
Viole de Gambe, Clavecin et Ba… (4)
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CASTOR ET POLLUX (RAMEAU JEAN-PHILIPPE) (RAMEAU JEAN-PHILIPPE)
Piano, Voice
Barenreiter
Par RAMEAU JEAN-PHILIPPE. Amongst Rameau?s stage works which have come down to u...
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Par RAMEAU JEAN-PHILIPPE. Amongst Rameau?s stage works which have come down to us in two main versions, such as ?Dardanus? (1739, 1744), ?Platée? (1745, 1749) and ?Zoroastre? (1749, 1756), none fell into oblivion for as long a period as ?Castor et Pollux?. After the work had been premiered in 1737, not until 1754 did Rameau decide to revise it. He asked his librettist ?Gentil-Bernard? to add an act to the tragedy and to give more weight to the brotherly friendship between Castor and Pollux. The main plot remains very similar to the one of 1737, aside from the fact that the sisters Télaïre and Phébé no longer are in love - the one with Castor the other with Pollux - but rather both with Castor which is the reason why Phébé is jealous of Télaïre. Already at the beginning of the first act Pollux relinquishes his love of Télaïre to the benefit of Castor. Castor, however, is killed by Linceus and finds himself in Hades. Pollux commits to saving his brother, sacrifices his immortality and declares his willingness to take Castor?s place in Hades so that his brother and Télaïre may be reunited. Jupiter, moved by this sacrifice, frees Pollux and bestows the couple immortality by giving them a place in the zodiac. Following the editorial principles of the ?Opera omnia Rameau? (and in contrast to the 1903 edition by August Chapuis issued within the old Rameau series), both versions of ?Castor et Pollux?, the version of 1737 (OOR IV.3) and the present version of 1754 (OOR IV.23), are published in two separate volumes in their entirety. Owing to the discovery of the original performance material, today preserved at the Gesellschaft der Musikfreunde in Vienna, the second version of 1754, which up until today was in the shadow of the 1737 version, can now be presented with its more tightly woven plot in all its vigor and dramatic momentum. This edition is enriched with twelve additions which enable the performance of the 1763-1764 version when the work was restaged. / Date parution : 2023-06-16/ Répertoire / Chant et Piano
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Sonata - Landscape (KLEIN GIDEON)
Piano, Voice
[Score]
Barenreiter
Sonáta - Krajina. Par KLEIN GIDEON. The extraordinarily gifted composer and pia...
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Sonáta - Krajina. Par KLEIN GIDEON. The extraordinarily gifted composer and pianist Gideon Klein (1919?1945) was murdered in the Fürstengrube concentration camp at the age of 25. One of the undeniable highlights of his small compositional legacy is his Sonata for Piano. Its three movements were written in reverse order in the Terezín concentration camp in 1943; only a three-measure draft of the intended fourth movement has survived. This first Urtext edition of the piano sonata has been expanded to include the previously unpublished short melodrama ?Landscape? (entitled ?Topol? / ?Poplar? in existing literature) in which the pianist can also take over the recitation part if required. In July 1939, shortly after Klein completed his studies at the conservatory, he composed this setting of the same-named poem by Vilém Závada (1905?1982) in the style of free atonality. - First Urtext edition of the sonata - First publication of the melodrama ?Krajina? (Landscape) with translations (Ger/Eng) of the Czech text in the prefix - Includes the draft of the fourth movement printed as a facsimile - Foreword (Cz/Eng/Ger) on the genesis and reception as well as a Critical Commentary / Date parution : 2022-11-29/ Répertoire / Piano et Récitant
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HANDELG.F. - ZADOK THE PRIEST HWV 258 - VOCAL SCORE
Piano, Voice
[Vocal Score]
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HANDELG.F. - ZADOK THE PRIEST HWV 258 - VOCAL SCORE / Choeur et ensemble vocal ...
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HANDELG.F. - ZADOK THE PRIEST HWV 258 - VOCAL SCORE / Choeur et ensemble vocal / Barenreiter
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MOZART W.A. - MASS IN C MINOR KV 427 - VOCAL SCORE
Piano, Voice
[Vocal Score]
Barenreiter
MOZART W.A. - MASS IN C MINOR KV 427 - VOCAL SCORE / Choeur et ensemble vocal /...
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MOZART W.A. - MASS IN C MINOR KV 427 - VOCAL SCORE / Choeur et ensemble vocal / Barenreiter
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Zoroastre rct 62B (RAMEAU JEAN-PHILIPPE)
Piano, Voice
Barenreiter
Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Ra...
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Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Rameau?s ?Zoroastre? in the version of 1756. Opera in five acts. Rameau?s revised version of his opera ?Zoroastre?, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today?s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau?s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime ?Hymne à la Lumière?, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with ?Zoroastre? the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck?s opera reform by many years. - One of Rameau?s main works for the stage, now available with all its versions - With a straight-forward piano reduction in the vocal score by François Saint-Yves - Available on sale full score (B0A8867-01) and vocal score (BA08867-90) - Performance material available for hire BA08867-72 - Jean-Philippe Rameau - Opera Omnia (OOR) IV/26 / Date parution : 2022-07-30/ Répertoire / Chant et Piano
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Camille Saint-Saëns: Samson et Dalila: Mixed Choir A Cappella: Vocal Score
Piano, Voice
Barenreiter
Opera in three acts
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Thomas Daniel Schlee: Trois Poemes Op. 66: Vocal and Piano: Vocal Score
Français
Piano, Voice
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Trois Poemes Op. 66
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Ludwig van Beethoven: An die ferne Geliebte op. 98: Vocal: Vocal Work
Piano, Voice
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âMy angel my all my selfâ. With these words Beethoven in July 1812 ...
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âMy angel my all my selfâ. With these words Beethoven in July 1812 began his passionate love letter to a woman whose identity has eluded discovery to the present day. Was he perhaps addressing the same woman four years later when he composed âAn die ferne Geliebteâ his song cycle on poems by Alois Jeitteles?Barry Cooper discusses this and many other questions in the Introduction to his new edition of Beethovenâs only song cycle. Not only does he present a meticulously edited musical text he also delves into questions of performance practice that previous critical editions have overlooked.
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Felix Mendelssohn Bartholdy: Lobgesang / Hymn of Praise op. 52 MWV A 18:
Piano, Voice
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A Symphony-Cantata after texts from the Holy Scriptures
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Georg Friedrich Händel: Apollo e Dafne - La Terra è Liberata: Orchestra: Score
Piano, Voice
Barenreiter
HWV 122
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Franz Schubert: Songs for several Voices of the same Pitch: Vocal: Score
Piano, Voice
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With Accompaniment
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Wolfgang Amadeus Mozart: Idomeneo K. 366: Mixed Choir: Vocal Score
Piano, Voice
[Vocal Score]
Barenreiter
Dramma per musica in three acts (Hardcover)-?Idomeneo?(KV 366) erstmals aufgef...
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Dramma per musica in three acts (Hardcover)-?Idomeneo?(KV 366) erstmals aufgeführt am 29. Januar 1781 im Münchner Cuvilliés-Theater ist nach der Opera buffa ?La finta giardiniera? von 1775 Mozarts zweite Oper für den Münchner Hof. Der Opernstoff (?Idoménée? von Antoine Danchet) und dessen Umformung zu einem Libretto war in einer schriftlichen Anweisung dem leider verschollenen ?Plan? wie sie im Briefwechsel zwischen Vater und Sohn genannt wird fixiert worden. Der Bärenreiter-Klavierauszug enthält im Anhang die Striche und Änderungen anlässlich der Uraufführung in München und der Wiener Revision 1786. Vorschläge für Kadenzen oder zur Auszierung von Fermaten in den Singstimmen sind als Fußnoten wiedergegeben.
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Mass In B Minor Bwv 232
Piano, Voice
[Sheet music]
Barenreiter
Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présente...
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Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets. ' / Chant Et Piano / Partition
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Dir Mir Zu
Piano, Voice
Barenreiter
This short, highly compact song is based on an excerpt from a poem by Philipp Lu...
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This short, highly compact song is based on an excerpt from a poem by Philipp Luidl. Thanks to the narrow ambitus of the vocal part, it is suitable for every vocal register. The piano part is strictly bound to the musical text, whereas the vocal part, though precisely notated, is granted almost unlimited leeway in performance. Almost anything is permitted, from traditional song interpretation to uninhibited Sprechgesang in which even pitches can be redefined. The imagery of the poem - a stone constantly rolled back by the sea - gives rise to music of great flexibility. Piano and voice complement each other while preserving their independence. / Chant Et Piano
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Songs On Texts By Johann Wolfgang Von Goethe (FIBICH ZDENEK)
Piano, Voice
-
Intermediate/advanced
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Par FIBICH ZDENEK. The Czech composer Zdenek Fibich (18501900) had a keen inte...
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Par FIBICH ZDENEK. The Czech composer Zdenek Fibich (18501900) had a keen interest in classical German literature. It therefore comes as no surprise that he had already set songs to texts by Johann Wolfgang von Goethe while still a student at the Leipzig Conservatory. Between 1865 and 1871 he composed 16 songs on texts by this famous German author for voice and piano. Ten of them have survived: the song An den Mond, dating from 1869, and nine further songs from Goethes novel Wilhelm Meisters Lehrjahre were composed immediately after Fibichs return to Prague in 1871. All ten now appear here in a single-volume Urtext edition edited by Barbora Kubecková. / Niveau : 4 / Répertoire / Vocal et Piano
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Floersheimer Wald For Solo Voice And Piano
Deutsch
Piano, Voice
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For many, the title will awaken memories of the demonstrations against the clear...
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For many, the title will awaken memories of the demonstrations against the clearance of the Flörsheim Forest to allow for a new runway at the Frankfurt Airport. Both the poem, which extends beyond this local incident to remind us of the seriousness of our global situation, and the music join together to form an expressive, universally valid call for the conservation of our core values, our future together: 'Die Erde jedoch wird sich wehren. Sie wird uns, am Ende, nichts mehr geben als den Staub, in dem wir aufgehn.? (The earth, however, will resist. She will, in the end, not give us any more than dust, into which we will submerge.) It is up to us, to prevent the situation from advancing so far: 'Wir, die wir zu ihren Schülern wurden, sollten die Lehre der Bäume verbreiten.? (We, the students, should spread the teachings of the trees.? / Voix Et Piano
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Songs For Voice And Piano
Piano, Voice
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/ Chant Et Piano
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The Bartered Bride (SMETANA BEDRICH)
Piano, Voice
[Reduction]
Barenreiter
Par SMETANA BEDRICH. Bedrich Smetana (1824-1884) only began to devote himself in...
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Par SMETANA BEDRICH. Bedrich Smetana (1824-1884) only began to devote himself intensively to the project of an original opera in Czech at the age of 38. The libretto of 'The Bartered Bride, the second of Smetana's nine operas, was written for Smetana by the poet and journalist Karel Sabina. The subject chosen for the comic opera was the story of a pair of lovers in the countryside whose relationship is disapproved of by their parents. It is set during the festival at a village church anniversary. The final form of the work, which soon came to be regarded as a national opera, was preceded by a relatively difficult genesis. The opera was written between 1863 and 1865 and was premiered on 30 May 1866 at the Provisional Theatre in Prague, where the composer's last version of the work was also performed in 1870. This vocal score contains the musical text of the critical edition of Smetana's own vocal score. The newly-set edition contains both Czech and German vocal texts - the German singing translation is by Kurt Honolka. The newly-set and revised performance material for the entire opera, based on the critical edition by Frantisek Bartos, is available on hire. The vocal score replaces the old edition AE 112. - Urtext based on the critical edition of Smetana's own vocal score - A key work of modern Czech opera - New foreword by Marta Ottlová (Cz/Eng/Ger) - Includes singing translation by Kurt Honolka (Ger)/ Répertoire / Chant et Piano
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Mir Träumte, Ich Müßte Abschied Nehmen (1998) - Klavierfassung -
Piano, Voice
[Sheet music]
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/ Chant Et Piano / Partition
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Lieder, Bet 9 (SCHUBERT FRANZ)
Piano, Voice
[Score]
Barenreiter
Par SCHUBERT FRANZ. German/ Répertoire / Vocal et Piano
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Orlando
Piano, Voice
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/ Chant Et Piano
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Faust (GOUNOD CHARLES)
Piano, Voice
[Sheet music]
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Opera in five acts Version with recitatives. Par GOUNOD CHARLES. Charles Gounod...
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Opera in five acts Version with recitatives. Par GOUNOD CHARLES. Charles Gounods international renown is based on the success of his opera Faust after Goethes drama: The aging Faust makes a pact with the devil. He sells his soul to Mephistopheles and in return gets back his youth and he experiences new happiness in love when he meets the young Marguerite. The vocal score to Gounods masterpiece (completely sung version) assembles many popular numbers such as Marguerites Jewel Aria and the Lied of the King in Thule as well as Mephistopheless Rondo of the Golden Calf and Fausts Cavatina Salut ! demeure chaste et pure./ Répertoire / Chant et Piano
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Magnificat In C Major D 486 (SCHUBERT FRANZ)
Piano, Voice
[Sheet music]
Barenreiter
Arrangeur: Andreas Köln. Par SCHUBERT FRANZ. This edition of Franz Schubert's '...
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Arrangeur: Andreas Köln. Par SCHUBERT FRANZ. This edition of Franz Schubert's 'Magnificat D 486 is based on the composer's autograph score and is the first to make use of his authorised performance material. It offers alternative readings that make the performance practice of Schubert's day accessible to today's performers. This entertaining large-scale 'Magnificat was composed in September 1815. The edition is based on the Urtext from the 'New Schubert Edition and offers an informative Foreword with editorial notes in German and English. The original figured bass numerals found in Schubert's score have been modernised in all performance material and meticulously adapted to meet the demands of today's performers./ Répertoire / Chant et Piano
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Lieder, Bet 2 (SCHUBERT FRANZ)
Piano, Voice
[Score]
Barenreiter
Par SCHUBERT FRANZ. German/ Répertoire / Vocal et Piano
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Zaïs
Piano, Voice
[Sheet music]
Barenreiter
La première de Zaïs a eu lieu à l'Académie Royale de Musique en 1748. Il a ...
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La première de Zaïs a eu lieu à l'Académie Royale de Musique en 1748. Il a été relancé en 1761 et 1769, comptabilisent plus de 100 représentations au cours d'une période de plus de deux décennies. Comme allmost avec tous les opéras de Rameau, Zaïs a été soumis à une révision en profondeur du vivant du compositeur et au-delà.Notre nouvelle édition est disposé de telle façon que les artistes peuvent choisir entre la version, consolidée à Pâques 1748, et la version non révisée d'origine. Une série de compléments (pp. 287-355) présente les passages rejetée lors de la révision de Pâques, tandis que le score principal fournit des indications claires quant à l'endroit où un tel passage peut être substitué, le cas échéant. / Chant Et Piano / Partition
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Minzmeißel
Piano, Voice
Barenreiter
/ Voix Et Piano
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