| The Definitive Paul Simon Songbook Melody line, Lyrics and Chords [Sheet music] Music Sales
The Definitive Paul Simon Songbook by Paul Simon. For Melody Line, Lyrics and Ch...(+)
The Definitive Paul Simon Songbook by Paul Simon. For Melody Line, Lyrics and Chords. Music Sales America. Folk Rock. Softcover. 560 pages. Paul Simon Music #PS11594. Published by Paul Simon Music
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| Simon Phillips Play-along Cd Included Drums [Sheet music + CD] Alfred Publishing
Performed by Simon Phillips. Edited by Ray Brych. DCI books (Percussion). 72 pag...(+)
Performed by Simon Phillips. Edited by Ray Brych. DCI books (Percussion). 72 pages. Published by Alfred Publishing.
(1)$26.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Paul Simon: Anthology Piano, Vocal and Guitar [Sheet music] - Intermediate Music Sales
Performed by Paul Simon. Songbook for voice, piano and guitar chords. 248 pages....(+)
Performed by Paul Simon. Songbook for voice, piano and guitar chords. 248 pages. Published by Music Sales.
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| The Complete Consort Music Edition HH
Violins; viols; consort SKU: HH.HH251-FSP Composed by Maurice Webster. Ed...(+)
Violins; viols; consort SKU: HH.HH251-FSP Composed by Maurice Webster. Edited by John Cunningham and Peter Holman. Violins; Viols; Consort. Full score and parts. Edition HH Music Publishers #HH251-FSP. Published by Edition HH Music Publishers (HH.HH251-FSP). ISBN 9790708092032. The five three part (SSB) and nine four part (SSTB) dances in this edition represent the complete surviving consort music of Maurice Webster. Webster, a skilled composer with a distinctive style, appears to have been the main catalyst for introducing the 'string quartet' scoring in dance music to England in the 1620s. The development of this idiom had a significant impact on the music of his contemporaries such as Simon Ives, Charles Coleman and William Lawes, who fully embraced it by the 1630s. $51.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Four-part dances Violin [Score and Parts] Edition HH
By Simon Ives. Edited by Peter Holman / John Cunningham. For Violins, Viols or W...(+)
By Simon Ives. Edited by Peter Holman / John Cunningham. For Violins, Viols or Wind instruments. Full score and parts. 124 pages
$55.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Tchaikovsky: Illustrated Lives Of The Great Composers Biography [Textbook] Omnibus Press
Tchaikovsky: Illustrated Lives Of The Great Composers by Pyotr Ilyich Tchaikovsk...(+)
Tchaikovsky: Illustrated Lives Of The Great Composers by Pyotr Ilyich Tchaikovsky / Simon Mundy. Classical Biography. Illustrated Lives Of The Great Composers. Romantic, Classical. Biography. Text language: English. 208 pages. Published by Omnibus Press
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| Dan Coates - Complete Advanced Piano Solos
Piano solo [Sheet music] - Advanced Alfred Publishing
The Greatest Love Of All Composed by Michael Masser, Linda Creed Homecoming Com...(+)
The Greatest Love Of All Composed by Michael Masser, Linda Creed
Homecoming Composed by Hagood Hardy
Weve Got Tonight Composed by Bob Seger
Song From M*a*s*h (Suicide Is Painless) Composed by Johnny Mandel, Mike Altman
Misty Composed by Erroll Garner, Johnny Burke
Other Side Of Midnight Composed by Michel Legrand
The Rose Composed by Amanda Mc Broom
Tears In Heaven Composed by Eric Clapton, Will Jennings
Theme From New York, New York Composed by Fred Ebb, John Kander
Heart Composed by Richard Adler, Jerry Ross
Hey There Composed by Richard Adler, Jerry Ross
Colors Of My Life Composed by Cy Coleman, Michael Stewart
Over The Rainbow Composed by Harold Arlen, E.y. Harburg
Separate Lives Love Theme From "white Nights"
Theme From Ice Castles Composed by Marvin Hamlisch, Carole Bayer Sager
Tonight I Celebrate My Love Composed by Michael Masser, Gerry Goffin
In This Life Composed by Mike Reid, Allen Shamblin
Up Where We Belong Composed by W Jennings, B Sainte, Marie, J Nitzsche
From A Distance Composed by Julie Gold
I Will Always Love You Composed by Dolly Parton
Oh! What It Seemed To Be Composed by Bennie Benjamin, George David Weiss, Frankie
I Believe I Can Fly Composed by R. Kelly
Valentine Composed by Jim Brickman, Jack Kugell
How Do I Live Composed by Diane Warren
Colors Of The Wind Composed by Stephen Schwartz, Alan Menken
A Dream Is A Wish Your Heart Makes Composed by Mack David, Al Hoffman, Jerry Livingston
see less... Tell Him Composed by Linda Thompson, David Foster
Con Te Patiro / Time To Say Goodbye Composed by Lucio Quarantotto, Francesco Sartori
Karen's Theme Composed by Richard Carpenter
The Prayer Composed by Carole Bayer Sager, David "babyface" Foster
My One True Friend Composed by Carole Bayer Sager, Carole King
Love Solo Composed by Dan Coates
I Don't Want To Miss A Thing Composed by Diane Warren
As Time Goes By Composed by Herman Hupfeld
La Vie En Rose Composed by Louiguy, Piaf (French), David (Eng.)
What's New? Composed by Bob Haggart, Johnny Burke
Summer Me, Winter Me Composed by Michel Legrand, Alan, Marilyn Bergman
Evergreen Composed by Barbra Streisand, Paul Williams
Arthur's Theme (Best That You Can Do) Composed by Burt Bacharach, Carole Bayer Sager
Can You Read My Mind Composed by John Williams, Leslie Bricusse
Love And Marriage Composed by Jimmy Van Heusen, Sammy Cahn
Desperado Composed by Don Henley, Glenn Frey
The Wind Beneath My Wings Composed by Jeff Silbar, Larry Henley
How Do You Keep The Music Playing? Composed by Michel Legrand, Alan Bergman
Anywhere The Heart Goes Composed by Henry Mancini, Will Jennings
Once Before I Go Composed by Dean Pitchford, Peter Allen
Star Wars - Main Theme Composed by John Williams
Open Arms Composed by Steve Perry, Jonathan Cain
Canon In D Composed by Johann Pachelbel
That's What Friends Are For Composed by Burt Bacharach, Carole Bayer Sager
Friends Or Lovers Both To Each Composed by Paul Gordon, Jay Gruska
Forever Composed by Kenny Loggins, Eva Loggins, David Foster
Saving All My Love For You Composed by Gerry Goffin, Michael Masser
Miss Celie's Blues Composed by Quincy Jones, Rod Temperton, And
Anne's Theme Composed by Hagood Hardy
One Moment In Time Composed by Albert Hammond, John Bettis
Kei's Song Composed by David Benoit
I Say A Little Prayer Composed by Burt Bacharach, Hal David
Happy Birthday To You Composed by Mildred J. Hill, Patty S. Hill
May You Always Composed by Larry Marks, Dick Charles
If My Friends Could See Me Now Composed by Cy Coleman, Dorothy Fields
You Can Always Count On Me Composed by Cy Coleman, David Zippel
Ashokan Farewell Composed by Jay Ungar
Everything I Do I Do It For You Composed by Bryan Adams, Robert Lange, Michael Kamen
Send In The Clowns Composed by Stephen Sondheim
She Loves Me Composed by Sheldon Harnick, Jerry Bock
How Could I Ever Know? Composed by Marsha Norman, Lucy Simon
My Unknown Someone Composed by Cy Coleman, Adolph Green, Betty Comden
Favorite Son Composed by Cy Coleman, Adolph Green, Betty Comden
I Swear Composed by Gary Baker, Frank Myers
I Can Love You Like That Composed by S Diamond, M Derry, J Kimball
Beauty And The Beast Composed by Howard Ashman, Alan Menken
Angel Eyes Composed by Jim Brickman
If You Believe Composed by Jim Brickman
Because You Loved Me Composed by Diane Warren
Un-break My Heart Composed by Diane Warren
Ragtime Composed by Stephen Flaherty, Lynn Ahrens
Complete Advanced Piano Solos (Music for All Occasions). Arranged by Dan Coates. For solo piano. Piano - Intermediate / Advanced Collection; Piano Supplemental. The Professional Touch Series. Contemporary Instrumental and Pop. SMP Level 9 (Advanced). Collection. Standard notation (does not include words to the songs). 304 pages. Published by Alfred Music Publishing
(80)$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Visions Fugitives Op. 22 Piano solo G. Henle
Piano Solo SKU: HL.51481158 Piano Solo. Composed by Sergei Prokovi...(+)
Piano Solo SKU: HL.51481158 Piano Solo. Composed by Sergei Prokoviev. Edited by Norbert Gertsch. Henle Music Folios. Classical. Softcover. 48 pages. G. Henle #HN1158. Published by G. Henle (HL.51481158). UPC: 196288209164. 9.0x12.0x0.172 inches. Prokofiev did not compose his Visions fugitives â?? 20 â??fleeting visionsâ? â?? in one go, but in clusters between 1915 and 1917, immediately before the Russian Revolution that compelled him to leave his native country in 1918. We know from his diaries that at least some of them owe their existence to extra-musical impulses. Thus several pieces were inspired by people close to him. Others impart his emotional reaction to the political situation with its menacing brutality. According to his own statement, for example, no. 19 â??was inspired by the events of February 1917 in Petrogradâ?, during the Revolution's first phase. Technically the pieces are not too demanding, and are also often used in teaching. They now appear for the first time in an Urtext edition that considers all the musical sources created during the composer's lifetime. In his preface, Prokofiev specialist Simon Morrison provides biographical context for the genesis of this fantastic piano cycle. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 ? 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$25.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Penlee Brass ensemble [Score] Faber Music Limited
By Simon Dobson (1981-). Concert Band. For Brass Band. Brass Band; Score. Faber ...(+)
By Simon Dobson (1981-). Concert Band. For Brass Band. Brass Band; Score. Faber Edition. 20th Century; Masterwork. Published by Faber Music
$25.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jesus Lives Choral SATB SATB, Piano Bourne Music Co.
SATB choir and piano (with optional brass quartet) SKU: BC.384026 Compose...(+)
SATB choir and piano (with optional brass quartet) SKU: BC.384026 Composed by Palestrina; Neander; Simon. Choral Music. Sacred. Octavo. Published by Bourne Music (BC.384026). $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jesus Lives Bourne Music Co.
2 trumpets and 2 trombones SKU: BC.384029 Composed by Palestrina; Neander...(+)
2 trumpets and 2 trombones SKU: BC.384029 Composed by Palestrina; Neander; Simon. Choral Music. Part. Published by Bourne Music (BC.384029). $8.80 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Selections from Capt. Simon Fraser's Airs and Melodies Kitchen Musician Books
Scottish, Celtic, Folk. Collection. Published by Kitchen Musician Books (KI.KM...(+)
Scottish, Celtic, Folk. Collection. Published by Kitchen Musician Books (KI.KM20).
$12.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| James Macmillan : Piano Concerto No. 3 2 Pianos, 4 hands Boosey and Hawkes
(The Mysteries of Light 2 Pianos, 4 Hands reduction). By James Macmillan. Arrang...(+)
(The Mysteries of Light 2 Pianos, 4 Hands reduction). By James Macmillan. Arranged by Simon Smith. For 2 Pianos, 4 Hands, Piano Duet. BH Piano. Softcover. 76 pages. Boosey and Hawkes #M060123740. Published by Boosey and Hawkes
$47.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| All You Need to Know About the Music Business - 9th Edition [Book] | | |
| Weihnachtsglockchen Piano solo Hug
Piano SKU: HG.GH-9346 Composed by Ernst Simon. Archives. Hug Musikverlage...(+)
Piano SKU: HG.GH-9346 Composed by Ernst Simon. Archives. Hug Musikverlage #GH 9346. Published by Hug Musikverlage (HG.GH-9346). $18.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Thula Klizeo Choral SATB SATB, Piano Pavane Publishing
Choral; Piano Accompaniment (SATB) SKU: HL.268952 Composed by Joseph Shab...(+)
Choral; Piano Accompaniment (SATB) SKU: HL.268952 Composed by Joseph Shabalala. Sheet music. Pavane Secular. Octavo. Duration 240 seconds. Pavane Publishing #P1622. Published by Pavane Publishing (HL.268952). UPC: 888680737078. 6.75x10.5x0.019 inches. After successful voicings for 2-part and SAB, it is right to provide an SATB voicing of this delightful number. Joseph Shabalala, best known in the U.S. for his collaboration with Paul Simon, gives us a taste of Africa that is real and soulful. Great for concerts and festival events. $2.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Cinq diapositives en forme d'études Guitar - Advanced Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-1109 Composed by Simone Iannarelli. Sco...(+)
Guitar solo - Advanced SKU: DZ.DZ-1109 Composed by Simone Iannarelli. Score. Les Productions d'OZ #DZ 1109. Published by Les Productions d'OZ (DZ.DZ-1109). ISBN 9782896550081. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Prelude, Blues and Polka Piano solo Bote and Bock
Piano (Piano Solo) SKU: HL.48025031 Piano. Composed by Simon Laks....(+)
Piano (Piano Solo) SKU: HL.48025031 Piano. Composed by Simon Laks. BH Piano. Classical. Softcover. 16 pages. Bote & Bock #M202534854. Published by Bote & Bock (HL.48025031). UPC: 196288019954. 9.0x12.0x0.129 inches. Simon (Polish: Szymon) Laks, born in Warsaw in 1901, had worked in Paris since 1926, where he stood out as one of the most importantrepresentatives of Polish modernism in the context of the Groupe de Six and the Ecole de Paris. Promoted by Szymanowski and inspiredby Ravel, he amalgamated neoclassicism of French provenance with elements of Polish folk music tradition and influences from jazz. Laks work was dramatically interrupted by internment and deportation. He survived Auschwitz as a member and leader of a camp chapel, to which he gave poignant testimony in his book Music in Auschwitz (978-3-7931-4082-5). The piano pieces, which were createdindependently of one another and are summarized as a cycle in this volume, reflect the stylistic range of Laks oeuvre, his typical juggling with the levels E and U and his own profound sense of humor. Simon Lak's 'oeuvre, which is attracting increasing international attention, is published exclusively by Boosey & Hawkes. $21.99 - See more - Buy online | | |
| Transcriptions for Violin and Piano Violin and Piano Peters
Violin SKU: PE.EP73225 8 Transcriptions from Dowland to Johann Strauss...(+)
Violin SKU: PE.EP73225 8 Transcriptions from Dowland to Johann Strauss II. Composed by Simon Fischer. Violin & Piano. Edition Peters. Book. 136 pages. Edition Peters #98-EP73225. Published by Edition Peters (PE.EP73225). ISBN 9790577015675. 232 x 303mm inches. English. Violinist Simon Fischer, renowned throughout the world for his highly praised string methods, now presents brilliant and idiomatic transcriptions for violin and piano of famous works from the classical repertoire. Perfect as encores or as part of a mixed recital, these arrangements of pieces by Dowland, Purcell, Rossini, Felix and Fanny Mendelssohn, Tchaikovsky, Chopin and Johann Strauss II will delight audiences and provide satisfying playing material for violinists. - Eight highly effective violin transcriptions, repertoire fromJohn Dowland to Johann Strauss II
- Idiomatic violin parts demonstrating virtuoso potentialof instrument
- Ossia alternatives for technically challenging moments
- Video performances by Simon Fischer are available online
$25.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Music for a Found Harmonium String Orchestra [Score] - Easy Alfred Publishing
By Simon Jeffes. Arranged by Andrew Dabczynski. By Simon Jeffes / arr. Andrew Da...(+)
By Simon Jeffes. Arranged by Andrew Dabczynski. By Simon Jeffes / arr. Andrew Dabczynski. For String Orchestra. String Orchestra. String Alternatives. Level: Grade 2.5. Conductor Score. Published by Alfred Publishing.
$7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Music for a Found Harmonium String Orchestra [Score and Parts] - Easy Alfred Publishing
By Simon Jeffes. Arranged by Andrew Dabczynski. By Simon Jeffes / arr. Andrew Da...(+)
By Simon Jeffes. Arranged by Andrew Dabczynski. By Simon Jeffes / arr. Andrew Dabczynski. For String Orchestra. String Orchestra. String Alternatives. Level: Grade 2.5. Conductor Score & Parts. Published by Alfred Publishing.
(1)$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Buoso's Ghost (Piano/Vocal Score) Piano, Voice Schirmer
Composed by Michael Ching. One Act/Chamber Opera. 20th Century. Score. Publi...(+)
Composed by Michael Ching.
One Act/Chamber Opera. 20th
Century. Score. Published by
E.C. Schirmer Publishing
$27.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Praise Songs For Two Voices Voice [Book + CD] Hope Publishing Company
By Various. Arranged by Lloyd Larson. Vocal Duets - Lloyd Larson. Contemporary, ...(+)
By Various. Arranged by Lloyd Larson. Vocal Duets - Lloyd Larson. Contemporary, Sacred. Book & Accompaniment CD. 76 pages
$14.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Complete 1/2 Case Music Sales | | |
| tellement froid que Carus Verlag
Bass Flute, Electronics, Scene SKU: CA.1631000 (georgiques I), fur bas...(+)
Bass Flute, Electronics, Scene SKU: CA.1631000 (georgiques I), fur bass flute and live electronics. Composed by Walter Feldmann. This edition: Paperbound. (r)TELLEMENT FROID QUE- (GEORGIQUES I). Full score. Composed 1995-96. 66 pages. Duration 20 minutes. Carus Verlag #CV 16.310/00. Published by Carus Verlag (CA.1631000). ISBN 9790007242800. Language: all languages. 1989. Stay in Aix-en-Provence, France, doing a language course. Reading, discussing and analyzing Les Georgiques; this pursuit is going to be the foundation of the multiple intellectual and literary levels of my composing. 2. THE WOODEN PLATFORM IS COVERED WITH FINE WHITE SAND (OR SALT), THE TWO SHELVES WITH BLACK CLOTH ... At the time I work on my first serious piece, still a far cry from the under-standing of writing music I have today. << tellement froid que >> (georgiques I) for bass flute, electronics and scene (1995-96), sections 1-7. << comme si le froid >> (georgiques II) for baritone saxophone, timpani and piano (1998), sections 18-24. << n'etait le froid >> (georgiques III) for orchestra (2000-2002), sections not yet decided. 3. THE INTERPRETER WILL BE DRESSED IN BLACK AND WHITE, MAINLY WHITE IF BLUISH LIGHT IS AT HAND ... The enormously rich vocabulary and the accuracy of expression - in temporal, spatial and material terms - is particularly impressive. To comprehend all of it, a reading on three different levels is called for: a first reading of one passage, then the acquisition of unknown vocabulary; thirdly a repeated - knowing - reading, which points out the utopia of precise expression: The text is treated in a rather problematic (cold: le froid?) manner: it's not the semantic content that is primarily dominant, but rather the outward appearance, the mise en page and the syntactic structure. 4. THE INTERPRETER ENTERS THE STAGE WITH ALL THE FLUTES (S)HE WILL PLAY DURING THE CONCERT AND DEPOSITS THEM - EXCEPT FOR THE BASS FLUTE - ON SHELF B; IF (S)HE ONLY PLAYS THIS PIECE, (S)HE SHOULD PUT THE PROGRAMME OF THE CONCERT THERE; IN ANY CASE THE INSTRUCTIONS IN BAR 195 MUST BE FOLLOWED ... In concrete terms the 10 centimetres of a line in the minuit edition correspond to 10 seconds of musical structure (which is three times as slow as the average reading speed). Only seven years later is the term / expression casse ferique changed into casse ferrique, and thus its secret is revealed, which almost becomes - due to its unreadability - the key to the planned musical cycle. The text is measured from section to section (big format: each section is marked with a continuous, ,,cold chord by the bass flute, played on tape recorder), from full stop to full stop (new entry of keynote material), from comma to comma (tripling of continuous resonances) etc. 5. DURING THE PERFORMANCE UP TO BAR 195, THE INTERPRETER WILL TRY - IN A KIND OF THEATRICAL ADAPTATION - TO EXPRESS HIS/HER OWN FEELING OF IRREPRESSIBLY GROWING FRUSTRATION; FROM BAR 195 ONWARDS (S)HE WILL DEFINITELY HAVE PUT UP WITH THE BASS FLUTE ... Brackets in the text bring about a reduction of sound (the differentiating micro tones are no longer used), the syntactical progression to subordinate clauses of the remotest degree has its immediate effect on dynamics (degree of volume). Then: the perception of a logical and yet erratic syntax, vastly progressive layers of subordinate clauses and brackets (lowering tone of voice?), a polyphony of ,,memoire, which leads to a maelstrom of attention, a tonally centric / concentrated (main material?) and progressive (subordinate and brackets-material?) reading, listening and proceeding. The different levels are constantly in touch - transferring the sensuous moment of scenes of bodily encounter (Tryptique) that are evoked again and again - in perpetual excitement of text and imagination, memory and remembering sensitivity. 6. THE BODY MOVEMENTS AND FIXATION (FIGE) , BOTH CLEARLY PERCEPTIBLE, WILL EVOKE AND SUPPORT THE SAME EMOTIONS ... The basic moods of the text will be reflected in the relationship (which is very important here) of the interpreter to the music; (s)he is somehow at the mercy of given (and not always transparent) structures on the one hand and the complexity of musical sensations on the other, which has to be defeated inspite of exhaustion. It's not only here that semantic agreement (besides the materialistic structure) of music and text can be felt: On top of that there's the existential helplessness in view of the mercilessly flowing polyphony of levels and events -- as a mirror of this there are the remembered scenes of the Flemish cold in the second chapter (Les Georgiques). The interpreters are confronted with unusual directions which correspond to the adjectives in the respective passages of the text: anachronique, engourdi, glace et acre, monotone et desert etc. The possibilities of interpretation are amplified, the ability to perceive and personal reaction is opened. The impression of this inexorability is multiplied in the extremest way by the fact that the particular layers can be found in Simon's complete works. It's a continuous work of art in which each novel turns into a chapter of a complex, cyclic whole; its title denoting only one main strand, as it were. A personal comment is made also as regards the clearly defined stage; the mise en scene points out the extra-musical elements and the correlation between text, human being and music. 7. THE INTERPRETER IS ASKED TO MOVE FREELY WITHIN A DEFINED SPOT WITHOUT LOOKING ARTIFICIAL; SOUNDS CAUSED BY THE FEET MOVING ON THE SAND ARE WELCOME DURING THE WHOLE PIECE ... And here the idea of a cycle is born, an attempt to transfer these nuances of memorized structures, this clarity and coldness, to transform the text into musical material. Walter Feldmann. $45.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Wow Factor: How to Create It, Inspire It & Achieve It Choral [Sheet music] Hal Leonard
Comprehensive Guide for Performers). Book. Methodology Chorals. Softcover. Publi...(+)
Comprehensive Guide for Performers). Book. Methodology Chorals. Softcover. Published by Hal Leonard
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ensemble Classics Series Brass Quartets Vol2 Two Cornets Trombone, And 2nd Trombone Trombone Hal Leonard | | |
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