Handbells 3-5 octave handbell choir & piano - Level 2

SKU: HP.2824

Arranged by Lloyd Larson. Easter Sunday, Sacred. Handbell score. 8 pages. Hope Publishing Company #2824. Published by Hope Publishing Company (HP.2824).

UPC: 763628128241. By Sydney H. Nicholson.

Familiar hymn by Sydney H. Nicholson
Combining a moderately difficult piano part with Level 2, 3-5 octave handbells, here is a stately presentation of this powerful hymn. Ideal for World Communion, Christ the King, and especially Easter morning, this combination is a sure winner.

By Sydney H. Nicholson. Arranged by Paul Leddington Wright. For SATB choir and organ with optional brass, percussion and congregation. Hymn Concertato Series. Octavo. 12 pages. Published by Hope Publishing Company

Choir; orchestra

SKU: HP.C5732C

Composed by Brian Wren and John Hatton. Arranged by Lloyd Larson. Piano Accompaniment with Optional Orchestra. Hymntune, Easter Sunday, Cross of Christ, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C5732C. Published by Hope Publishing Company (HP.C5732C).

UPC: 763628957322. George W. Kitchin, rev. Michael R. Newbolt & Sydney H. Nicholson. John 12:32, Matthew 10:38, Matthew 16:24, Luke 14:27, 1 Corinthians 1:17-24, Galatians 6:14, Philippians 2:8, 1 Peter 2:24, Revelation 1:18, John 3:14-15, Revelation 14:1, Revelation 22:4, Revelat.

Classic hymn This powerful resurrection anthem comes from Lloyd Larson's Easter musical, Lift High the Cross, and features the two Easter hymns, Lift High the Cross and Brian Wren's Christ Is Alive. Additional instruments effectively add to the impact of this Easter celebration. The Orchestration contains a Conductor's Score and parts for: Flute, Oboe, Horn, B-flat Trumpet, Violin, Cello, Bass Guitar, Synth String Reduction, and Percussion.

Choir; brass

SKU: HP.F996B

Composed by Sydney H. Nicholson. Arranged by Ronn Huff. Piano with Optional Brass parts. General Worship, Sacred. Brass parts. Hope Publishing Company #F996B. Published by Hope Publishing Company (HP.F996B).

George W. Kitchin, rev. Michael R. Newbolt. Galatians 6:14, John 3:14, John 3:15, John 12:32, Numbers 21:8, Numbers 21:9, Revelation 5:9, Revelation 14:1, Revelation 22:4, 1 Corinthians 1:18, 1 Corinthians 1:19, 1 Corinthians 1:20, 1 Corinthians 1:21, 1 Corinthians 1:22, 1 Cor.

Classic hymn Choral Setting by Ronn Huff.

Handbells (3-5 octaves) - Level 3-

SKU: LO.20-1714L

Composed by Sydney H. Nicholson. Arranged by Sondra K. Tucker. Eastertide, General. Handbell score. Lorenz Publishing Company #20/1714L. Published by Lorenz Publishing Company (LO.20-1714L).

ISBN 9781429135245.

This Sondra Tucker arrangement is the perfect selection for your Easter Sunday celebration. From the opening fanfares to the triumphant closing chords, ringers and congregations will be inspired by this dynamic composition.

Choir; orchestra (flute, oboe, horn, B-flat trumpet, violin, cello, bass guitar, synthesizer string reduction, and percussion)

SKU: HP.C5732O

Composed by Brian Wren and John Hatton. Arranged by Lloyd Larson. Piano Accompaniment with Optional Orchestra. Hymntune, Easter Sunday, Cross of Christ, Sacred. Set of Instrumental Parts. Hope Publishing Company #C5732O. Published by Hope Publishing Company (HP.C5732O).

UPC: 763628257323. George W. Kitchin, rev. Michael R. Newbolt & Sydney H. Nicholson. John 12:32, Matthew 10:38, Matthew 16:24, Luke 14:27, 1 Corinthians 1:17-24, Galatians 6:14, Philippians 2:8, 1 Peter 2:24, Revelation 1:18, John 3:14-15, Revelation 14:1, Revelation 22:4, Revelat.

Classic hymn This powerful resurrection anthem comes from Lloyd Larson's Easter musical, Lift High the Cross, and features the two Easter hymns, Lift High the Cross and Brian Wren's Christ Is Alive. Additional instruments effectively add to the impact of this Easter celebration. The Orchestration contains a Conductor's Score and parts for: Flute, Oboe, Horn, B-flat Trumpet, Violin, Cello, Bass Guitar, Synth String Reduction, and Percussion.

Arr. Craig Phillips. Arranged by Craig Phillips. Fred Bock Music Company. Size 9x12 inches. Published by Fred Bock Music Company.

arr. Fred Bock. By Fred Bock. Fred Bock Publications. Size 9x12 inches. 46 pages. Published by Fred Bock Music Company.

Choir; B-Flat instrument; brass; timpani; trombone

SKU: HP.C5924B

Composed by Sydney H. Nicholson. Arranged by Thomas Fettke. Piano Accompaniment with Optional Brass & Timpani. Lent, Palm Sunday, Easter Sunday, Communion, Sacred. Brass parts. Hope Publishing Company #C5924B. Published by Hope Publishing Company (HP.C5924B).

UPC: 763628259242. George W. Kitchin, rev. Michael R. Newbolt. John 12:32, Matthew 16:24, 1 Peter 2:21, Matthew 1:21, Psalm 103:19, Matthew 25:31, John 3:14.

Classic hymn This classic hymn takes on new life in arranger Tom Fettke's hands! A powerful choral proclamation in its introduction, along with a contrasting middle section based on John 3:16, God so loved the world, allowing for a poignant solo moment, makes this a stunning anthem for the Lent and Easter season.

By David R. Gillingham. Percussion Ensemble. For Marimba (4-mallet) (marimba (5-octave)). Medium to difficult. Duration 20:00. Published by C. Alan Publications

Chamber Music String Quartet

SKU: PR.14440727S

Composed by Sydney F. Hodkinson. Sws. Full score. 44 pages. Duration 22 minutes. Merion Music #144-40727S. Published by Merion Music (PR.14440727S).

UPC: 680160681907. 9 x 12 inches.

My Eighth and Ninth String Quartets, begun in late 2017, are sonic cousins. Akin to real cousins, each piece exhibits differing natures. They were requested by two ensembles that have become asecond familiesa to me: The Jupiter Quartet of Urbana, Illinois and the Amernet Quartet based in Miami, Florida. Their collective dedication to, and care for, our art remains a personal and constant are-fuelinga for me. The quartets were commissioned by, and dedicated to, Margaret and Philip Verleger of Denver, Colorado. Additional financial support was provided by the School of Music at Stetson University, Timothy Peter, Dean. Quartet No.8 is laid out in a classical four-movement design. The work does break somewhat from conventional tradition by often placing quartet members into soloistic roles as the movement titles note. individual The opening piece presents at the outset a three-note motto which is turned over, tumbled, and energetically discussed, primarily by a violin duet. It is a duel. The two players part company only infrequently during the movement's progress, pausing briefly for other commentary by their alower cohortsa, the Viola and Cello do not argue, but abet their friends' aeffortsa. The piece's overall character is fairly bright and dancelike, closing in an unresolvedastandoffa. not Two principal asound-objectsa stitch the second movement scherzo together: sliding hands (glissandos) and a plucked ashufflea (pizzicato) - both instigated by the (solo) cellist. The others are influenced - or are not - by their aleadera, and follow - or interrupt - the cello throughout their four-voiced conversation. The third movement (longest of the set) is an elegy dedicated to the memory of a close personal friend, the American composer David Maslanka (1943 - 2017). Its' genesis is a simple 5-note melody derived from my own name (SaC/DaC/EaC/H). This line commences in the (solo) viola and is obsessively uttered without relief during the movement's lamentations. The closing movement revisits much of that opening three-note material, but now dressed up for the full quartet to view. It is a slowly accelerating romp which - twice - cannot avoid a nod to the Amernet and Jupiter performers by offering a humble bow to the 4th movement of Gustav Holst's PLANETS - Jupiter: The Bringer of Jollity. My quartet serves as an honouring salute of thanks for the talent, respect, and friendship of these two young quartets. STRING QUARTET No. 8 is roughly 22 minutes in duration. It was written as an homage to Franz Joseph Haydn, my adesert-island-composera, and completed in Holly Hill, Florida in early April of 2019. S.H.