By Charles Villiers Stanford (1852-1924). For SATB Choir and Organ accompaniment. Royal School of Church Music. Sacred. Easy. 12 pages. Published by GIA Publications

By Charles Villiers Stanford (1852-1924). Arranged by Cathy Moklebust. For 2 trumpets, 2 trombones, tuba and timpani (with optional horn). Level 2+. Reproducible instrumental Parts. Published by Chorister's Guild

By Charles Villiers Stanford (1852-1924). For Unison Choir and Organ accompaniment. Bible Reference: Psalm 121. Royal School of Church Music. Sacred. Easy. Text language: English. 8 pages. Published by GIA Publications

Composed by Charles Villiers Stanford (1852-1924). Arranged by Susan Brumfield. For Choral (3 Part Treble). Festival Choral. 16 pages. Published by Hal Leonard

SKU: HL.14067208

Composed by Charles Villiers Stanford. Choral. General Merchandise. Duration 240 seconds. Edition Wilhelm Hansen #KM010. Published by Edition Wilhelm Hansen (HL.14067208).

Piano

SKU: NR.87844

Für Klavier, opus 170. Composed by Sir Charles Villiers Stanford. Score. Noten Roehr #87844. Published by Noten Roehr (NR.87844).

SKU: GI.G-RCL39

Te Deum, Benedictus, Jubilate Deo. Composed by Charles Villiers Stanford. Royal School of Church Music. Classical. 32 pages. GIA Publications #RCL39. Published by GIA Publications (GI.G-RCL39).

By Charles Villiers Stanford (1852-1924). For Soprano voice solo, SATB Choir, orchestra (Mixed Voices). General, Canticle. Choral. 16 pages. Published by Galaxy Music Corporation

(Cello Part And Piano Score)

SKU: HL.48186482

Composed by Reynaldo Hahn. Leduc. 24 pages. Alphonse Leduc #AL30749. Published by Alphonse Leduc (HL.48186482).

Reynaldo Hahn: Works for cello and piano [AL 30 749] For quite some time, posterity remembered Reynaldo Hahn (1874-1947) for just a handful of songs and the operetta Ciboulette, overlooking the incredible diversity of a catalogue as eclectic as it is appealing. Yet his chamber music contains many little-known treasures: thus, cellist Steven Isserlis, in his preface, hastens to hail the first modern edition of these two scores, which he regularly plays in recital, so much does their beauty enchant the audience. Published in 1911, the Two Improvisations on Irish Airs for cello and piano turn out to be the transcription of his first and third Preludes for piano four hands (1894). These folk themes come from the collection Songs of Old Ireland, published 12 years earlier by Charles Villiers Stanford: gracefully and tenderly, The Little Red Lark unfurls a melancholic tune of which the regular foundation respects the breadth of phrase typical of folk songs; in The Willow-Tree, the lover begs his beloved in vain to take him in her arms one last time before he lies down, lifeless, in the shade of the tree. Beyond this sensitive exploration of the Irish soul, Hahn offers us a journey into the past: the Variations chantantes sur un air ancien develop a theme borrowed from Cavalli?s opera Xerse. In this aria (1660 version: Act IV, sc. 6), Ambassador Periarco dreams of moving away from court intrigues to be able to taste the pleasures ?to which the gods have destined him?. Reynaldo Hahn?s variations succeed in maintaining the sweet simplicity of this theme, as noble as it is refined. Let us wager that this publication will delight cellists and pianists alike: it contains some nuggets. Deux improvisations sur des airs irlandais (The Little Red Lark, The Willow-Tree) Variations chantantes sur un air ancien.

Piano (Piano Solo)

SKU: HL.49046843

Piano Solo. Composed by Samuel Coleridge-Taylor. Piano Solo. Classical. Softcover. 12 pages. Duration 180 seconds. Schott Music #ED14075. Published by Schott Music (HL.49046843).

ISBN 9781705162040. UPC: 842819115441. 9.0x12.0x0.064 inches.

Samuel Coleridge-Taylor's Papillon for solo piano was first published in 1908 by Augener Ltd. Following George Augener's retirement in 1910, the work along with the whole Augener catalogue (which contained no less than 24 other works by Coleridge-Taylor), was aquired by Schott and Co. Ltd. At the time both companies occupied offices on Great Marlborough Street, London. Coleridge-Taylor was born in London and brought up in Croydon. He learnt to play the violin, was recognised as a child prodigy and at 15 was awarded a scholarship to study at the Royal College of Music with Charles Villiers Stanford, where he was a contemporary of Holst and Vaughan Williams. Coleridge-Taylor described himself as “Anglo-African” and, despite support from his colleagues, faced racism throughout his whole career. In spite of this prejudice and his tragically early death in 1912 aged just 37, he enjoyed great success during his lifetimeand his music was performed at the Proms no less than 116 times between 1898 and 1939. In contrast, since 1940 his music has only been heard there on thirteen occasions to date. Like many works from this period, at some point in the past Papillon became out of print. Schott Music is now very pleased to present this new modern performing edition with errors and inconsistencies from the original edition now corrected.

(aus op. 12). By Charles Villiers Stanford (1852-1924). Edited by Kircher, Armin. For SATB/SATB Choir, Organ. Score. Language: English. 8 pages

By Charles Villiers Stanford. (SATB DV A Cappella). Boosey and Hawkes Large Choral. Size 7.25x10.25 inches. 23 pages. Published by Boosey and Hawkes.

SATB Choir, organ - Level 1

SKU: CA.303420

Composed by Charles Villiers Stanford and Giovanni Giacomo Gastoldi. In dir ist Freude. Sacred vocal music, Whole church year / Omni tempore, Fear and trust, Praise and thanks. Full score. Duration 3 minutes. Carus Verlag #CV 03.034/20. Published by Carus Verlag (CA.303420).

ISBN 9790007147556. Key: D major. Text language: English/German. Text: Winkworth, Catherine. Text by Catherine Winkworth.

By Orlando Gibbons. Arranged by Charles Villiers Stnaford. For Voices: SATB. Organ. Royal School of Church Music Sacred. Level: easy. 5 pages. Published by GIA Publications.