From the Twentieth Century Fox Motion Picture) (Music of the Movies Show - Part I. By David Arnold. Arranged by Michael Story. By David Arnold / arr. Mike Story. For Marching Band. Marching Band. Big and Easy. Level: 2 (Easy) (grade 2). Conductor Score & Parts. Duration 2:00. Published by Alfred Publishing.

Concert Band/Harmonie and Voice, Alto- and Tenor Saxophone - Grade 3

SKU: BT.1571-08-010-MS

Composed by David Arnold and Don Black. Arranged by Otto M. Schwarz. Ovation Series. TV-Film-Musical-Show. Set (Score & Parts). Composed 2008. Music Sales #1571-08-010 MS. Published by Music Sales (BT.1571-08-010-MS).

9x12 inches. English-German-French-Dutch.

The World Is Not Enough is een Bondfilm uit 1999, met Pierce Brosnan in de hoofdrol. De gelijknamige titelsong, geschreven door de Engelse filmcomponist David Arnold, werd uitgevoerd door de Schots-Amerikaanse rockgroep Garbage.Het nummer bevat alle traditionele Bond-ingrediënten - zo ook deze door Otto M. Schwarz op vakkundige wijze gearrangeerde versie voor harmonieorkest.

The World Is Not Enough ist das Titellied des gleichnamigen James-Bond-Films aus dem Jahr 1999, geschrieben vom englischen Filmmusikkomponisten David Arnold. Otto M. Schwarz war mit dieser Filmmusikbearbeitung ganz in seinem Element - das Ergebnis spricht für sich! Das Arrangement enthält ein Solo, das wahlweise gesungen oder von Alt- oder Tenorsaxophon gespieltwerden kann.

Scénario inventif, suspense diabolique, action explosive : James Bond est imbattable ! En 1999, Pierce Brosnan assurait pour la troisième fois le rôle du plus célèbre agent secret de l’histoire du 7ème art, dans le dix-neuvième volet de la série Bond : Le monde ne suffit pas. ses côtés, l’actrice française Sophie Marceau. Le compositeur britannique David Arnold succédait John Barry et composa une bande originale très « Bondienne ». (Partie solo adaptée pour voix ou saxophone alto/ténor).Enregistrements sur CD Band Power (version avec solo instrumental DHR 01-050-3) / CD Lord of the Sea ( version avec voix solo DHR 02-044-3).

Composed by Gwyneth W. Walker (1947-). For baritone voice solo, piano. 21st century, prayer. Moderately Easy. Collection. Published by E.C. Schirmer Publishing

By Anonymous. Arranged by Arnold. For Unison Choir & Organ. CMSR63. Published by Oxford University Press.

Composed by David Arnold. Arranged by Michael Brown. Young Concert Band. British, Concert, Tv. Softcover. Duration 135 seconds. Published by Hal Leonard

Concert band - Grade 4

SKU: MH.1-59913-072-6

Composed by Timothy Broege. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 7:00. Published by Manhattan Beach Music (MH.1-59913-072-6).

ISBN 9781599130729.

Program Notes: It was a happy coincidence that the commission for SINFONIA XVI: TRANSCENDENTAL VIENNA came from the Henry David Thoreau School located in Vienna, Virginia. Thoreau is one of the magic names in American culture: Henry David Thoreau, one of the leading figures of the Transcendentalist movement, centered in 19th-century New England, left us a body of unique philosophical and poetical writings. To utter the words, Walden Pond, is to invoke an America long past in physical actuality, but still present in the minds and hearts of many American citizens. The name, Vienna, of course, summons thoughts of the Old World: culture, fine food, wine, civilized cities. While contemplating the form that SINFONIA XVI should take, I found myself thinking of two pillars of Viennese culture: expressionism and the waltz. Musically speaking, expressionism reached a zenith in the works of Arnold Schoenberg and Alban Berg. It was Berg, in particular, that I wanted to invoke in the outer movements of my composition. I knew I would also have to include a waltz, and an invocation of the mysterious forces that are contained in both expressionism and transcendentalism. Thus was the structure of the work generated. The outer movements with their vision of the night sky and the stars, Aldebaran and Sirius, frame the central movements, which are essentially two versions of the same material, and are quieter and less dramatic. The outer movements are symmetrical, and share both pitch and rhythmic materials. Accordingly, I see the work as a ternary form, with the central movements forming a unit within the outer frame: A (Movement 1) B (Movements 2 & 3) A' (Movement 4). Harmonically, the work can be summarized by the two pitch-series which occur in the opening bars of Movement 1: the initial 12-note row, with a tonal center on F-sharp (measures 1-6), and the subsequent D-minor Dorian 7-note row (beginning in measure 14). Aspects of these materials occur in all four movements, but they are most strongly present in Movements 1 and 4. Note that the 12-note row is not subjected to the usual serial procedures, but instead is treated as a signifier and is left unchanged. Since the fourth movement takes up where the first movement leaves off, I can conceive of one interpretation of SINFONIA XVI as an evocation of Thoreau himself contemplating two of the brightest stars on a clear, cold night. Aldebaran is an orange, first-magnitude star, located in the constellation Taurus; Sirius, the Dog Star, is the brightest star in the sky, and is located in the constellation Canis Major. Thoreau interrupts his star-gazing to entertain some inward thoughts, waking dreams, as it were, then returns his gaze to the splendid night sky and all its treasures. Although many other interpretations of the material are possible, it is important to remember that the abstract materials of the piece -- pitch, rhythm, structure -- are what count the most. Ensemble instrumentation: 1 Piccolo, 4 Flute 1, 4 Flute 2, 3 Oboe, 1 Eb Clarinet (opt.), 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 3 Bass Clarinet, 3 Bassoon, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 Horn 1, 2 Horn 2, 3 Trombone 1, 3 Trombone 2, 3 Euphonium B.C., 2 Euphonium T.C., 5 Tuba, 2 Timpani, 3 Percussion 1, 3 Percussion 2, 3 Percussion 3, 3 Percussion 4.

Flute - Level 2-3

SKU: HF.FH-6038

Edited by List. Arranged by List. Sheet music. Friedrich Hofmeister Musikverlag #FH 6038. Published by Friedrich Hofmeister Musikverlag (HF.FH-6038).

ISBN 9790203460381. 9 x 12 inches.

1. Benoit Berbiguier (1782- 1838): Etuden; 2. Theobald Bohm (1794 - 1881): 4 Capricen; 3. Gyula David( *1913): Andante, Allegro moderato; 4. Antoine Hugot (1761 -1803) / Johann Georg Wunderlich (1775- 1819): 3 Studien; 5. Sigfrid Karg-Elert (1877- 1933): 3 Cparicen; 6. Gunter Kochan (*1930): Allegretto, Improvisation; Scherzo; 8. Caspar Kummer (1795- 1870): 7 Etuden; 9. Arnold Matz (1904 - 1991): 2 Adagios, Thema mit Variationen, Allegretto; 10. N. Platonow: Etude; 11. Johann Joachim Quantz (1697 - 1773) / Friedrich II. (1712- 1786): 7 Studien; 12. Adolf Terschak (1832- 1901): Studie; 13. Siegfried Thiele (*1934): Studie; 14. Unbekannter Meister des 18. Jhd.: Fantasia, Allemande, Giga; 15. 2 Volkslieder vom Balkan,16. Vorschlage fur das Tonleiterstudium.

Recorder - late intermediate

SKU: BT.FORFZZ17

Book Only. Forsyths Publications #FORFZZ17. Published by Forsyths Publications (BT.FORFZZ17).

Pieces for the Solo Recorder - Volume 3 for Solo Sopranino, Descant, Treble and Tenor Recorder - edited by John Turner.

Little Suite No.2 - Arnold Clarke

Five Shakespeare Dances - James Langley

Variations on a Trio Tune - John Manduell

Spring Dances - John Addison

Treble Music - Richard Arnell

Invocation at Midsummer - Peter Crossley-Holland

Rondeaux des Oiseaux - Robin Orr

Suling - Mervyn Cooke

Norwegian Herbarium - Kjell Marcussen

Pipe Pieces - David Dubery.

For SATB Choir, Piano. Christmas, 20th Century, Choral. Sheet Music. 220 pages. Published by Novello and Co Ltd.

Handbells

SKU: MN.30-103

Composed by Arnold B. Sherman. Christmas. Handbell score. MorningStar Music Publishers #30-103. Published by MorningStar Music Publishers (MN.30-103).

UPC: 688670301032.

Effective mixing of O Little Town of Bethlehem (ST. LOUIS) and Once in Royal David's City (IRBY). 3 octaves (34 bells)- 4 octaves (37 bells)- 5 octaves (42 bells).