Two solos in jazz idiom for pedal or non-pedal harp-Two solos in the jazz idiom for Pedal or Non-Pedal Harp by Stewart Green. Stewart Green began writing music for the Piano at an early age. Taking up the Viola and Oboe in his teens he later went to the University College of North Wales (Bangor) where he studied composition with among others William Matthias and Reginald Smith Brindle. Gaining a B. Mus. (hons) degree in 1960 he returned to his old school in Richester to teach class and instrumental music. Four years later he enlisted as oboist to the Band of HM Coldstream Guards which opened many doors including performances of his compositions and arrangements in many National venues on discand broadcast by the BBC on Radios 2 & 3. His years at Bangor had enabled him to fulfil a childhood dream of learning the Harp which he was later able to develop when he left the army and moved with his wife Sue and young family to Lowestoft as a peripatetic woodwind tutor for Suffolk County Music Service. His Flights Of Fancy and Blistering Along! appear on ABRSM and Trinity College Harp examination syllabuses while the Spartan Press publication Saxofun is on Suffolk's own exam syllabus. Since 1999 Stewart has been senior Woodwind Tutor for Suffolk and since 2002 Harp tutor as well! Stewart's recent publication She'll Be Comin' Round The Mountain was written for the North Suffolk String Orchestra as was Haunted House. Spookily this received its first performance at Lowestoft accompanied by a July Thunderstorm!

Célèbres études pour la harpe-This book is the first volume of Famous Studies For The Harp ? Fifty Studies Op. 34 by Nicolas-Charles Bochsa was dedicated to J.B. Cramer. Edited and arranged according to Hasselmans? methods by R. Martenot it features the studies 1 to 25 for intermediate Harp players and above. This volume is followed by a second book including the studies 26 to 50. Nicolas-Charles Bochsa (1789-1856) was a musician and composer able to play the Flute the Piano and the Harp. He became the harpist of the Imperial Orchestra but had to move to London where he was one of the founders of the Royal Academy of Music.

Written together with Martin Pierre Dalvimare Full Wind set / Parties Orchestrales

Written together with Martin Pierre Dalvimare Double Bass part / Parties Orchestrales

Written together with Martin Pierre Dalvimare Violin II part / Parties Orchestrales

Full Score-This treatment has been done for strings alone with an optional part for harp. The original key of F has been retained and the optional harp part is embraced by the celli in definitive sections. This arrangement is playable by advancing ensembles with expanded use of rhythms ranges and keys but technical demands are still carefully considered. Includes viola T.C. parts and optional harp and piano.

pour Saxophone alto et Orchestre d'harmonie-Divertimento is an outstanding composition by Roger Boutry for Alto Saxophone and Wind Orchestra. This great work is really nice to play and will enlighten the audience. The Orchestra composition required is: 2 Flutes 2 Oboes 2 Bassoons 2 small Clarinets Clarinet I Clarinet II 1 Bass Clarinet 2 Alto Saxophones 2 Tenor Saxophones 1 Baritone Saxophone 4 Horns 4 Bb or C Trumpets 4 Trombone or 3 Trombone and an Euphonium 1 Bb or C Bass 1 Double Bass 1 Harp Timpani Drum and a Celesta. It is divided into three parts: I. “Allegro ma non troppo” is strongly rhythmic and syncopated.It includes a Cadenza by the Solo Saxophone and is written as a tribute to Jazz music. II. “Andante” also includes a Cadenza by the Solo Saxophone but at the end of the section. It is reminiscent of slower blues ballads. III. This part features few sections by the Solo Saxophone but is specially highlighted its ending in a bright and fast finale. This volume features the score and parts for all the instruments. Born in France in 1932 Roger Boutry received numerous prizes including those for Piano Composition and Conducting. He received the Grand Prix de Rome in 1954. His career was quite successful alternating between Harmony professor composer and conductor. He also received numerous prizes for his incredible compositions.

Spring Fancies was written in 1915. It is a collection of two Preludes scored for solo Harp.Sir Hamilton Harty (1879-1941) was an Irish-born composer conductor and pianist who spent most of his life working in Britain. He is best remembered for reviving the fortunes of the Halle Orchestra in Manchester during the 1920s. However he also wrote many works of music including a symphony several arrangements of Handel dozens of songs and chamber works. Most of these have been overlooked since his early death at the age of 61.

Par KOPPEL ANDERS. / Date parution : 2023-03-11/ Répertoire / Orchestre et Solistes

Full Score-The Persian traditional music (called the Dastgah Segah) is based on intervals made of three quarter-tones and natural whole-tones. Segah has no interval in common with the European/ Western equal-temperament tuning. This lack of common intervalsbetween the Segah mode and the equal-temperament tuning will lead to a cognitive dissonance if this mode is set against the equal-temperament system. My goal has been to elaborate on the innate tensions that exists between the two interval systemsand use it as a symbol for the existing political and cultural tensions between the Persian and the Western cultures. The piece consists of two Persian traditional instruments the Ney (Persian vertical bamboo flute) and the Kamanche (Persian spikefiddle) as the musical representatives of the Persian culture set against the Western orchestra as the musical representative of the Western culture. A small ensemble of Western instruments consisting of a harp and string quintet accompanies thePersian instruments. The harp is tuned to the Segah intervals and the string quintet plays in the Segah mode. The orchestra is performing inthe Western equal- temperament tuning. From the very first bars of the main section of the piece confusionsand misunderstandings arise. The orchestra being unable to play in Segah or understand the mode becomes more and more agitated. Musical tensions between the soloists and the orchestra lead to musical confrontations and finally to musicalviolence. The orchestra becomes extremely violent and militaristic and tries to suppress the soloists efforts to express their musical thoughts. In the midst of all these confusions and cultural misunderstandings musical connections and attractionsstart to take place. The orchestra and the soloists find themselves musically attracted to each other and start imitating each others musical phrases. Cognitive dissonances start to be gradually transformed to musical dialogues symbolizing thegradual replacement of the clash of civilizations with the dialogue of civilizations. Segah was written for Khosrow and Kian Soltani and premiered at the Segah Festival on January 15 2016.

Huilukonsertto. Par ENGLUND EINAR. Einar Englund?s (1916-1999) Flute Concerto (1985) is beyond dispute one of his greatest works. Its finest attributes are its rich melodic invention, colourful instrumentation and immediate message. Add to these its rewarding solo part, and the result is truly one of his best concertos ? and works. He himself did not hesitate to regard it as such. It was premiered in Helsinki on September 16, 1985, having been completed at Ljugarn on the Swedish island of Gotland at the end of June. The Finnish Radio Symphony Orchestra was conducted by Leif Segerstam, and the soloist was the concerto?s dedicatee, Mikael Helasvuo. The Flute Concerto opens with a Ritornello in which the flute's playful, dance-like passages make sharp contrast with the orchestra's heroic stance. In the mellow Canzona which follows, the flute plays rhapsodically over repetitive orchestral figures. The work's 'action-packed' finale hints at parody in its military march-like opening, but also gives rein to the lyricism already familiar from the second movement. This product includes the solo flute part and the piano reduction. The orchestral study score (composer?s manuscript) is available for sale (product number 9790550117471). The performance material is available for hire from the publisher. Duration: c. 23? Instrumentation of the orchestra: 3(III=picc)222?4330?14?harpsichord( celesta)?hp?str / Date parution : 2022-05-31/ Répertoire / Flûte Traversière et Piano

Hawkes Pocket Scores HPS 881. Par PANUFNIK ANDRZEJ. Détails de la formation instrumentale: 3(III=picc).2.corA.2.b Clarinette 2.dbn-4.3.3.1-timp.perc(3):glsp -SD/TD -SD/ cyms/tam-t-harp-strings - Durée: 22' -/ Répertoire / Orchestre

Rhapsody in F Sharp for Piano and Orchestra was commissioned by the BBC Proms and first performed in the Royal Albert Hall on August 19th 1943. Written with the wartime audience in mind it is unashamedlypopular in style with its flashy virtuosity making it immediately accessible and entertaining. There is argument among scholars as to whether it should be referred to in the Major or Minor key as it makes almost equal use ofboth starting in one and finishing in the other. Ernest J Moeran (1894-1950) was an English composer who followed the tradition of R. Vaughan Williams and John Ireland by collecting preserving and using manyfolk songs mainly from Norfolk Suffolk and Ireland.