By Jan Ladislav Dussek. For Harp and Piano. Score and Parts. Published by Ut Orpheus.

By Jan Ladislav Dussek. For Harp, Violin and Violoncello. Score and Parts. Published by Ut Orpheus. (MAG 163)

For Piano Solo - by Masters of the 17th, 18th, and 19th Centuries. By Franz Joseph Haydn; Georg Philipp Telemann; Giornovichi; Jan Ladislav Dussek; Johann C. Bach; Johann Friedrich Reichardt; Johann Kuhnau; Johann Pachelbel; Muzio Clementi. Edited by Alfred Mirovitch. Text: Alfred Mirovitch. Solo piano. For Piano Solo. Solo part. 40 pages. Published by Theodore Presser Company.

Piano

SKU: BT.ALHE33392

Composed by Jan Ladislav Dussek. Classical. Book Only. 96 pages. Heugel & Cie #ALHE33392. Published by Heugel & Cie (BT.ALHE33392).

French.

Piano

SKU: BT.SLB-00329800

Composed by Jan Ladislav Dussek. Score Only. Composed 2002. Editions Salabert #SLB 00329800. Published by Editions Salabert (BT.SLB-00329800).

Piano

SKU: NR.76723

Pour piano, opus 62. Composed by Jan Ladislav Dussek. Score. Noten Roehr #76723. Published by Noten Roehr (NR.76723).

Books and Journals

SKU: UT.QC-2

Composed by Rohan H. Stewart-MacDonald. Hardback (Cloth Hard Cover with Jacket). Quaderni Clementiani. Classical. Books and Journals. Ut Orpheus #QC 2. Published by Ut Orpheus (UT.QC-2).

ISBN 9788881094585. 6.5 x 9.5 inches.

The career of Muzio Clementi (1752-1832) spanned the lives of both Mozart and Beethoven and was exceptionally diverse. It encompassed performing on the keyboard, conducting, teaching, business activities and composition in the realms of keyboard, chamber and orchestral music. This book focuses on Clementi’s keyboard sonatas and aims to shed new light on their relationship with the complex cross-currents of late eighteenth-century musical style, both in England, where Clementi was active for much of his career, and the continent, which he visited periodically.
The first chapter summarises Clementi’s historical reputation as it developed in the nineteenth and twentieth centuries, and evaluates the impact on it of the significant developments in Clementi scholarship since 2000. The aim is to stress the deficiencies of the established view of Clementi as a keyboard pedagogue and to stress the importance of liberating him as much as possible from this ingrained perception. This is attempted, in the remaining chapters, through close, analytical readings of a variety of keyboard sonatas from all stages of his career, comparing them with a range of works by Haydn, Mozart, Beethoven and other contemporaries such as Jan Ladislav Dussek (1760-1812). The comparisons are made from the perspectives of distinguishing features of Clementi’s style such as his unusually intense deployment of strict counterpoint in the later keyboard sonatas; his cultivation of irregularity in recapitulations; his use of the ‘three-key’ exposition in the middle-to-later stages of his career that seems to anticipate nineteenth-century developments, and also his assimilation of heightened virtuosity into the earlier sonatas, often in the form of cadenzas more suggestive of the keyboard concerto – a genre Clementi seems, rather strangely, to have neglected. The book has been envisaged as a direct response, not only to the most recent scholarship on Clementi, but also to current approaches to eighteenth-century music in general, including the interdisciplinary work of Annette Richards.

Composed by Jan Ladislav Dussek. Edited by Massimiliano Sala and Renato Ricco. Saddle stitching. Classical. Score and Parts. Ut Orpheus #ACC 81. Published by Ut Orpheus

By Dussek, Jan Ladislav. For Piano. Published by Editorial de Musica Boileau (Spanish import).