Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.2708212

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Violin 2. Sacred vocal music, Masses, Latin. Single Part, Violin 2. ZWV 14. 24 pages. Duration 38 minutes. Carus Verlag #CV 27.082/12. Published by Carus Verlag (CA.2708212).

ISBN 9790007242947. Language: Latin.

Jan Dismas Zelenka's Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse - the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka's unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sachsische Landes- und Universitatsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages. Score and part available separately - see item CA.2708200.

Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.2708209

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. 1x 27.082/21 flute 1, 1x 27.082/22 flute 2, 1x 27.082/23 oboe 1, 1x 27.082/24 oboe 2, 1x 27.082/31 horn 1, 1x 27.082/32 horn 2, 3x 27.082/33 Trombone 1+2 and timpani. Harmony parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. ZWV 14. Duration 38 minutes. Carus Verlag #CV 27.082/09. Published by Carus Verlag (CA.2708209).

ISBN 9790007242985. Language: Latin.

Jan Dismas Zelenka's Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse - the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka's unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sachsische Landes- und Universitatsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages. Score and parts available separately - see item CA.2708200.

Soli SATB Voices, SATB Choir, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.2708205

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Sacred vocal music, Masses, Latin. Sacred vocal music, Masses, Latin. Choral Score. ZWV 14. 28 pages. Duration 38 minutes. Carus Verlag #CV 27.082/05. Published by Carus Verlag (CA.2708205).

ISBN 9790007241971. Language: Latin.

Jan Dismas Zelenka's Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse - the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka's unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sachsische Landes- und Universitatsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages. Score available separately - see item CA.2708200.

Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.2708214

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Violoncello. Sacred vocal music, Masses, Latin. Single Part, Cello. ZWV 14. 20 pages. Duration 38 minutes. Carus Verlag #CV 27.082/14. Published by Carus Verlag (CA.2708214).

ISBN 9790007242961. Language: Latin.

Jan Dismas Zelenka's Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse - the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka's unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sachsische Landes- und Universitatsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages. Score and part available separately - see item CA.2708200.

Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.2708211

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Violin 1. Sacred vocal music, Masses, Latin. Single Part, Violin 1. ZWV 14. 24 pages. Duration 38 minutes. Carus Verlag #CV 27.082/11. Published by Carus Verlag (CA.2708211).

ISBN 9790007242930. Language: Latin.

Jan Dismas Zelenka's Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse - the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka's unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sachsische Landes- und Universitatsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages. Score and part available separately - see item CA.2708200.

Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.2708249

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Organ / tiorba. Sacred vocal music, Masses, Latin. Single Part, Organ / Theorba. ZWV 14. 32 pages. Duration 38 minutes. Carus Verlag #CV 27.082/49. Published by Carus Verlag (CA.2708249).

ISBN 9790007242923. Language: Latin.

Jan Dismas Zelenka's Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse - the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka's unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sachsische Landes- und Universitatsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages. Score and part available separately - see item CA.2708200.

Josefine (die Sangerin). Composed by Martin Bresnick (1946-). Contemporary. Solo part. With Standard notation. 8 pages. Carl Fischer #B3462. Published by Carl Fischer (CF.B3462).

Composed by Josephine Aurnhammer (1758-1820). Edited by Rosario Marciano. Piano (Harpsichord), 2-hands. Instrumental Music. Full score. Published by Furore Verlag (FV.FUE-1180).

SATB vocal soli, SATB choir, 2 violin, basso continuo, [2 trombone]

SKU: CA.9101705

Sancti Josephi. Composed by Antonio Caldara. Edited by Wolfgang Furlinger. South German church music of the Baroque. German title: Missa In B Sancti Josephi 1100401. Sacred vocal music. Choral Score. 24 pages. Carus Verlag #CV 91.017/05. Published by Carus Verlag (CA.9101705).

ISBN 9790007113902. Key: B flat major. Language: Latin.

Score available separately - see item CA.9101700.

SATB vocal soli, SATB choir, 2 violin, basso continuo, [2 trombone]

SKU: CA.9101719

Sancti Josephi. Composed by Antonio Caldara. Edited by Wolfgang Furlinger. Missa In B Sancti Josephi 1100401. Sacred vocal music. Set of Orchestra Parts. Carus Verlag #CV 91.017/19. Published by Carus Verlag (CA.9101719).

ISBN 9790007145323. Key: B flat major. Language: Latin.

Score and parts available separately - see item CA.9101700.

(Sancti Josephi). Composed by Antonio Caldara (1670-1736). Edited by Wolfgang Furlinger. For SATB vocal soli, SATB choir, 2 violin, basso continuo, [2 trombone]. This edition: Paperbound. B-Dur (B-flat major). South German church music of the Baroque. German title: Missa in B Sancti Josephi 1100401. Full score. Language: Latin. 44 pages. Published by Carus Verlag

Solo Voices, SATB Chorus, Orchestra - Level 3

SKU: CA.4064403

Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Arranged by Heribert Schroder. Vocal score. Composed 1730. ZWV 13. Duration 30 minutes. Carus Verlag #4064400. Published by Carus Verlag (CA.4064403).

ISBN 9790007293529. Key: D major. Latin.

The Missa Gratias agimus tibi by Jan Dismas Zelenka was composed in 1730, a little before the Missa Sancti Josephi (Carus 27.082), and is thus already close to Zelenka's late style. As a festive mass, it is scored with trumpets and timpani, which, in the spirit of courtly splendour, are not silent even in the Kyrie. 17 mostly shorter movements, each with a very different character, bear witness to Zelenka's inventiveness and make the 30-minute mass an exciting experience. Score available separately - see item CA.4064400.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1094670-140

Composed by Thierry Deleruyelle. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2009. 44 pages. De Haske Publications #DHP 1094670-140. Published by De Haske Publications (BT.DHP-1094670-140).

9x12 inches. English-German-French-Dutch.

With Emperor, French composer Thierry Deleruyelle wanted to create a descriptive musical work depicting the life of Napoleon Bonaparte. The first movement represents the idiosyncrasies of this famous personality as well as his dramatic mood swings. The second movement is dedicated to his great love, Josephine Beauharnais. A contrasting third movement depicts Napoleon the fearless general and the countless battles he waged. A truly powerful work about one of histories truly powerful men.

Mit Emperor schuf der französische Komponist Thierry Deleruyelle ein deskriptives Werk nach dem Leben von Napoleon Bonaparte. Der erste Satz hebt die Charakterzüge des Kaisers von Frankreich hervor, wozu Heldenmut und Brillanz ebenso wie Schwermut gehören. Der zweite Satz ist seiner großen Liebe Josephine Beauharnais gewidmet und im Kontrast dazu der dritte Satz dem Feldherrn Napoleon und seinen zahlreichen Schlachten. Ein schillerndes Werk über eine große historische Figur!

Avec Emperor (L’Empereur), le compositeur français Thierry Deleruyelle signe une fresque musicale en trois tableaux, consacrée Napoléon Ier (1769-1821) qui fut Empereur des Français de 1804 1815. Le premier tableau, « l’Aigle », illustre deux facettes du caractère de l’Empereur : héro que et éblouissant lorsqu’il mène ses troupes la victoire, sombre et mélancolique dans la tourmente de l’histoire. Le deuxième mouvement est consacré Joséphine de Beauharnais, la grande et unique passion de Bonaparte, sa première épouse, son incomparable impératrice. La courbe mélodique est noble et élégante, l’orchestration riche en couleurs sonores. Le troisième et derniertableau - D’Austerlitz Waterloo - est un récit de batailles, de la grande victoire la chute définitive. Le climat musical est dominé par un esprit de conquête. Les rythmes soutenus de la caisse-claire symbolisent la chevauchée infernale de la cavalerie impériale. Nous suivons l’itinéraire militaire de l’un des hommes les plus célèbres et les plus controversés de l’histoire de France.

Con Emperor, Thierry Deleruyelle firma un affresco musicale dedicato a Napoleone. Seguiamo il destino militare e personale di Bonaparte. Il primo affresco, “l’Aigle”, illustra due aspetti del carattere dell’Imperatore: eroico quando conduce le sue truppe alla vittoria, malinconico nella tormenta della storia. Il secondo movimento è dedicato a Josephine di Beauharnais, la grande e unica passione di Napoleone. Il movimento finale - Da Austerlitz a Waterloo - è un racconto delle battaglie, delle grandi vittorie e della caduta definitiva.