SKU: SU.80110807

Three Pieces for Unaccompanied Violin (1965) is a set of three dramatic and expressive violin solo movements, each divided up into subsections that togethertravel through all 12 tonal centers. Published by: Soundspells Productions.

SKU: CL.012-4166-75

Freedom Rising was written in commemoration of the 150 anniversary of Quantrill's raid on the unsuspecting town of Lawrence, Kansas where the residents bravely fought to defend their town from the forces of pro-slavery western counties. Opening with a dark and haunting woodwind choir, the composition quickly journeys into the raging battle that took place that fateful August day in 1863. The slower middle section is a powerful hymn expressing the hope of all townspeople for a successful defense to this sneak-attack. The dramatic powerful conclusion leaves us with the knowledge that this community fought desperately for the freedom of all people. A powerful piece that brings to life this brief but important period in American history.

SKU: BT.EMBZ8377

English-German-Hungarian.

The idea of composing 'Games' was suggested by children playing spontaneously, children for whom the piano still means a toy. They experiment with it, caress it, attack it and run their fingers over it. They pile up seemingly disconnected sounds, and if this happens to arouse their musical instinct they look consciously for some of the harmonies found by chance and keep repeating them. Thus this series does not provide a tutor, nor does it simply stand as a collection of pieces. It is a possibility for experimenting and not for learning to play the piano.Pleasure in playing, the joy of movement - daring and if need be fast movement over the entire keyboard right from the firstlessons instead of clumsy groping for keys and the counting of rhythms - all these rather vague ideas lay at the outset of the creation of this collection. Playing - is just playing. It requires a great deal of freedom and initiative from the performer. On no account should the written image be taken seriously but the written image must be taken extremely seriously as regards the musical process, the quality of sound and silence. We should trust the picture of the printed notes and let is exert its influence upon us. The graphic picture conveys an idea about the arrangement in time of even the most free pieces. We should make use of all that we know and remember of free declamation, folk-music parlando-rubato, of Gregorian chant and of all that improvisational musical practice has ever brought forth.Let us tackle bravely even the most difficult task without being afraid of making mistakes: we should try to create valid proportions, unity and continuity out of the long and short values - just for our own pleasure! (BMC CD 139).