SKU: ST.H384
ISBN 9790220208805.
John Ireland's 'Cavatina' for violin and piano, which was probably composed in 1904, also exists in a slightly expanded version for organ and shows the composer's mastery of the popular salon style of the time. Unavailable for many years, it is now reissued in a new edition that includes a scholarly note by Geoffrey Bush.
SKU: CF.B3467
ISBN 9781491156773. UPC: 680160915316. 9 x 12 inches.
Paginula is Latin for little page or short letter. As a title, it connotes something similar to album leaf or moment musical. Daniel Godfrey completed this work as a contribution to Boston-based Music for Food, an organization in which Kim Kashkashian - viola professor at the New England Conservatory - and her colleagues volunteer extraordinary, memorable performances in concerts whose proceeds go entirely to combating food insecurity, homelessness and domestic violence.
SKU: PR.510076960
1. Choral: An improbably superimposing of Beethoven and Brahms. At the end of the first performance of the latter's 1st Symphony, someone asked the composer: Don't you find that your main theme remin ds one of the Ode to Joy? To which he retorted: Even an idiot would have noticed it! 2. Fugue: in the last exposition, the subject of Fugue I from volume 1 of Bach's Well-Tempered Keyboard is super imposed on the theme from Mozart's so-called easy sonata. 3. Passion: In his Violin Concerto, Mendelssohn, to whom we owe the rediscovery of Bach's Passions, seems to have borrowed a theme from a lost Passion. 4. Recitativo: Tribute to Franck's tribute to Bach in his Sonata for violin and piano. 5. Invention: A private revenge, after a bitter failure. Debussy's Toccata was on the compulsory list for the Conservatory piano class entrance exam. 6. Arpeggione: In which the listener realizes the similarity in the introduction to Schubert's Unfinished Symphony and Arpeggione Sonata. 7. Sarabande: The most iconoclastic, for Bach's 5th Cello Suite is already suffused with harmony. There might be an evocatioin of a Brahms-like overarching structure, though... 8. Variation: The slowest variation ever written on Paganini's 24th Caprice. 9. Scene: Schumann's Reverie as a Prelude. 10. Finale: In order to capture the elusive harmony of the Finale of Chopin's Sonate Funebre. 11. Fugue on Au clair de la lune: Our greatest nursery rhymes, fugue fitted and choralized. 12. Fugue de Noel (Christmas fugue): Quite appropriate. 13. Fugue on J'ai du bon tabac: Prohibited counterpoint. 14. Fugue on La Marseillaise: Franco-German reconciliation. 15. Pedal - Exercitium: Realization and conclusion of Bach's organ pedal exercies.
SKU: JK.01520
1 Corinthians 13:3 and 1 John 4:7-8.
Arranged for mixed chorus (SATB), violin and piano or organ accompaniment. Based on scriptural text from 1 Corinthians 13:3 and 1 John 4:7-8, on the importance of having love for one another. (violin part included)Composer: Darwin Wolford Arranger: Darwin Wolford Lyricist: Scriptural text from 1 Corinthians 13:3 and 1 John 4:7-8 Difficulty: Medium Performance time: 2:45Reference: 1 Corinthians 13:3 and 1 John 4:7-8.
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