Urtext der Neuen Schubert-Ausgabe. By Franz Schubert. Edited by Werner Aderhold....(+)
Urtext der Neuen
Schubert-Ausgabe. By
Franz Schubert. Edited by
Werner Aderhold. For
Orchestra. Score; Urtext
Edition. D 944. Published
by Baerenreiter-Ausgaben
(German import).
Orchestra SKU: HL.49016259 Einfuhrung und Analyse. Composed by Joh...(+)
Orchestra
SKU:
HL.49016259
Einfuhrung und
Analyse. Composed by
Johannes Brahms. Edited
by Giselher Schubert.
This edition:
Paperback/Soft Cover.
Sheet music. Serie Musik.
Siehe Rubrik
Bucher/Multimedia.
Classical. Study Score.
Op. 68. 256 pages. Schott
Music #SP 8107. Published
by Schott Music
(HL.49016259).
ISBN
9783795781071.
5.0x7.5x0.538 inches.
German.
Als
Johannes Brahms im Jahre
1876 seine 1. Sinfonie
der Offentlichkeit
vorstellte, war dies ein
lang erwartetes Ereignis.
Zwar war der Komponist
schon eine geraume Zeit
beruhmt und hatte sich in
fast allen musikalischen
Gattungen hervorgetan: er
hatte Klaviersonaten,
Lieder, Konzerte sowie
Orchester- und Chorwerke
(u.a. das Deutsche
Requiem) vorgelegt und
mit drei
Streichquartetten
Beitrage zu einer Gattung
geliefert, die seit
Beethovens spaten
Quartetten als
kunstvollste und intimste
musikalische Gattung
uberhaupt galt. Nur eine
Sinfonie hatte er noch
nicht komponiert, denn er
gehorte zu den
Komponisten, denen die
Schwierigkeit bewusst
war, mit einem
sinfonischen Werk
gegenuber dem
Beethovenschen Erbe
bestehen zu
konnen.Giselher Schubert
schildert diese Umstande
in diesem Buch und
verdeutlicht, dass ein
selbstkritischer
Komponist, wie es Brahms
ausgepragt war, sich so
lange Zeit schwer tun
musste, bis er glaubte,
den Erwartungen von
Freunden und Fachleuten
entsprechen zu konnen. Er
beschreibt neben der
Entstehungsgeschichte
dieser Sinfonie, der
schon bald der Beiname
die Zehnte (Beethovens)
gegeben wurde, die
Quellenlage, gibt
kommentierend die
Reaktionen auf die ersten
Auffuhrungen wieder und
stellt Betrachtungen an
zu einer Analyse des
Werkes. Anregungen zur
weiteren Beschaftigung
mit dieser Sinfonie geben
in einer Auswahl
Literaturverzeichnis und
eine Diskographie. Anhand
der vollstandig
wiedergegebenen Partitur
kann der Leser den
Notentext beim Horen
verfolgen und die
analytischen Kommentare
nachvollziehen.
Concerto C Major Orchestre [Conducteur] - Intermédiaire/avancé Schott
Orchestra (Score) - intermediate to advanced SKU: HL.49001750 Score(+)
Orchestra (Score) -
intermediate to advanced
SKU: HL.49001750
Score. Composed by
Joseph Schubert. Edited
by Karlheinz
Schultz-Hauser. This
edition: Paperback/Soft
Cover. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Score. 52 pages. Duration
25'. Schott Music
#CON132. Published by
Schott Music
(HL.49001750).
ISBN
9790001023641. UPC:
073999971743.
9.0x12.0x0.175
inches.
The
rediscovery of this
concerto by the Bohemian
composer is certainly a
surprise for the violists
particularly since there
is only very little
original literature from
the classical epoch. As
violist of the Dresden
court orchestra, Joseph
Schubert writes a very
skilful solo part
suitable for the
instrument adding
vigorous melody and
harmonic abundance which
reminds of Mozart. In
this edition, the
original cadences and
diminutions appear
unchanged.
By Laszlo
Zempleni. By Franz
Schubert. Arranged by
Lá, Zemplé,
ni, and szló. EMB.
Children. Score and
parts. Editio Musica
Budapest #Z14335.
Published by Editio
Musica Budapest
(HL.50485103).
ISBN
9790080143353. UPC:
073999457063.
9.0x12.0x0.319 inches.
Franz Schubert; Laszlo
Zempleni.
The
material of this volume
consists of the dances
most popular in Vienna at
he beginning of the 19th
century: landler,
ecossaises and German
dances. They were
originally piano pieces,
but were certainly
performed on all sorts of
instruments at social
gatherings and in public
places of entertainment.
This transcription for
children's orchestra of
these miniature
compositions is a modern
continuation of the old
tradition of their
'transcription'.
Orchestra (Orchestra) SKU: BA.BA05559 Composed by Franz Schubert. Edited ...(+)
Orchestra (Orchestra)
SKU: BA.BA05559
Composed by Franz
Schubert. Edited by
Michael Kube. This
edition: complete
edition, urtext edition.
Linen. New Schubert
Edition V, 6. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05559_00.
Published by Baerenreiter
Verlag (BA.BA05559).
ISBN 9790006497270.
24.6 x 33.3 cm inches.
Language: German.
Preface: Michael
Kube.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Flute and orchestra (Score) - intermediate to advanced SKU: HL.49001954 C...(+)
Flute and orchestra
(Score) - intermediate to
advanced
SKU:
HL.49001954
Composed
by Joseph Schubert.
Edited by Istvan
Mariassy. This edition:
Paperback/Soft Cover.
Sheet music. Concertino
(Chamber Orchestra).
Classical. Score. Op. 1.
70 pages. Duration 26'.
Schott Music #CON 242.
Published by Schott Music
(HL.49001954).
ISBN
9790001117685.
9.0x12.0x0.222
inches.
Dieses
musikantische Konzert des
bohmischen Komponisten
Joseph Schubert
(1757-1837) ist eine
Bereicherung des
Flotenrepertoires der
Klassik.
Orchestra (Orchestra) SKU: BA.BA05560 Composed by Franz Schubert. Edited ...(+)
Orchestra (Orchestra)
SKU: BA.BA05560
Composed by Franz
Schubert. Edited by
Michael Kube. This
edition: complete
edition, urtext edition.
Linen. New Schubert
Edition (Neue Ausgabe
samtlicher Werke) Series
V, Volume 7. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05560_00.
Published by Baerenreiter
Verlag (BA.BA05560).
ISBN 9790006497287. 33
x 26 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
By Franz Schubert. Arranged by Vernon Leidig. Music by Franz Schubert / arr. Ver...(+)
By Franz Schubert.
Arranged by Vernon
Leidig. Music by Franz
Schubert / arr. Vernon
Leidig. For Full
Orchestra. Full
Orchestra. Concert
Orchestra. Level: 4
(grade 4). Conductor
Score & Parts. 108 pages.
Published by Alfred
Publishing.
Composed by Franz Schubert (1797-1828). Edited by Michael Kube. This edition...(+)
Composed by Franz
Schubert
(1797-1828). Edited by
Michael Kube. This
edition:
complete edition, urtext
edition. Cloth bound.
Franz
Schubert. Neue Ausgabe
samtlicher Werke V/5.
Complete Edition, Score,
anthology. Baerenreiter
Verlag #BA05573-01.
Published
by Baerenreiter Verlag
Orchestra SKU: TM.06599TPS Composed by Franz Schubert. Transposed Score. ...(+)
Orchestra
SKU:
TM.06599TPS
Composed
by Franz Schubert.
Transposed Score. Lucks
Music Library #A2001.
Published by Lucks Music
Library (TM.06599TPS).
11 movements.
Introduction, Ancient
Dance, Gavotte,
Bacchanais, Apparation of
Phoebus and the Muses,
Phoebusi Evocation of
Cupid, Cupid Make Psyche
Appear, Goddesses Muses
Nymphs and Bacchants,
Variation for Flute.
New music
(post-2000). Full score.
Composed 2016/17/20. 48
pages. Duration 8'.
Breitkopf and Haertel #PB
5432. Published by
Breitkopf and Haertel
(BR.PB-5432).
ISBN
9790004212790. 10 x 12.5
inches.
Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020.
Score String Orchestra (Full Score) SKU: HL.278261 For String Orchestr...(+)
Score String Orchestra
(Full Score)
SKU:
HL.278261
For
String Orchestra Full
Score. Composed by
Peter Ilyich Tchaikovsky.
Arranged by Jose
Serebrier. Peermusic
Classical. Classical.
Softcover. 8 pages.
Peermusic Classical
#70219-766. Published by
Peermusic Classical
(HL.278261).
ISBN
9781540029614. UPC:
888680752972. 9x12
inches.
Program
notes: “None But
the Lonely Heart”
is a song from
Tchaikovsky's Six
Romances, Op. 6 for
voice and piano. The song
is a setting in Russian
translation of Goethe's
poem “Nur wer die
Sehnsucht kennt,”
which has attracted many
composers, most famously
Franz Schubert. This is
my second orchestration
of music by Tchaikovsky,
the first being Andante
Cantabile from his String
Quartet No. 1. I tried to
make these transcriptions
sound as if they had been
orchestrated by the
composer himself –
as is also the case with
my transcriptions of
music by Rachmaninoff,
Janácek, Bizet,
and Revueltas. This is my
natural tendency,
following the spirit of
the music.
–José
Serebrier.
(Eulenburg Audio Score Series, Vol. 60). By Franz Schubert (1797-1828). Edited b...(+)
(Eulenburg Audio Score
Series, Vol. 60). By
Franz Schubert
(1797-1828). Edited by
Richard Clarke. For
Orchestra (Study Score).
Eulenberg Audio plus
Score. Softcover with CD.
78 pages. Hal Leonard
#EAS160. Published by Hal
Leonard
Orchestra SKU: HL.49009448 Composed by Franz Schubert. Edited by Max Albe...(+)
Orchestra
SKU:
HL.49009448
Composed
by Franz Schubert. Edited
by Max Alberti. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
54 pages. Duration 8'.
Eulenburg Edition #ETP
1130. Published by
Eulenburg Edition
(HL.49009448).
ISBN
9790200209600.
5.5x7.5x0.165
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
By Franz Schubert (1797-1828). For orchestra (violoncello 1). Orchester-Biblioth...(+)
By Franz Schubert
(1797-1828). For
orchestra (violoncello
1). Orchester-Bibliothek
(Orchestral Library).
Individual part. 4 pages.
Published by Breitkopf
and Haertel . individual
part.
(contrabass). By Franz Schubert (1797-1828). Edited by Peter Hauschild. For orch...(+)
(contrabass). By Franz
Schubert (1797-1828).
Edited by Peter
Hauschild. For orchestra.
This edition: Urtext.
Orchester-Bibliothek
(Orchestral Library).
Individual part. 8 pages.
Published by Breitkopf
and Haertel
(wind set). By Franz Schubert (1797-1828). For orchestra. Orchester-Bibliothek (...(+)
(wind set). By Franz
Schubert (1797-1828). For
orchestra.
Orchester-Bibliothek
(Orchestral Library).
Wind set. 32 pages.
Published by Breitkopf
and Haertel
Overture. Composed
by Franz Schubert. Edited
by Max Alberti. Arranged
by Max Alberti. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical, Romantic.
Study Score. Op. 69. 42
pages. Eulenburg Edition
#ETP 698. Published by
Eulenburg Edition
(HL.49010147).
ISBN
9790200206029.
5.25x7.5x0.138
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.