By Ludwig Van Beethoven (1770-1827). Edited by Fischer, H. For Mixed Choir or Me...(+)
By Ludwig Van Beethoven
(1770-1827). Edited by
Fischer, H. For Mixed
Choir or Mens Choir (3
voices) with Violin,
Violincello and Piano ad
lib. Score (Choral
Score). Published by
Thomi-Berg (German
import). (V 6105)
Composed by
Jimmy Baas. Sws.
Performance Score. 16
pages. Duration 3
minutes, 49 seconds. Carl
Fischer Music #CM9625.
Published by Carl Fischer
Music (CF.CM9625).
ISBN 9781491156988.
UPC: 680160915545. 6.875
x 10.5 inches. Key: Bb
major. English, English.
William Butler
Yeats.
The
Everlasting Voices is the
perfect blend of textural
variety and harmonic
interest for the advanced
treble ensemble.
Employing a powerful
text, Baas' vocal
layering coupled with
piano and optional cello
make this compelling
piece a programming
must!. O sweet
everlasting Voices, be
still; Go to the guards
of the heavenly fold And
bid them wander obeying
your will, Flame under
flame, till Time be no
more; Have you not heard
that our hearts are old,
That you call in birds,
in wind on the hill, In
shaken boughs, in tide on
the shore? O sweet
everlasting Voices, be
still. This SSAA choral
work by Jimmy Baas was
comissioned by the
Lumberton HS Varsity
Treble Choir. The opening
and closing lines of the
poem, O sweet everlasting
voices, be still provide
the perfect bookends for
two larger sections of
the poem. These two
sections are equally
divided into verses. The
opening line is used once
again as a transition
between the verses. The
previously mentioned
lines, O sweet
everlasting voices, are
overlapped as different
layers of voices enter
and sustain. A fifth and
sixth voice, the cello
and piano accompaniment
take part in these layers
as well. The words be
still are very much a
part of the mood each
time as the everlasting
voices become quiet and
still. The two verses
feature different voices
within the SSAA choir.
Verse 1, the sopranos,
and verse 2 the altos.
There are many moments in
this piece to explore the
full range and color of
the SSAA choir. The piano
and cello play an
important part
throughout, making this
piece an excellent choice
for any festival women's
chorus. O sweet
everlasting Voices, be
still;Go to the guards of
the heavenly foldAnd bid
them wander obeying your
will,Flame under flame,
till Time be no more;Have
you not heard that our
hearts are old,That you
call in birds, in wind on
the hill,In shaken
boughs, in tide on the
shore?O sweet everlasting
Voices, be still.This
SSAA choral work by Jimmy
Baas wascomissioned by
the Lumberton HS Varsity
Treble Choir.The opening
and closing lines of the
poem, “O
sweeteverlasting voices,
be still†provide
the perfect bookendsfor
two larger sections of
the poem. These two
sectionsare equally
divided into verses. The
opening line is usedonce
again as a transition
between the verses.The
previously mentioned
lines, “O sweet
everlastingvoices,â€
are overlapped as
different layers of
voices enterand sustain.
A fifth and sixth voice,
the cello and
pianoaccompaniment take
part in these layers as
well.The words “be
still†are very
much a part of the
moodeach time as the
everlasting voices become
quietand still.The two
verses feature different
voices within the
SSAAchoir. Verse 1, the
sopranos, and verse 2 the
altos. Thereare many
moments in this piece to
explore the full range
andcolor of the SSAA
choir. The piano and
cello play an
importantpart throughout,
making this piece an
excellent choice for
anyfestival
women’s
chorus.
SST(A)TTB vocal soli or
choir, ST(A)TB voices, 2
flutes, 2 oboes, 2
violins, 2 violas, cello,
piano
SKU:
CA.2100700
Psalm
45. Grand Motet.
Composed by Jean-Philippe
Rameau. Edited by
Jean-Paul C. Montagnier.
This edition: Paperbound.
French Sacred Music. Deus
Noster Refugium (Psalm
45). Sacred vocal music,
Psalms, Latin, Psalms.
Full score. 68 pages.
Duration 26 minutes.
Carus Verlag #CV
21.007/00. Published by
Carus Verlag
(CA.2100700).
ISBN
9790007142179. Language:
Latin.
The three
grands motets, Quam
dilecta, In convertendo
and Deus noster refugium,
which Jean-Philippe
Rameau composed from 1713
to 1715 are still
relatively unknown today.
Yet these masterworks can
stand comparison to the
best works of
Michel-Richard de
Lalande. They are
testimony to Rameau's
great contrapuntal
mastery and contain
beautiful lyrical
passages. Quam dilecta
and Deus noster refugium
have survived only in
later sources which
originated in about 1770,
after Rameau's death, and
the works have been
rendered in a scoring
which does not correspond
to his intentions. The
present new edition
attempts for the first
time to reconstruct them
as closely as possible to
their original form. The
edition of In convertendo
is based on Rameau's
autograph score from
1751.
Cello and piano - Medium-easy / medium acc. SKU: JK.09193 Composed by Ger...(+)
Cello and piano -
Medium-easy / medium acc.
SKU: JK.09193
Composed by German Folk
Tune. Arranged by Richard
W. Smith. Difficulty Easy
Medium, Instrumental
Cello, Piano Choir,
Seasonal Music Christmas,
Christmas, Jesus Christ -
Birth. Christian,
Inspirational. Jackman
Music Corporation #09193.
Published by Jackman
Music Corporation
(JK.09193).
Isaiah
9:6, Luke 2:7-19, Matthew
2:1-2.
Delightful
Christmas instrumental
arrangement for cello
solo with piano
accompaniment. Compose
r: German Folk Tune
Arranger: Richard W.
Smith Difficulty:
Medium-easy / medium
acc. Reference: Isaiah
9:6, Luke 2:7-19, Matthew
2:1-2.
Kantate fur
Kinder. Composed by
Gunther Kretzschmar.
Children's music and
musicals. German title:
Till Eulenspiegel.
Cantatas, Cantatas and
Singspiele for children,
Secular choral music. Set
of Orchestra Parts.
Duration 30 minutes.
Carus Verlag #CV
12.405/19. Published by
Carus Verlag
(CA.1240519).
ISBN
9790007138783. Language:
German.
Score and
parts available
separately - see item
CA.1240500.
Kantate fur
Kinder. Composed by
Gunther Kretzschmar.
Children's music and
musicals. German title:
Till Eulenspiegel.
Cantatas, Cantatas and
Singspiele for children,
Secular choral music.
Choral Score. 8 pages.
Duration 30 minutes.
Carus Verlag #CV
12.405/05. Published by
Carus Verlag
(CA.1240505).